Lookbook cover
The idea
A fashion set without a shoot day: studio, street and editorial frames and a grid of looks, with one model across all of them.
The challenge
On a model, the garment is the product, so the cut, the fabric and the detail have to look the same in every frame while the setting and the pose change. The model has to stay the same person too, so the set reads as one campaign, not as a collage.
How I made it
A model trained on one character. The frames come from a character model trained on Zuzanna, my sample brand character, chosen because it gives more natural skin than a general image model.
Styling planned around her. Red hair means earth tones, navy and black, and no red or pink.
Light chosen per scene. Cool light in the editorial frames, because warm orange fights with red hair.
Galleries composed for the crop. Panels kept vertical, close to 2:3, because full-length figures do not survive a horizontal crop.
What a brand gets
A lookbook without booking a model, a photographer or a location. The same approach works for anything held or worn: bags, jewelry, cosmetics, shoes. The model can be cast for your audience and stays yours alone.
Orchestrated end to end in Claude Code, on my own production system.
Every image is AI-generated.
Studio frame
Street frame
Editorial frame
0 likes · 2 views · Oct 7, 2026
Own sample lookbook without a shoot day: studio, street and editorial frames with one model throughout. The garment keeps its cut, fabric and detail in every frame, so the set reads as one campaign. The same method works for bags, jewelry and shoes.
