Freelancers in Mexico

Freelancers in MexicoFreelancers in Mexico

Projects People

proBulacan, Philippines

Kajabi Designer & Tech Support

$5k+: Earned

6x: Hired

5.0: Rating

13: Followers

Expert

Kajabi Designer & Tech Support

Cover image for Sales Page Design

Sales Page Design

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Landing Page Design

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Cover image for Opt-in Page Design | Kajabi

Opt-in Page Design | Kajabi

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Cover image for Opt-in Page Design

Opt-in Page Design

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Clark Kent Beniga

proAngeles, Philippines

Go-To-Market Specialist | Launch Specialist | SEM Marketing

$1k+: Earned

1x: Hired

5.0: Rating

5: Followers

Go-To-Market Specialist | Launch Specialist | SEM Marketing

Cover image for How Product-Market Fit Saves You Money

How Product-Market Fit Saves You Money

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Cover image for Google Ads Setup and Scaling

Google Ads Setup and Scaling

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Cover image for Mini Case Study | 2.59 ROAS in Two Weeks

Mini Case Study | 2.59 ROAS in Two Weeks

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Cover image for Email Marketing Flows and Results

Email Marketing Flows and Results

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Angeles, Philippines

I design immersive websites on Framer.

$1k+: Earned

1x: Hired

5.0: Rating

6: Followers

expert

I design immersive websites on Framer.

Cover image for Strategic UX Redesign for Ward Specialty Pharmacy

Strategic UX Redesign for Ward Specialty Pharmacy

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Cover image for Rebranding Avelino Limo Italia's Digital Presence

Rebranding Avelino Limo Italia's Digital Presence

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Cover image for Landing Page Development for K's Catering Services

Landing Page Development for K's Catering Services

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Cover image for Supernova Financials Figma Web Design

Supernova Financials Figma Web Design

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proAngeles, Philippines

Client Focused FullStack Engineer | Web | Blockchain | AI

Client Focused FullStack Engineer | Web | Blockchain | AI

Cover image for Homyz helps you discover properties

Homyz helps you discover properties that truly match your lifestyle, budget, and preferences with ease. From modern apartments to family homes, explore a wide range of real estate options in one place. We simplify the entire searching experience so you can spend less time struggling and more time finding the right place to live. With a smooth and user-friendly platform, finding your next residence becomes faster, easier, and stress-free. Let Homyz make your home search simple and comfortable.

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Cover image for FullStack Engineer

FullStack Engineer

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Cover image for FactoryGame is a game asset

FactoryGame is a game asset creation platform based on NFT technology, dedicated to providing users with a unique NFT synthesis and management experience. The platform allows users to create new, higher-level NFTs, known as "Products," by staking existing digital assets (such as ERC-20, ERC-721, and ERC-1155 tokens). These products serve not only as in-game assets but also as advertising mediums with real collateral value.

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Cover image for I developed the platform for

I developed the platform for Mentalmatics.com (http://Mentalmatics.com) using Wix. Mentalmatics is an educational platform focused on helping students improve their mental math skills through structured learning programs and interactive resources. In this project, I was responsible for building and customizing the website using Wix to create a user-friendly interface for students and educators. In addition, I integrated Web3 features, including an ICO and staking platform, to support the transition of the education business into a blockchain-based ecosystem. This allowed the platform to explore new engagement and funding models through token-based participation.

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Guiguinto, Philippines

(ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

$1k+: Earned

8: Followers

(ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

Cover image for From Screen to Something I

From Screen to Something I Can Hold For the Descript “Teach Us Something” Challenge, I’m sharing a simple creative practice I use whenever I need some time away from the screen: turning a reference photo into a mini doll using pipe-cleaner wire. The idea is simple, but the process has taught me something I keep coming back to: making something physical can help reset my attention, keep me motivated, and spark new creative ideas. In the video, I walk through my actual process—from building the head and body with wire, shaping the arms and legs, and finishing the head, to attaching everything together and creating the clothes, shoes, hair, and final details. I also edited the entire video in Descript. I edited and arranged the clips, edited the audio, used AI Studio Sound to improve the sound quality, added key text instead of full captions so the video of the doll wouldn’t be covered, and added background music to bring everything together. The goal wasn’t to make a Descript tutorial. Instead, I wanted to share one part of my own creative workflow: when I feel like I need a reset, I step away from the screen, work with my hands, and turn an idea into something tangible. It’s a small project, but it gives me a different way to think, create, and come back to the screen with new ideas. 🎥 Finished Video https://share.descript.com/view/rl4pd5eD4V7 🛠️ Descript Project https://web.descript.com/7738bed7-1f20-42b0-969e-93f62f531281/cae09 Created in Descript for the Teach Us Something Challenge. #DescriptChallenge #Descript #CreativeProcess #DIY #Handmade

