πΈ Artificial NatureΒ βΒ Animated Poster for My Future Virtual Flower Shop
So here we go β
After generating the flower image in Midjourney (https://www.midjourney.com/explore?tab=video_top), I turned it into a video π₯
Then drew an emblem inspired by its geometry in Procreate (https://procreate.com/) (maybe my future virtual flower shop logo? π), exported it to Photoshop, did the final layout in Illustrator, and added a quick fade-out in Jitter (https://jitter.video/?noredir=1).
Oh godβ¦ how many tools did I just use? LOL π»β¨
But honestly β it was totally worth it watching this idea bloom πΌ
Sometimes as a designer, itβs just nice to create something purely for myself β no briefs, no pressure, just joyπ€ͺπ€ͺ
Redefining art advocacy through artistic dialogue.
This project brought me so much joy. It pushed every creative muscle I had: concept, craft, motion, photography, web design, videography β and gave back something even better β pure creative joy:)
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This's not AI:(
Shot for a London-based fashion designer.
All real. No prompts, no perfection β just light, fabric, and a bit of beautiful chaos. I hope AI never replaces the authenticity and imperfect touch.
Been trying to get more into motion visuals for my social, and I am loving Jitter! Still far to go, but for a complete newbie and to a complete novice this looks so good!
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Remember my Cnnbis client - Valentine is coming up, and they wanted some event assets. No brief, no copy, just the events. Sometimes having no set rules makes me write great puns and design lovely assets. Which one is your favourite?
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I love a great mockup, but I see the same ones pop up over and over again. Designers know when a mockup is great, so we jump on it! To counteract that overuse, I've been creating my own mockups with MJ & Nano Banana. These are some of my favourites.
Prompts: A small white plastic jar of cream is placed on top of moss and rocks, with a light grey and beige background. The product photography uses studio lighting and high-resolution photography, with a soft focus and soft shadows. Neutral colours are used, with nature-inspired imagery of organic forms and earthy tones, including green and green flowers.
Obviously, the words/text are not it yet, but I go in and edit the raw file after anyways ;)
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In another life β well, about 4 years ago β I was the brand designer for a web3 NFT project, and I have never bragged about it. I'm about to!
The story was incredible, one guinea pig πΉ trying to escape a laboratory to find his love, which was taken for testing. Along the way, he meets 7 other characters who try to overthrow the lab. βPT 1 (I have more visuals I want to share! Why only 4 Contra? ;))
I've worked with Optaderm to create 150+ product variant renders!
This bottle isn't real. Itβs a pure digital creation, brought to life in Cinema 4D with photorealistic detail without a physical prototype, a photo studio, or a camera.
However, a single perfect render only solves part of the problem for a growing brand.
This is where mass product rendering becomes essential, especially for businesses needing high-volume CGI for product variants on a tight deadline. An efficient, automated 3D rendering pipeline makes it possible to process an entire product catalog, from ten colorways to thousands of SKUs. This workflow ensures brand consistency and allows for a remarkably fast turnaround on all bulk product renders.