Creative Direction for V&A's Joy from Africa Festive CampaignCreative Direction for V&A's Joy from Africa Festive Campaign
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
JOY FROM AFRICA TO THE WORLD Writing a campaign that made Christmas feel like it actually belonged to Africa
Creative direction, manifesto, storytelling playbook, social, print, outdoor, film and UX copy for the V&A Waterfront's flagship festive campaign.
THE STORY
Joy from Africa to the World was already a beautiful idea when it came to me. My job was to build the world around it and make sure nothing got lost between the concept and the page.
At its heart was something genuinely radical: the belief that Africa doesn't need to borrow Christmas from anywhere else. That there is a way to celebrate this season that is rooted in craft, in community, in the particular magic that happens when African creativity is given room to breathe and be seen and celebrated on its own terms. Not as an exotic variation on someone else's tradition. As something original and alive and worth giving to the world.
My role was to take that idea and give it language.
I developed the full storytelling playbook that guided everyone working on the campaign, from illustrators to social media managers to event producers, giving them a shared creative language and a clear sense of what the campaign was really saying beneath the visuals. I wrote the manifesto "Between the Mountain and the Sea," a piece of prose that tried to capture Cape Town's soul at its most open and celebratory. I wrote across print, outdoor, social, digital and film, and developed the UX copy for the art installation wayfinding experience that brought visitors into the story physically, not just visually.
What made it work was not any single piece of writing. It was the coherence. Every word, in every place, coming from the same warm and generous place. Getting there meant murdering a great deal I was personally attached to.
It always does.
WHAT IT TAUGHT ME
That the best thing a writer can do with someone else's great idea is get out of the way of it, and quietly make sure it sounds as good as it looks.
Post image
Post image
Post image
Post image
Back to feed
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started