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Andrés Sepúlveda Morales's avatar
Andrés Sepúlveda Morales
maxFort Collins, USA
Your Mission Is the Magic. I Build the Tech It Needs.
$25k+
Earned
19x
Hired
5.0
Rating
276
Followers
TOP_INDEPENDENT

Top

FRAMER_EXPERT

expert

+11
Your Mission Is the Magic. I Build the Tech It Needs.
Cover image for AI Isn't Magic Series at Loveland Public Library
AI Isn't Magic Series at Loveland Public Library
1
24
Cover image for Development of Booking Modules for Cuba Travel Services
Development of Booking Modules for Cuba Travel Services
0
12
Cover image for WordPress Rebuild & IDX Integration for Altitude Real Estate
WordPress Rebuild & IDX Integration for Altitude Real Estate
0
10
Cover image for Backend Development for BAM Virtual Academy
Backend Development for BAM Virtual Academy
0
11
Public Speaker(1)
Quinn Foster's avatar
Quinn Foster
proLafayette, USA
Mission-Driven Copywriter, Journalist, and Researcher.
$25k+
Earned
19x
Hired
5.0
Rating
205
Followers
TOP_INDEPENDENT

Top

Mission-Driven Copywriter, Journalist, and Researcher.
Cover image for A Generational Community Conversation about
A Generational Community Conversation about Blackness, Creolite, and our upbringing as Black and Brown people.
1
510
Cover image for Hands of Heritage - Contributing Author
Hands of Heritage - Contributing Author
1
17
Cover image for Community-Centered Webinar Instructor
Community-Centered Webinar Instructor
0
15
Cover image for A look back at these historical Creole writers
A look back at these historical Creole writers
2
128
Public Speaker(3)
Aria Kuunvaara's avatar
Aria Kuunvaara
Helsinki, Finland
Creative writer & storyteller for articles and long-form.
Creative writer & storyteller for articles and long-form.
Cover image for Independence Day Performance Last week, Finland celebrated I...
Independence Day Performance Last week, Finland celebrated Independence Day. I was invited to perform at the Citizens’ Celebration (Kansalaisjuhla), where I read two of my poems in front of a live audience. The invitation was based on my writing connected to lived experience in Ukraine as deminer / instructor and real-world events. Performing these texts publicly was a reminder of how poetry can function not only as art, but also as a way to process collective memory, conflict, and resilience. Spoken-word performances are an important part of my work as a writer. They influence how I approach rhythm, voice, and clarity on the page — especially in longer texts and narrative writing.
17
144
Cover image for In October 2024, I performed at Mine Clearance and Poetry, a...
In October 2024, I performed at Mine Clearance and Poetry, an event organized by a literary and cultural association. The theme brought together two rarely combined worlds. I performed poems shaped by lived experience including work connected to Ukraine ut also few abstract ones. Writing these texts requires balance — carrying the weight of reality without turning it into spectacle. The discussion following the performance confirmed something central to my writing practice: poetry can function as a way to process and communicate difficult realities in a form that remains accessible, grounded, and human. This work reflects how I approach poetry more broadly — as a space where hardness and vulnerability coexist, and where real-world experience informs the text without overpowering it.
14
115
Cover image for Earlier this year, I was invited to perform at the 90th anni...
Earlier this year, I was invited to perform at the 90th anniversary celebration of a local Reserve Officer Association. For the event, I wrote a new poem specifically for that audience. The writing process was deliberate and careful. The themes: honour, responsibility, and leadership, required precision rather than decoration. I questioned my own perspective and spent time researching, listening, and revising before the poem began to find its voice. The text went through multiple drafts. Only through rewriting, cutting, and restructuring did a clear narrative and tone emerge. The goal was to write something respectful and grounded, without turning it into ceremony. This project reflects how I approach writing in general: understanding context, questioning assumptions, and shaping language until it carries meaning without excess.
15
102
Cover image for Writing Poetry Shaped by War Experience A significant part o...
Writing Poetry Shaped by War Experience A significant part of my writing is poetry rooted in real-world experience, including work connected to conflict and war. These texts are not written to shock, but to process, observe, and translate lived realities into language. Earlier this year, I applied for funding for a poetry book focused on war-related themes. The application was not successful, but the process itself was an important part of the work: articulating intent, defining scope, and positioning poetry as a serious form of documentation and reflection. Writing poetry about conflict requires precision and restraint. It is about knowing what to say, what to leave unsaid, and how to carry weight without excess. This approach influences all of my writing, across genres and formats.
25
176
Public Speaker(3)