Fine art lives or dies on presentation. A painter of Christine's caliber couldn't be represented by a generic course template — the site itself had to feel like a gallery: elegant, warm, and gallery-quiet, letting the work breathe. At the same time, it had to do real commercial work: sell one-time courses, drive a monthly membership, and clearly guide students between two ways to learn without confusion. And Christine runs everything herself, so it all had to be easy for her to manage day to day.