What does a year of identity design look like when reduced to its essential forms? MARKS & FORMS ...

What does a year of identity design look like when reduced to its essential forms? MARKS & FORMS ...What does a year of identity design look like when reduced to its essential forms? MARKS & FORMS ...

The network for creativity

Join 1.25M professional creatives like you

Connect with clients, get discovered, and run your business 100% commission-free

Creatives on Contra have earned over $150M and we are just getting started

Back to feedPost

Enmanuel Jimenez Veloz

• 14h

What does a year of identity design look like when reduced to its essential forms?

MARKS & FORMS — 2025 THE LAST DANCE is a curated archive of over 100 marks created throughout a year of exploration, experimentation, and visual decision-making.

Rather than presenting a traditional logofolio, the collection brings together the marks that defined the year — from early explorations to refined identities — creating a visual record of consistency, growth, and creative evolution.

Every mark represents a decision. Every form represents a direction.

The Last Dance is not only a look back at 2025. It is a closing statement before moving forward.

Explore the full collection on Behance

Available for brand identity & visual design projects. Let’s create something meaningful together.

Logo Design Typography Brand Design Adobe Illustrator

Daniel G Bright

max

• Sep 2

Concept exploration for Crown, part of the my full process

Strategy and positioning lock first

Then logo

Then the identity system

Then full delivery

Every phase is decided before the next one starts

Brand Design Logo Design

Rahman Rahe

• Sep 2

Great work

Robert Ban Bebek

pro

• Sep 2

Brooklyn Nine-Nine, Boyle’s Food Truck visual identity

The other day I started thinking of fictional brands from TV shows and If you ever watched Brooklyn Nine-Nine you must know Boyle!

The idea was simple:

What would Boyle’s food truck look like if it were a real Brooklyn food truck?

I approached it as a visual designer, building the identity around the character himself — enthusiastic, slightly chaotic, unapologetically passionate about food, and very Brooklyn.

I worked on the visual language across the truck, typography, colors, graphics and supporting touchpoints to make it feel like an actual food business with a mascot, rather than just a prop from a TV show.

The challenge was finding the balance between Brooklyn, food culture and Boyle's personality without making it feel like a generic New York food truck.

And honestly, fictional brands are some of my favorite design exercises.

There’s already a story, a personality and an audience.

The fun part is figuring out:

What does that look like?