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Cover image for THE KEEPER OF WHAT REMAINS
I

THE KEEPER OF WHAT REMAINS I started with Mask (Buk, Krar, or Kara), a Torres Strait Islander ceremonial mask from probably Mabuiag Island, dating to the mid–late 19th century. Made from materials including turtleshell, wood, cassowary feathers, fiber, resin, shell, and paint, the mask is associated with ceremonial traditions and is surmounted by a bird. That bird became my point of departure. I imagined it coming alive and carrying the mask through time. Rather than placing the mask in a single new environment, I built a continuous journey through different works from The Met's collection—moving through sculpture, ancient fresco, historic interiors, Renaissance architecture, landscapes, nineteenth-century painting, Impressionism, Pointillism, photography, and Romantic painting. The bird and mask remain together throughout. They don't change into something else. The world changes around them. The architecture changes. The landscape changes. The light changes. The atmosphere changes. The visual language changes. But the bird continues flying, carrying the same mask from one world into another. That continuity is the heart of the piece. I wanted the journey to feel less like looking at a sequence of artworks and more like passing through centuries of art history in a single uninterrupted movement. The bird stays near the center as the environments transform around it. Each transition is a continuation of its flight rather than a reset, so the viewer is always following the same traveler. The mask becomes the constant. It is carried from one period to the next, through radically different spaces and ways of seeing, until the journey eventually reaches the present. The bird emerges into a museum and approaches Edgar Degas's The Little Fourteen-Year-Old Dancer. It does not transform. It does not disappear. It simply releases the mask. The mask comes to rest on the Little Dancer. That final moment is the reason for the entire journey. For me, the piece became a meditation on how history survives time. We move through different eras. The way we see changes. The environments around us change. Art changes. But some things are carried forward. The bird is the journey. The mask is what remains. ORIGINAL MUSEUM PIECE Mask (Buk, Krar, or Kara) Torres Strait Islander, probably Mabuiag Island Mid–late 19th century The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/311950 FINAL DESTINATION The Little Fourteen-Year-Old Dancer — Edgar Degas Modeled c. 1878–81 The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/196439 PUBLIC FLORA CANVAS https://app.flora.ai/join-project/71bb6232-69ae-44cf-989d-21b45ef5e015 ARTWORKS / WORLDS REFERENCES Antonio Canova — Perseus with the Head of Medusa Cubiculum from the Villa of P. Fannius Synistor at Boscoreale Bedroom from the Palazzo Sagredo, Venice Worsham-Rockefeller Dressing Room Platter, follower of Bernard Palissy Boiserie from the Hôtel de Cabris, Grasse Patio from the Castle of Vélez Blanco Albert Bierstadt — The Rocky Mountains, Lander's Peak Winslow Homer — The Veteran in a New Field Thomas Eakins — Max Schmitt in a Single Scull William Merritt Chase — At the Seaside George Caleb Bingham — Fur Traders Descending the Missouri Martin Johnson Heade — Approaching Thunder Storm Vincent van Gogh — Wheatfield with Cypresses Georges Seurat — A Sunday on La Grande Jatte study/version Gustave Le Gray — The Great Wave, Sète J. M. W. Turner — Whalers / The Whale Ship

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Cover image for THE BODY THAT COULDN’T ESCAPE
MUSEUM

THE BODY THAT COULDN’T ESCAPE MUSEUM PIECE DESCRIPTION Egon Schiele’s Self-Portrait (1911) is a watercolor, graphite, and gouache work on paper depicting the artist in a tense, angular pose suggestive of the crucified Christ. His bony, distorted figure, wild eyes, open mouth, raised hair, and agitated pencil lines create a powerful sense of inner tension. The Met describes Schiele’s self-portraits from this period as psychologically complex images. Original artwork — The Metropolitan Museum of Art: https://www.metmuseum.org/art/collection/search/483438 MY REIMAGINING The painting is not simply being drawn. It is struggling to exist. I reimagined Schiele’s Self-Portrait as a 20-second experimental 2D animation about anxiety, internal pressure, and the feeling of being trapped inside your own body and image. The animation begins with an empty beige sheet. A nervous pencil stroke appears, followed by frantic graphite and charcoal marks. A fragment of the figure emerges, disappears, and is redrawn. An arm appears, vanishes, returns differently. A shoulder forms and is erased. A torso emerges and collapses back into scribbles. A face flashes into existence. An eye appears, disappears, and returns. The figure repeatedly becomes more recognizable and then less recognizable. Appear → disappear → erase → redraw → distort → repeat. The man is already alive before he is fully formed. Even during the construction phase, he twitches, shifts, reaches, recoils, and struggles against the drawing around him. Color slowly infiltrates the graphite: faint orange and red watercolor becomes warmer flesh tones, burnt orange, reddish brown, and darker accents. The original visual language gradually takes over without ever becoming clean or stable. At around ten seconds, the figure finally becomes whole. But that is not the resolution. Once complete, the man begins moving. His head, shoulders, torso, arms, and hands shift nervously. He reaches toward the viewer and recoils, creating a subtle 2.5D sensation while remaining entirely hand-drawn. His movement generates new graphite, charcoal, chalk, and watercolor marks, and the same cycle of appearance, disappearance, and redraw returns inside the completed image. The movement becomes increasingly frantic. The figure looks desperate to scream, to escape his own outline, to break through the surface of the painting. At the climax, his body stretches outward, the marks become chaotic, and the image feels like it is about to explode under unbearable internal pressure. But it never actually explodes. The pressure is held back. The figure freezes at maximum tension. Then, in a hard cut, everything disappears. Blank beige paper. And the first nervous mark begins again. The anxiety never resolves. The painting is condemned to recreate itself over and over. PROCESS I built the piece in FLORA through an iterative process of rapid drawing, erasure, redrawing, movement, watercolor layering, and visual distortion. The central creative decision was to change how the artwork exists in time rather than simply animating the finished painting. The act of forming and destroying the image becomes part of the emotional narrative. FLORA Project https://app.flora.ai/join-project/0a241fd1-276a-433a-be60-02c4cb762932

