Freelancers in State of Santa CatarinaFreelancers in State of Santa Catarina
ProjectsPeople
Joner Geanezini's avatar
Joner Geanezini
proState of Santa Catarina, Brazil
Strategic designer focused on brand experiences
$25k+
Earned
2x
Hired
5.0
Rating
204
Followers
Strategic designer focused on brand experiences
Cover image for Akana Luxury Fashion Brand Design
Akana Luxury Fashion Brand Design
19
199
Cover image for Brand Strategist Apolonio Alencar
Brand Strategist Apolonio Alencar
4
53
Cover image for Modern Banking Experience with Orbe Bank
Modern Banking Experience with Orbe Bank
25
124
Cover image for Malinovski Brand Redesign & Strategy
Malinovski Brand Redesign & Strategy
1
8
Amanda Galeano's avatar
Amanda Galeano
proFlorianópolis, Brazil
Product Designer | Design Systems · Systems Thinking + Craft
$5k+
Earned
2x
Hired
5.0
Rating
37
Followers
Product Designer | Design Systems · Systems Thinking + Craft
Cover image for I've been playing around with
I've been playing around with creating concepts for a game my friend and I are making. It's like Insaniquarium but with dinos 🦖
0
25
Cover image for I reimagined task completion. Instead
I reimagined task completion. Instead of checking a box, you have to slice your tasks. Each swipe responds to your angle, speed, and force — creating dynamic cracks and particle feedback. Try it here: https://dart-ginger-46347386.figma.site/ Reminded you of an old mobile trend game? 🔪🍉 X post (https://x.com/dinhassaura/status/2028705546740928822?s=20) / Community post (https://www.figma.com/community/file/1610529272649028199)
2
217
Cover image for What if modular building blocks
What if modular building blocks could shape not only physical creations but digital experiences too? 🧱✨ 🚀 I explored a playful 3D hero section for an e-commerce experience focused on creative building sets. 🔥 Instead of relying on a static image, I designed a dynamic 3D block system that subtly responds to interaction. 🧠 The idea was to make the hero feel almost touchable by using motion, depth, and perspective to bring that hands-on sensation on screen. Built entirely on @Spline (https://contra.com/company/spline_e5551a) it was my first time working with 3D modeling, shaping every brick . The process was both challenging and incredibly fun. Definitely exploring more of this soon🙌 Live demo here (https://my.spline.design/splinehanacontrachallange-hS0lGa0S1hN3LNfY6HFmcGCB/)
9
21
524
Cover image for Product Definition & UI/UX Design for Wedding PWA
Product Definition & UI/UX Design for Wedding PWA
1
25
Jessica Leonel's avatar
Jessica Leonel
Florianópolis, Brazil
Video Editor | Short-Form, UGC Ads & Branded Content
$1k+
Earned
2x
Hired
4.8
Rating
11
Followers
Video Editor | Short-Form, UGC Ads & Branded Content
Cover image for This edit started with a
This edit started with a simple challenge: several different creators, different deliveries, different footage, but only one short ad to make it all feel cohesive. The first step was finding the strongest soundbites and figuring out how they could work together as one story rather than feeling like a compilation. From there, I built the structure around a clear hook, fast progression and a product-focused payoff, then used captions, product inserts, motion, transitions, music and sound design to keep the pace moving without losing the natural UGC feel. What I enjoy most about this kind of edit is that the real work happens before the polish. It is deciding which sentence opens the video, which reaction is worth keeping, when to change creator, when to show the product, and how to make every cut feel intentional. The goal was to keep the authenticity of UGC while giving the final piece the rhythm and clarity of a paid social ad.
0
16
Cover image for This was one of the most fun AI projects I’ve worked on late...
This was one of the most fun AI projects I’ve worked on lately. For Tecnofas, we created a full clay-style animation, literally building the visual language around that handcrafted, stop-motion look, but produced with AI. The video above is a compilation of some of the scenes we developed for the project. The creative challenge was to explain a very technical difference in a way that felt simple and visual: comparing a traditional retrofit construction process with a ventilated façade system, which can reduce the number of workers needed on site by up to 60%. Tecnofas is the kind of client that really enjoys experimenting with new visual languages, so we had a lot of freedom to explore the concept, test ideas and push the AI workflow beyond a standard corporate animation. That freedom made the process especially enjoyable. Instead of using AI only to make production faster, we used it to create a visual style that would probably never have been the obvious choice for this kind of industrial communication.
1
17
869
Cover image for For Junoo, we had already
For Junoo, we had already received real product samples for a separate UGC production. The AI piece came in as an additional creative route: a way to explore how much further we could take the campaign without depending on another traditional shoot. Using real product photography as our reference, we created a fully AI-generated UGC concept from scratch, including the creator, environment, styling and overall visual direction. The content was developed around the aesthetic the client wanted and adapted to feel relevant to the audience in the target city, while keeping the real product at the center of the piece. What I like about this kind of workflow is the flexibility it creates. Once the product is in hand and properly referenced, we’re no longer limited to a single casting, location or production setup. AI becomes a way to expand the creative territory of a campaign and produce additional content directions that would otherwise require a completely new shoot.
1
62
Cover image for One of the challenges with this Inplac project is that the c...
One of the challenges with this Inplac project is that the client doesn’t always have access to strong, current product photography. I don’t see that as a limitation. For this piece, we used AI to build highly detailed product visuals from the available references, then developed those images into animated scenes for social content and ads. The goal wasn’t to create something that simply looked polished. It was to make the product feel tangible, well presented and visually convincing even when the original production material was limited. A lot of the work comes down to art direction: defining the scene, lighting, materials, framing and movement in a way that still feels coherent with the real product. For clients with difficult or expensive product shoots, this opens up a lot of possibilities. Limited photography doesn’t have to mean limited content.
