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Projects we love

Projects we love

Standout projects making waves around the web
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Web design projects using Framer

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AI

New projects from the best AI creators
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Brand design projects

Brand design

Bold visual identities and branding systems created by top independent designers
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Video editor projects

Video editing

Creative video edits made using today’s best editing tools
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Standout projects

Standout projects

More projects we love that are making waves across the web
Cover image for CHANNEL 13 📺👁️ A found-footage
CHANNEL 13 📺👁️ A found-footage horror scene you play through smart glasses. You open a moldy fridge full of roaches, grab a warm beer, sink into a ruined couch and turn on an old CRT. Every zap, something hooded and faceless gets a little closer in the static. On channel 13 it rushes the glass… and then it comes out. 🎧 Sound on. How I built it: • Rive CLI: the whole scene is written in RML with a coding agent (Claude Code), built and checked with rive --verify / inspect / screenshot, then pushed to the Rive editor • GPU Canvas (WGSL): two shaders. A smart-glasses lens pass over the whole frame (fisheye, chromatic split, low-light grain, light-buzz flicker, digital glitch) and a cursed CRT shader (B/W analog snow, scanlines, rolling bar, vertical-hold slips, the figure bulging the glass, procedural spider-web cracks, power-off collapse) • Luau scripting: story timing and "dread" level, channels and subliminal flashes, flying glass shards • Data binding: one Story view model shared across artboards, a Broadcast view model driving the TV • State machines: beat timelines, roach and bulb loops, 13 channels, all sound cues • Audio: 22 sound effects, zero music. Fridge hum, buzzing bulb, roaches, footsteps, CRT whine, whispers, heartbeat, screamer, shattering glass Uses both the CLI and GPU Canvas.
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Cover image for MAE — Art Direction &
MAE — Art Direction & Brand Visual Identity A visual identity concept developed for MAE, built around the idea of “Controlled Energy — Movement in Contrast.” The direction explores the tension between individuality and constant movement, using a sharp central subject surrounded by blurred figures to create a strong visual narrative. The Challenge The goal was to create a visual language that felt distinctive, contemporary, and emotionally engaging without relying on excessive graphics or conventional branding. The challenge was to communicate movement and energy while keeping the brand feeling refined, minimal, and controlled. The Solution I developed an art direction centered around contrast — stillness vs. movement, focus vs. distraction, and individuality vs. the crowd. The orange environment creates a bold visual signature, while the motion-blurred silhouettes represent the constant movement surrounding the individual. The sharply focused central figure becomes the visual anchor, communicating confidence, identity, and control. The same visual language was then extended into the brand composition through minimal typography, logo placement, graphic symbols, and structured spacing, creating a system that can work across campaigns, social content, editorial layouts, and brand communications. My Role Art Direction · Brand Identity · Visual Concept · Graphic Design · Typography · Brand Composition I was responsible for developing the visual concept, defining the art direction, establishing the graphic language, and translating the concept into a cohesive brand presentation. Concept → Art Direction → Visual System → Brand Application
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Cover image for Bean-to-Bar Farm Tour Booking Experience for Nasam-it Farm
You've tasted the chocolate. Now, you want to see where it grows 🌳 Meet Nasam-it Farm, a family cacao farm in the Philippines, planted in 1960 by a grandfather who was told tobacco would pay better. His granddaughter brought the grove back as a bean-to-bar brand. Nasam-it is Ilocano for "sweet." The problem: Mimi spends her days fermenting, drying, and roasting, not on her phone 24/7, so inquiries go unanswered. Every missed message is a lost visit, and lost income for the farmers who tend the farm. So I designed and built a booking experience in that answers for her. Guests explore the farm in 3D, see what's happening this season, and choose a farm tour, a bean-to-bar workshop, or a volunteer day. The price updates as the group grows, a 30% deposit holds the date, and they're confirmed without a single message. By the time Mimi is back from the grove, the bookings are already waiting. I started with her, not the screens: her schedule, her signal, the quirks of a real farm (harvest-only volunteer days, group sizes, deposits to stop no-shows). The look comes from the farm itself, with cacao-pod maroon, banana-leaf green, and copy that sounds like a place rather than a platform. Check it out: https://nasam-itfarm.lovable.app/ (https://nasam-itfarm.lovable.app/)Booking made sweet! 🍫 #lovablechallenge
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