Every reading follows ten passes in a fixed order, from the first impression of the hand through its shape, fingers, thumb, mounts, and lines, to a comparison of the two hands (the inherited self against the one being built) and a closing synthesis. Claude studies up to two photographs and writes ten chapters in parallel. Each chapter is checked for depth when it returns and rewritten if it comes back thin. If the vision path fails entirely, a written library of about 31,000 words, organized by hand type, finger, mount, line, scope, and tradition, still delivers a complete reading.