Music visualizations on CC0 tracks, plus a polish pass
Vincent L. Anderson
Spec work, not commissioned. Three music visualizations on copyright-free tracks, credited on the page, and a polish pass on stand-in plates with a synthesized track. Every frame carries a PREVIEW mark. Nothing of any client's is used.
Music visualizations: https://demos.mc.mightyhouseinc.com/zecfgro3-music-polish/music.html
The polish pass and the two side by side: https://demos.mc.mightyhouseinc.com/zecfgro3-music-polish/
The cut: https://demos.mc.mightyhouseinc.com/zecfgro3-music-polish/cut.html
The grade: https://demos.mc.mightyhouseinc.com/zecfgro3-music-polish/grade.html
The reactive layer: https://demos.mc.mightyhouseinc.com/zecfgro3-music-polish/fx.html
Turnaround: https://demos.mc.mightyhouseinc.com/zecfgro3-music-polish/turnaround.html
What it has
Three visualizers on released CC0 tracks, each measured: picture change against the track's bass, bass onsets found, loudness as released.
A polish pass re-cut from the tempo map, every cut within half a frame of its beat and read back from the delivered file.
One look over every setup, exported as a .cube, with the spread across setups measured on a reference chart before and after.
A reactive layer on the hook and the pre, additive over the footage.
The rough cut and the polish side by side on the same timeline.
A same-day clock, hour by hour, with the check-ins.
No client file anywhere: the singer is a drawn figure, the car and canyons are drawn, the polish track is synthesized, and the visualizer tracks are CC0 and credited.
Visualizer on a synth track
Visualizer on a rock track
Visualizer on a Bach variation
The polished cut
Before and after
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Posted Oct 24, 2026
Spec work, not commissioned: three music visualizations on copyright-free tracks (rock, synth and a Bach variation), driven by each track's own band envelopes and bass hits and measured back from the file, plus a polish pass: re-cut, one grade, effects.
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