AI Content Creation Projects in New YorkAI Content Creation Projects in New York
Cover image for SEEDANCE 2.5 | 30-SECOND ONE-SHOT
SEEDANCE 2.5 | 30-SECOND ONE-SHOT CINEMATIC TEST So I wanted to see how far I could push Seedance 2.5 with one continuous 30-second camera movement. The challenge was simple: Take one complex storyline, keep the same heroine, maintain her wardrobe and appearance, move continuously through the environment, introduce a gravity anomaly, bring in the crater, transfer the power to the heroine, reveal the creature, and end with incoming meteors. All inside one generation. I pushed it. The result was surprisingly cinematic. The character consistency held throughout the sequence. Her outfit stayed intact. The continuous tracking movement worked. The gravity effect came through. The crater interaction worked. The power-transfer moment worked. The monster appeared. The incoming meteors created the final cliffhanger. The biggest issue was pacing. I gave the model too many major story beats for 30 seconds, so it compressed several actions together. The pool transition is where the sequence loses some continuity. Instead of giving that moment enough time to develop, the model rushed her into the pool and back toward the crater. Still, I decided to keep the test. Why? Because this was never intended to be the final version. I wanted to understand how Seedance 2.5 interprets a complex one-shot prompt, and this test gave me a clear answer. The model followed the overall direction. The next step is better scene planning. Instead of forcing an entire story into one 30-second generation, I would break the major action beats into shorter sequences and give each moment enough room to breathe. My biggest takeaway: More story inside a single generation does not automatically create a better video. Sometimes better AI video direction means giving the model less to execute at once. This was a test. This was the result. And I’m keeping it because the experiment itself was worth documenting. Tool tested: Seedance 2.5 @Renoise Format: 30-second continuous one-shot Goal: Character consistency + camera continuity + complex action Result: Strong visual execution, rushed narrative pacing Next experiment: Shorter controlled sequences with fewer major actions per generation
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Cover image for I used Runway AI to
I used Runway AI to produce this about a year ago and like everyone else, I'm so stoked about Seedance 2 that I may need to redo it! AI video is evolving so rapidly by the day when it comes to voiceovers, character consistency and adherence to natural language prompting. Until its release, I'm getting great results with Kling 3, Veo 3.1 and with LTX 2.3 as a local solution. It's an exciting time to be alive!😊
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Cover image for AI-Generated Campaigns Featured in Vanity Fair: Hire Me Now
My work was featured in Vanity Fair!! Vanity Fair wanted to feature Mannam, and out of everything they could have run, the founder chose one of my images to represent the brand in the magazine. The whole campaign was AI-generated, built to stand next to traditional editorial photography without looking like AI. I want to do more of this. Full campaigns for brands with a high visual bar. If that's you, reach out.
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Cover image for I love double exposure #art 📸📷
I love double exposure #art 📸📷
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Cover image for Designed and implemented a custom AI-driven lead capture sys...
Designed and implemented a custom AI-driven lead capture system where customer conversations (chat or voice) automatically collect contact details, qualify leads, and push them into a single sales funnel. The system triggers structured email follow-ups with a human-in-the-loop approval step, allowing small teams to review and control messaging before it goes out. This enabled 1–2 people to manage inbound leads, follow-ups, and scheduling efficiently—delivering big results without adding staff.
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Cover image for Copywriter and AI scene generation
Copywriter and AI scene generation (using Veo 3) for NATPAT Mosquito stickers ad.
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Cover image for Took my @HeyGen certification video and translated it into S...
Took my @HeyGen certification video and translated it into Spanish—same voice, same delivery, authentic lip-sync. Not subtitles. Not voiceover. Full AI translation that preserves the original performance while making the content native to Spanish-speaking audiences. This is what HeyGen's translation tech enables: voice cloning across languages, perfectly synced mouth movements, and culturally adapted delivery. "Meet HeyGen: Revolutionizing Video Creation for Digital Marketers - Spanish" is now accessible to millions more viewers. Translation services coming soon.
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Cover image for Rummaging through The Metropolitan Museum
Rummaging through The Metropolitan Museum of Art’s archive, I came across the titular young aristocrat in Portrait of a Young Man by Agnolo Bronzino, his severe yet elegant stare inviting me to this week’s poetry club with the boys. I used Recraft to reimagine the painting’s circumstances, following the evening’s event from the face mask and first martini to the final whiskey before the rideshare arrives—with discussion of Renaissance poetry in between. Bronzino’s structural yet performative style remains, but the blue glow of the modern world intrudes, reshaping his subjects’ social atmosphere and interactions. It’s as if these are the portraits of the night that the young man chose to share with his followers. Full series · Public Recraft project: https://www.recraft.ai/project/b4b22f7b-d729-4c96-911e-88676cd6df81 Try the custom Style · Bronzino After Hours: https://www.recraft.ai/styles/0b506147-a36a-470c-b9f1-e0139cf88c45 Archival reference: Bronzino (Agnolo di Cosimo di Mariano), Portrait of a Young Man, 1530s. Oil on wood. The Metropolitan Museum of Art. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. Public Domain. https://www.metmuseum.org/art/collection/search/435802 Social post: https://lnkd.in/p/djKgcRaA #recraftstyleschallenge
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Cover image for Debbie Harry for The American
Debbie Harry for The American Gallery
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Cover image for from storyboard to finished visual
from storyboard to finished visual
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