Freelance Video Editors in BrazilFreelance Video Editors in Brazil
ProjectsPeople
Jessica Leonel's avatar
Jessica Leonel
Florianópolis, Brazil
Video Editor | Short-Form, UGC Ads & Branded Content
$1k+
Earned
2x
Hired
4.8
Rating
11
Followers
Video Editor | Short-Form, UGC Ads & Branded Content
Cover image for This edit started with a
This edit started with a simple challenge: several different creators, different deliveries, different footage, but only one short ad to make it all feel cohesive. The first step was finding the strongest soundbites and figuring out how they could work together as one story rather than feeling like a compilation. From there, I built the structure around a clear hook, fast progression and a product-focused payoff, then used captions, product inserts, motion, transitions, music and sound design to keep the pace moving without losing the natural UGC feel. What I enjoy most about this kind of edit is that the real work happens before the polish. It is deciding which sentence opens the video, which reaction is worth keeping, when to change creator, when to show the product, and how to make every cut feel intentional. The goal was to keep the authenticity of UGC while giving the final piece the rhythm and clarity of a paid social ad.
0
17
Cover image for This was one of the most fun AI projects I’ve worked on late...
This was one of the most fun AI projects I’ve worked on lately. For Tecnofas, we created a full clay-style animation, literally building the visual language around that handcrafted, stop-motion look, but produced with AI. The video above is a compilation of some of the scenes we developed for the project. The creative challenge was to explain a very technical difference in a way that felt simple and visual: comparing a traditional retrofit construction process with a ventilated façade system, which can reduce the number of workers needed on site by up to 60%. Tecnofas is the kind of client that really enjoys experimenting with new visual languages, so we had a lot of freedom to explore the concept, test ideas and push the AI workflow beyond a standard corporate animation. That freedom made the process especially enjoyable. Instead of using AI only to make production faster, we used it to create a visual style that would probably never have been the obvious choice for this kind of industrial communication.
1
17
869
Cover image for For Junoo, we had already
For Junoo, we had already received real product samples for a separate UGC production. The AI piece came in as an additional creative route: a way to explore how much further we could take the campaign without depending on another traditional shoot. Using real product photography as our reference, we created a fully AI-generated UGC concept from scratch, including the creator, environment, styling and overall visual direction. The content was developed around the aesthetic the client wanted and adapted to feel relevant to the audience in the target city, while keeping the real product at the center of the piece. What I like about this kind of workflow is the flexibility it creates. Once the product is in hand and properly referenced, we’re no longer limited to a single casting, location or production setup. AI becomes a way to expand the creative territory of a campaign and produce additional content directions that would otherwise require a completely new shoot.
1
62
Cover image for One of the challenges with this Inplac project is that the c...
One of the challenges with this Inplac project is that the client doesn’t always have access to strong, current product photography. I don’t see that as a limitation. For this piece, we used AI to build highly detailed product visuals from the available references, then developed those images into animated scenes for social content and ads. The goal wasn’t to create something that simply looked polished. It was to make the product feel tangible, well presented and visually convincing even when the original production material was limited. A lot of the work comes down to art direction: defining the scene, lighting, materials, framing and movement in a way that still feels coherent with the real product. For clients with difficult or expensive product shoots, this opens up a lot of possibilities. Limited photography doesn’t have to mean limited content.
1
12
455
Video Editor(18)
John Camara's avatar
John Camara
Brazil
Video Editor & Motion Designer | Meta ADS/AI Specialist
$1k+
Earned
4x
Hired
5.0
Rating
62
Followers
Video Editor & Motion Designer | Meta ADS/AI Specialist
Cover image for AI Documentary Recreation Study – 1880s New York
AI Documentary Recreation Study – 1880s New York
1
20
Cover image for AI Brand Launch Video for JP Moregain
AI Brand Launch Video for JP Moregain
2
22
Cover image for Creative Direction & AI Video Production for Markets
Creative Direction & AI Video Production for Markets
2
22
Cover image for AI-Driven Spec Ad for GTE.xyz
AI-Driven Spec Ad for GTE.xyz
0
22
Video Editor(16)
Sam B.'s avatar
Sam B.
Fortaleza - Zone 1, Brazil
Video Editor
$1k+
Earned
5x
Hired
5.0
Rating
110
Followers
Video Editor
Cover image for Talking-Head Direct-Response Ads for Growth Edge
Talking-Head Direct-Response Ads for Growth Edge
3
44
Cover image for Expert Documentary Editor for YouTube Astronomy Content
Edited a space documentary for a YouTube channel focused on astronomy content. Used copyright-free B-roll footage from Pixabay and NASA's media library. Delivered the project with detailed notes on music licensing. Incorporated client feedback across two revision rounds, including on-screen size comparison visualizations, a clip replacement, and a two-stage music structure (high-energy intro transitioning to a calmer tone), rendered in Full HD 30fps.