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Cover image for DOUBLE TROUBLE
Somewhere between directing a

DOUBLE TROUBLE Somewhere between directing a short film and arguing with an AI, I learned that more control does not always mean more control. For the CapCut × Contra Seedance 2.5 30-Second Cinematic Video Challenge, I wanted to make a one-take thriller built around a simple idea: an apparently harmless old man walks into an active bank robbery, keeps moving like nothing is happening, and quietly turns out to be much more dangerous than he looks. The first version was heavily engineered. Character sheets, keyframes, storyboard, detailed choreography, reference images, long prompt. It sounded disciplined, but the result was the opposite. The references started competing with each other, transitions became less natural, and the pacing drifted. So I stripped it back. I removed the storyboard and keyframes, kept only the references that were actually doing useful work, and made the video prompt much more focused. The result immediately felt freer and more cinematic. It still had imperfections, but it also had something the heavily controlled version didn't: room for Seedance to interpret the scene. That became the real experiment. For the final attempt, I kept the streamlined reference setup but focused on one thing: making the story progression clear without trying to choreograph every microscopic movement. The robbery, the three escalating encounters, the punch, the physical prosthetic reveal, and the final beat all needed to read as one continuous piece of storytelling. The biggest lesson was simple: Less is not necessarily less control. Sometimes it is better control. A prompt can describe everything and still make the model lose the story. The better approach was deciding which details actually mattered, locking those down, and leaving enough room for the model to make the sequence feel alive. The final film was generated with Seedance 2.5 in CapCut Video Studio. The reference images were created separately in ChatGPT, and Claude was used throughout the workflow for planning, critique, prompt iteration, and reconciliation. I also made a separate workflow video explaining the process and what changed between the attempts. The biggest surprise was not the final image quality. It was realizing that the strongest version came from removing things rather than adding them. 📹Created with: CapCut Video Studio + Seedance 2.5 🎞️Workflow: ChatGPT for references, Claude for planning/critique, Seedance 2.5 for the final film 🎬CapCut project link https://www.capcut.com/ai-creator/studio?draftId=27120454916 🎥CapCut submission entry link https://www.capcut.com/sv2/ZS9ks15mFHx1Y-uE2ow/ 🪄Original prompt + workflow: included in the comments below. #contraseedancechallenge #CapCutCPP #AIFilm

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Angeles, Philippines

Web Developer for SaaS & E-commerce — NODE, PHP & API

1x: Hired

13: Followers

Web Developer for SaaS & E-commerce — NODE, PHP & API

Cover image for My one work example is an AI-driven translation and content ...

My one work example is an AI-driven translation and content rewriting platform I delivered end to end. I owned architecture decisions, frontend development in React, backend coordination, and performance tuning. The core challenge was making large language models reliable in production—ensuring consistent output, predictable length, and fast response times under load. By redesigning prompt structures, optimizing request handling, and improving frontend performance for data-heavy workflows, I shipped a stable, scalable solution. This project reflects how I work as a senior IC: full ownership, strong technical judgment, and delivery from concept to production.

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Cover image for Full-Stack Developer at skigit

Full-Stack Developer at skigit

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Cover image for Software Developer at Aptean

Software Developer at Aptean

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Cover image for PHP developer at oboulo

PHP developer at oboulo

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Sasmuan, Philippines

Video Editor & Graphic Designer

Video Editor & Graphic Designer

Cover image for One of my previous video

One of my previous video editing projects highlights 20 major developments and exciting projects coming to Dallas, Texas, in 2025.

