Exploring 3D interactions and brutalist scale for Kinetix — a portfolio concept centered on design systems and digital products.

Focused on balancing heavy typography with fluid, tactile motion so the 3D element feels integrated rather than decorative.

Curious to hear your thoughts: does the 3D rotating showcase feel smooth and intuitive, or do you prefer flat, high-speed interactions for portfolio heroes?

The rotating 3D works here precisely because you kept it integrated, not decorative, so it reads as intent rather than showing off. For a portfolio hero I usually lean flat and fast, but this earns the motion. That heavy Kinetix wordmark has real physical weight.

Manifestation apps have an audience problem most teams don't talk about: the same interface has to work for a teenager building a vision board and a retiree tracking daily affirmations. Design for one and you alienate the other.

For Manifestie, that meant treating the visual language as functional, not decorative. The color palette and animation aren't there to look calm they're there to lower the barrier to a daily habit that most people abandon within a week. Progress tracking and feature navigation had to stay simple enough that neither age group hits friction, while the aesthetic still signals "this is a space for reflection," not a productivity tool wearing soft colors.

The harder design question wasn't the interface it was building something that feels personal to two very different life stages without splitting into two products.

Anyone else designed for an audience that spans generations in one build? Curious how you handled the tone split. Check it out.

this is sooooo dreamy, i love the collectible aspect you've incorporated!