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Andrés Sepúlveda Morales's avatar
Andrés Sepúlveda Morales
maxBarcelona, Spain
The Web, AI & Automation That Mission-Driven Teams Deserve.
$50k+
Earned
25x
Hired
5.0
Rating
500
Followers
TOP_INDEPENDENT

Top

FRAMER_EXPERT

expert

+13
The Web, AI & Automation That Mission-Driven Teams Deserve.
Cover image for AI Isn't Magic Series at Loveland Public Library
AI Isn't Magic Series at Loveland Public Library
1
42
Cover image for Built Casa Tinta for the
Built Casa Tinta for the #lovablechallenge on Contra to help tattoo artists in every step of their client booking process without disenfranchising them. You can build something bespoke without having it call Claude when it doesn't need to.
1
156
Cover image for prepping for my workshop on
prepping for my workshop on Monday, this is a crochet visualization tool to see each and every step to turn yarn into a crab for the Claude Community House (claudebcn.com (https://claudebcn.com)). Cool, no?
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10
1.8K
Cover image for LUMINA Pro: From Three Prototypes to a Product You Can Buy
LUMINA Pro: From Three Prototypes to a Product You Can Buy
1
18
Public Speaker(1)
Maia Anderson Rembert's avatar
Maia Anderson Rembert
proAtlanta, USA
The "Social Media Therapist"
$25k+
Earned
12x
Hired
5.0
Rating
579
Followers
TOP_INDEPENDENT

Top

The "Social Media Therapist"
Cover image for your content doesn’t need more
your content doesn’t need more pressure. it needs a practice. that’s the conversation i’m leading in my upcoming live session for The Spill series with Creator Tea Talk (https://www.linkedin.com/company/creatorteatalk/)a lot of creators and business owners are trying to fix their content by adding: 😵‍💫 more posts, more hooks, more trends, more pressure, or more “i just need to be consistent” but sometimes the real issue isn’t that your content is failing. many of those times the pressure is data. it might be telling you your content needs more: 🪴 clarity, trust, relevance, rhythm or relationship this session is for the creator, founder, or service provider who knows they have something valuable to say but content has started to feel heavier than it needs to. we’ll talk through how to stop treating content like a performance you have to survive and start building a content practice you can actually return to. if your strategy only works during an ideal week, it’s probably not a strategy yet. it’s a fantasy calendar. & we’re going to fix that. join me for the live session on THIS Thursday, August 27. link here: https://luma.com/d2cmd1jc
4
22
924
Cover image for Panel Speaker on Monthly Giving Virtual Conference
Panel Speaker on Monthly Giving Virtual Conference
1
26
Cover image for Social Media Strategy for 3isfor | Rebrand Launch and Awareness
Social Media Strategy for 3isfor | Rebrand Launch and Awareness
1
32
Cover image for Content Strategy for WayMaker Media
Content Strategy for WayMaker Media
5
97
Public Speaker(2)
Quinn Foster's avatar
Quinn Foster
proLafayette, USA
Mission-Driven Copywriter, Journalist, and Researcher.
$25k+
Earned
19x
Hired
5.0
Rating
238
Followers
TOP_INDEPENDENT

Top

Mission-Driven Copywriter, Journalist, and Researcher.
Cover image for A Generational Community Conversation about
A Generational Community Conversation about Blackness, Creolite, and our upbringing as Black and Brown people.
2
1.1K
Cover image for Hands of Heritage - Contributing Author
Hands of Heritage - Contributing Author
1
24
Cover image for Community-Centered Webinar Instructor
Community-Centered Webinar Instructor
0
22
Cover image for A look back at these historical Creole writers
A look back at these historical Creole writers
2
144
Public Speaker(3)
Arifa Zanom's avatar
Arifa Zanom
proDhaka, Bangladesh
Killer Pitch Deck and Presentation Designer
$10k+
Earned
1x
Hired
11
Followers
Killer Pitch Deck and Presentation Designer
Cover image for Flow - Pitch Deck
Flow - Pitch Deck
0
1
Cover image for MIOO-Pitch Deck
MIOO-Pitch Deck
0
1
Cover image for SaaS - Pitch Deck
SaaS - Pitch Deck
0
1
Cover image for Presentation Design
Presentation Design
0
2
Public Speaker(4)
Aria Kuunvaara's avatar
Aria Kuunvaara
Helsinki, Finland
Creative writer & storyteller for articles and long-form.
Creative writer & storyteller for articles and long-form.
Cover image for Independence Day Performance Last week, Finland celebrated I...
Independence Day Performance Last week, Finland celebrated Independence Day. I was invited to perform at the Citizens’ Celebration (Kansalaisjuhla), where I read two of my poems in front of a live audience. The invitation was based on my writing connected to lived experience in Ukraine as deminer / instructor and real-world events. Performing these texts publicly was a reminder of how poetry can function not only as art, but also as a way to process collective memory, conflict, and resilience. Spoken-word performances are an important part of my work as a writer. They influence how I approach rhythm, voice, and clarity on the page — especially in longer texts and narrative writing.
17
170
Cover image for In October 2024, I performed at Mine Clearance and Poetry, a...
In October 2024, I performed at Mine Clearance and Poetry, an event organized by a literary and cultural association. The theme brought together two rarely combined worlds. I performed poems shaped by lived experience including work connected to Ukraine ut also few abstract ones. Writing these texts requires balance — carrying the weight of reality without turning it into spectacle. The discussion following the performance confirmed something central to my writing practice: poetry can function as a way to process and communicate difficult realities in a form that remains accessible, grounded, and human. This work reflects how I approach poetry more broadly — as a space where hardness and vulnerability coexist, and where real-world experience informs the text without overpowering it.
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142
Cover image for Earlier this year, I was invited to perform at the 90th anni...
Earlier this year, I was invited to perform at the 90th anniversary celebration of a local Reserve Officer Association. For the event, I wrote a new poem specifically for that audience. The writing process was deliberate and careful. The themes: honour, responsibility, and leadership, required precision rather than decoration. I questioned my own perspective and spent time researching, listening, and revising before the poem began to find its voice. The text went through multiple drafts. Only through rewriting, cutting, and restructuring did a clear narrative and tone emerge. The goal was to write something respectful and grounded, without turning it into ceremony. This project reflects how I approach writing in general: understanding context, questioning assumptions, and shaping language until it carries meaning without excess.
15
123
Cover image for Writing Poetry Shaped by War Experience A significant part o...
Writing Poetry Shaped by War Experience A significant part of my writing is poetry rooted in real-world experience, including work connected to conflict and war. These texts are not written to shock, but to process, observe, and translate lived realities into language. Earlier this year, I applied for funding for a poetry book focused on war-related themes. The application was not successful, but the process itself was an important part of the work: articulating intent, defining scope, and positioning poetry as a serious form of documentation and reflection. Writing poetry about conflict requires precision and restraint. It is about knowing what to say, what to leave unsaid, and how to carry weight without excess. This approach influences all of my writing, across genres and formats.
25
202
Public Speaker(3)