The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
Memento Mori IV
Hand-drawn Work in Progress — Part 1.
Memento Mori IV
Hand-drawn Work in Progress — Part 1.
Here we go again. One mark at a time.
You’re looking at the very beginning of what will probably become another ridiculous amount of hours, patience, ink, and questionable life choices.
I’ll take you through the process.
So Talented. Keep going.
Thank you so much! I really appreciate it. I’ll keep going and share more of the process soon! 🙏🖤
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Trending
retrofuturism
Share your favorite designs from the past exploring the distant future. Or your own take on the aesthetic 🚀
halftone
Dots. Texture. Grain. Let's see your designs using the halftone technique.
Midjourney
Creatives are showing off what they're making with Midjourney.
colorgrade
Video editors sound off: How do you enhance the mood of your video in color grading?
Related posts
Hello Contra, Paul here. I had the privilege of working with the Dunkin' team in Korea on the logo for their new premium flagship store, called Wonders. 😊
Check it out
Awesome😍
Rubicrown - Identity Exploration.
RubiCrown is a boutique Austin Texas development partner that unlocks trapped value in extraordinary land and legacy properties.
Very modern.
✨ Which design do you like the most?
We’ve created two versions of the same yoga post — now it’s your turn to choose! 🧘♀️🌿
01 or 02?
Drop your pick in the comments 👇
15 voted
88%
2 voted
12%
17 votes
Closed
I didn't vote, but if I had to choose, I'd go with Option 2 for the typography and overall design. I do, however, prefer the full-frame photograph in Option 1. The border around the photograph in Option 2 slightly compresses the model's gaze and makes the image feel a little more confined.
