I built a two-tone gradient system — a creative purple bleeding into a technical teal — that runs through everything from the squircle mark to UI screens, standing in for where brand strategy and code actually meet in our process. The squircle softens a rigid grid just enough to read as approachable rather than corporate, while staying structured enough to feel engineered. The full palette extends outward from there to cover the range a bilingual (AR/EN) studio serving Egyptian and regional clients actually needs across a project.