In 2018 I built the first version of Mosic as a UX research project. I surveyed around 50 musicians across four profiles (students, amateurs, semi-pros, full-time pros), and the numbers confirmed what I already lived: 53% earned a meaningful share of their income from music, 51% tracked it by hand, and 38% didn't track it at all. Generic finance apps weren't built for this kind of work: irregular income, gig-by-gig expenses, splits between band members, royalties trickling in months later, no clean line between hobby and job.