1
12
454
Barbara Quintiliano's avatar
Barbara Quintiliano
Florianópolis, Brazil
UGC Creator & Brand Storyteller for SaaS + Lifestyle Brands
1x
Hired
37
Followers
UGC Creator & Brand Storyteller for SaaS + Lifestyle Brands
Cover image for Made this cute little portfolio
Made this cute little portfolio and just wanted to post it here 🥰💐https://aistarte.org/barbaraquintilianougc
9
18
329
Cover image for ✨ Excited to share my August collab with Comet (Perplexity A...
✨ Excited to share my August collab with Comet (Perplexity AI)! Back in August, I launched and managed dedicated Instagram and TikTok accounts for Comet. I scripted, filmed, edited, and posted all the video content myself for a full month—handling everything from ideation to online engagement! It was so rewarding to build and grow these channels from scratch, showing Comet’s personality and value through fresh video content. Proud to have made creative, engaging posts every step of the way 🚀
7
343
Cover image for 🌟 Collaboration Highlight: Perplexity Working with Perplexi...
🌟 Collaboration Highlight: Perplexity Working with Perplexity has been a creative deep dive—I've filmed over 300 unique pieces of video content for their marketing and ads! Every video was crafted in my signature, personality-packed style, focused on capturing authentic attention and driving results. The feedback has been incredible: the Perplexity team regularly lets me know my videos are performing amazingly, and they even use my work as inspiration and benchmarks for other creators’ scripts. Nothing beats seeing your creative effort lead the way and set the tone for an entire brand! Loved being able to blend strategy, creativity, and storytelling for the Perplexity campaign 🚀
12
35
588
Cover image for 🤖 Collaboration with Aistarte AI Proud to have worked hands...
🤖 Collaboration with Aistarte AI Proud to have worked hands-on with Aistarte, an innovative AI company, where I scripted, filmed, edited, and published content across all their platforms. From big-picture ideas to final video edits, I led the full creative process—making sure every post stood out and resonated with their audience. Loved bringing a fresh, strategic, and authentic approach to Aistarte’s content, helping the brand connect and grow across channels!
0
299
Andre Inacio's avatar
Andre Inacio
proNavegantes, Brazil
Video Editor | Motion Designer | AI Video Producer
1x
Hired
7
Followers
Video Editor | Motion Designer | AI Video Producer
Cover image for This is a motion design
This is a motion design project we created before generative AI tools really took off. The video presents an auto claims assistance platform, connecting people who had their car damaged with specialists who can help solve the problem. Today, with AI, we can create more ambitious things and explore visual directions that would have been much harder before. But I still really enjoy this kind of full motion project.
0
94
Cover image for In 2025, I started creating
In 2025, I started creating a few tutorials on Instagram showing how to use AI in video production. I was revisiting some files and found this video that I really enjoyed making. The idea was simple: to show how, starting from just a few reference images, it’s possible to create an entire product video using AI.
4
9
455
Cover image for For this project, the challenge
For this project, the challenge was to create a product video for automotive shock absorbers by combining different visual production techniques. We integrated 3D modeling, product animation and AI-generated images, including some elements of the shock absorber itself, to build a more dynamic and visual presentation. The most interesting part was blending these techniques in a way that made everything feel like part of the same visual universe.
1
132
Cover image for When Seedance 2.0 came out,
When Seedance 2.0 came out, I wanted to run a simple test: create a complete story using only one prompt. The idea was a quiet scene of monks meditating, until the youngest monk completely loses focus because of a fly. What impressed me the most was seeing the tool build a video with a beginning, middle and end from such a simple direction.
1
135
Heidi Daiane's avatar
Heidi Daiane
proFlorianópolis, Brazil
heidi-design.blogspot.com
$5k+
Earned
3
Followers
heidi-design.blogspot.com
Cover image for Logo design for Santa Marina,
Logo design for Santa Marina, a Los Angeles swimwear brand with a Brazilian soul - freedom, nature, and environmental awareness built into every collection. The brief called for an identity as light as the sea and as firm as the purpose behind it. I designed a logo that conveys fluidity and strength, inspired by the energy of the ocean, extended into brand applications: product labels, shopping bags, and packaging. For a sustainable swimwear brand, color already tells part of the story - green entered the palette as nature, freshness, and connection to the ocean.
1
69
Cover image for A pool construction company with
A pool construction company with great work and no brand to match it. The logo grew out of the contour of a pool itself - a simple, memorable symbol that ties the brand directly to its field. From there, I built a full visual system: water-inspired blues with orange accents, fluid shapes that extend across every touchpoint - business cards, stationery, uniforms, the company truck, and a website born in the same visual language. Identity and website designed together from the start, speaking the same language from start to finish.
1
68
Cover image for Vehicle wrap design to turn
Vehicle wrap design to turn a company car into a moving brand communication piece. In vehicle wrap design, the message needs to land in a few seconds - the car passes, the eye catches it. I prioritized essential information, distributed across the most visible areas of the vehicle, with clear hierarchy and instant brand recognition. Final delivery includes production-ready technical files sized to the specific vehicle model, applied in realistic mockups for client approval before any printing.
0
69
Cover image for Business presentation for Coastal Collection
Business presentation for Coastal Collection Storage, a collector car storage and management company in Los Angeles. Founded by collectors, the company didn't need a deck that over-explains - it needed class. Clean layout, typography and palette aligned with the brand, and intentional diagonals that communicate movement and agility. The design doesn't compete with the cars; it leads to them.
0
108