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Cover image for One of my previous video

One of my previous video editing projects showcases rare custom homes for sale in Victoria Lakes, Tampa, featuring beautifully designed properties on expansive 1-acre lots.

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Cover image for One of my recent video

One of my recent video editing projects showcases a stunning newly constructed home for sale in Tampa, Florida, featuring two spacious master bedrooms and built by Homes by WestBay.

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Cover image for There comes a moment in

There comes a moment in life when waiting quietly is no longer enough—when the dreams you’ve carried for so long begin to demand action. This video is more than just words. It’s a declaration. A turning point. For years, I held onto visions of a life that felt aligned—free, meaningful, and deeply mine. Through doubt, delays, and silent battles, those dreams never left me. They stayed… patiently waiting for the moment I finally chose myself. This is for anyone who’s been waiting… Waiting for the right time. Waiting for confidence. Waiting for permission. Maybe you’ve spent so long pouring into others that you forgot to pour into yourself. Maybe you’ve questioned your worth, your timing, your path. But here’s the truth: you’re not behind—you’re becoming. 💭 This video is a reminder that: Your story matters Your dreams are valid And your time… is now No more hesitation. No more holding back. This is the beginning of something real. Something honest. Something yours. 🔥 If this speaks to you, take it as your sign. Rise with me. — 🎥 Don’t forget to: 👍 Like the video 💬 Share your thoughts in the comments — what are you choosing today? 🔔 Subscribe for more content about growth, purpose, and building a life you’re proud of #RiseNow (https://www.youtube.com/hashtag/risenow) #SelfGrowth (https://www.youtube.com/hashtag/selfgrowth) #Motivation (https://www.youtube.com/hashtag/motivation) #DreamChaser (https://www.youtube.com/hashtag/dreamchaser) #PurposeDriven (https://www.youtube.com/hashtag/purposedriven) #NewBeginnings (https://www.youtube.com/hashtag/newbeginnings)I'm a freelance video editor with over 6 years of experience, helping creators and businesses produce engaging, cinematic, and high-converting videos. Whether you need real estate videos, YouTube content, promotional videos, or social media edits, I can help bring your vision to life. What I can edit: • Real Estate Videos • YouTube Videos • Short-form Content (Reels, TikTok, Shorts) • Commercials & Promotional Videos • Cinematic Travel Films • Social Media Ads 📂 View My Portfolio: 👉https://aljohndofredo.my.canva.site/a... (https://www.youtube.com/redirect?event=video_description&redir_token=QUM4Zm9rVGVxUnRaVlBtX3pxUXNaelBWSlFYeHxBR3JiS2FraHpBOVpmUWFaZG13ODVXVEdlZkl2a0JvSENiYUJqYTcwLWY3VWw2ZHotOENWMWllVHJqQ2RDRHloRzlDMWJzTWRrQ2I1dHhkeEcxclpZMWFpVC1VdDRuaFZZTHVE&q=https%3A%2F%2Faljohndofredo.my.canva.site%2Faljohn-dofredo-portfolio%23home&v=SKgDNldvFIE)⭐ Hire Me on Upwork: 👉https://www.upwork.com/freelancers/~0... (https://www.youtube.com/redirect?event=video_description&redir_token=QUM4Zm9rU29uaGQxaXBRa2Z1UlpFcUp6VmR6cXxBR3JiS2FtU0xWZ013TmlrNjhUSlg5NnVfQk91YmNxRnpiSWFDN3QxYWVjcmE4aE5uaEpTSkJTS01kU29VZzl6VEVNTnFnZngxSEVDV2JtRXlVWk9fam5ZRG5DUlcteGwzUFVN&q=https%3A%2F%2Fwww.upwork.com%2Ffreelancers%2F%7E01c29584f3a9ec0f46&v=SKgDNldvFIE)If you're looking for a reliable editor who values storytelling, pacing, and attention to detail, I'd love to work with you. 📩 Feel free to reach out through Upwork or the contact links in my portfolio. #Motivation (https://www.youtube.com/hashtag/motivation)#SelfImprovement (https://www.youtube.com/hashtag/selfimprovement)#Cinematic (https://www.youtube.com/hashtag/cinematic)#ChasingDreams (https://www.youtube.com/hashtag/chasingdreams)#Filmmaking (https://www.youtube.com/hashtag/filmmaking)

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Angeles, Philippines

Bringing Your Vision to Life w/ Top-Notch Quality

Bringing Your Vision to Life w/ Top-Notch Quality

Cover image for Podcast: Leader Unlocked

Podcast: Leader Unlocked

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Cover image for Video: Company Launches MLS Match Referral Network

Video: Company Launches MLS Match Referral Network

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Cover image for Video: Company Launches Xomio

Video: Company Launches Xomio

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Cover image for Video: New Service Pitch to the Board of Directors

Video: New Service Pitch to the Board of Directors

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