The bigger gap was imagery. A content engine needs dozens of images that hold together as one batch. So I built Document Mode: vintage back-office paperwork, 1970s insurance claims, beige filing archives, whole mountains of crumpled forms, shot like editorial documentary photography, Severance retrofuturism at Gursky scale, generated in Midjourney through a locked prompt library. Source images stay neutral. The red/blue duotone and the pixel sample-shed dissolve get applied in Figma, so every image inherits the same treatment. Underneath it all sits the organizing idea: the product is a sampling operation, continuous human mess in, discrete structured units out. Discretization became the rule for everything decorative. If a pixel cluster can't be explained by that idea, it doesn't ship.