3
1.6K
Cover image for Stellar Documentary Highlights Earth's Greatest Extinction
A New Documentary is Born! I am very happy, I just delivered one of the biggest projects I have ever done. A documentary in partnership with the folks at Stellar, here we will talk about the greatest extinction that has ever happened on the earth we live on. The video below is just the first minute of the doc.
2
1.8K
Cover image for Expert Video Editor for Eon Rush Game Promotion Success
One of the projects I'm most proud of! Eon Rush Studios reached out to me at the beginning of this year and explained they were looking for an editor who truly understood what their game's fans needed. We hopped on a call and started talking. Their game, EON RUSH, immediately caught my attention. We began with a few skits and soon moved on to editing the updated gameplay trailer. Currently, we're working on short-form videos to promote the game's playtest (go check it out on Steam!) Adrian, the CEO of Eon Rush Studios, is still my client, and we continue to work together on this project!
1
882
Video Editor(9)
Rafael Borin's avatar
Rafael Borin
proBrazil
I'm the reason you'll blow up
$25k+
Earned
1x
Hired
48
Followers
I'm the reason you'll blow up
Cover image for As a video editor, I
As a video editor, I think map creation are one of the best things to make in After Effects. Sure some of them may take some time to make, but even the simples ones like these 2 that I made can have really nice results. Working with both overlays and textures adds a nice punch to it.
1
80
Cover image for Getting out of your confort
Getting out of your confort zone might be one of the best moves in Video Editing. Why? This was about a year ago. The style, although simple, took a loot of time and effort to recreate. I took inspiration on a video sent by one of my friends and on that day, that video inspired me to create this. It was my first attempt at doing something completely different than usual, but it turned out actually great! And the best part? I still delivered the video in time without any other revisions to make.
2
4
278
Cover image for This is a re-edit I
This is a re-edit I did for a creator not so long ago. Premium visuals not always mean more. Actually, most of the times it means less. In this video I've done a really simple motion with a limited use of colors and I think it turned out great.
4
146
Cover image for I'm a video editor This is
I'm a video editor This is a small animation I did a few months ago. Sketch style. What do you think?
1
113
Video Editor(8)
Nathan Sanches's avatar
Nathan Sanches
São Paulo, Brazil
Creative Video Editor
$1k+
Earned
1x
Hired
5.0
Rating
11
Followers
Creative Video Editor
Cover image for Slack Okta Integration
Slack Okta Integration
0
15
Cover image for Video Reel
Video Reel
0
14
Cover image for UNESCO - Hey Update My Voice
UNESCO - Hey Update My Voice
0
16
Cover image for Nike - MMW Collection
Nike - MMW Collection
0
8
Video Editor(5)
Andre Inacio's avatar
Andre Inacio
proNavegantes, Brazil
Video Editor | Motion Designer | AI Video Producer
1x
Hired
7
Followers
Video Editor | Motion Designer | AI Video Producer
Cover image for This is a motion design
This is a motion design project we created before generative AI tools really took off. The video presents an auto claims assistance platform, connecting people who had their car damaged with specialists who can help solve the problem. Today, with AI, we can create more ambitious things and explore visual directions that would have been much harder before. But I still really enjoy this kind of full motion project.
0
95
Cover image for In 2025, I started creating
In 2025, I started creating a few tutorials on Instagram showing how to use AI in video production. I was revisiting some files and found this video that I really enjoyed making. The idea was simple: to show how, starting from just a few reference images, it’s possible to create an entire product video using AI.
4
9
456
Cover image for For this project, the challenge
For this project, the challenge was to create a product video for automotive shock absorbers by combining different visual production techniques. We integrated 3D modeling, product animation and AI-generated images, including some elements of the shock absorber itself, to build a more dynamic and visual presentation. The most interesting part was blending these techniques in a way that made everything feel like part of the same visual universe.
1
133
Cover image for While revisiting some old projects,
While revisiting some old projects, I found this video I created in 2023 for X-Monitor, a management software for solar power plants and photovoltaic energy. The goal was to present a technical platform in a clearer, more visual and easier-to-understand way, using motion design, interface animations and a direct narrative structure. It was an interesting project because it combined technology, renewable energy and design to turn a complex system into a simpler and more accessible product presentation.
2
167
Video Editor(15)
Higor Miguel's avatar
Higor Miguel
Campina Grande, Brazil
Brand Designer & Visual Creator
New to Contra
Brand Designer & Visual Creator
Cover image for For years, I've had a
For years, I've had a dream I can't shake: working for a creative company in the United States. It sounds simple when you say it out loud, but when you're a Brazilian creator trying to open those doors, you realize it's more than a dream—it's a real challenge. I've built a solid career here in Brazil. I've worked with agencies, brands, incredible projects. I've learned a lot. But then you reach a point where you ask yourself: "Can I do this somewhere else? With different rules, a different language, a different context?" The honest truth: I don't know if I'll make it. Nobody does. But I decided I'd rather try and fail than stay comfortable wondering "what if." So I created this video. It's not a masterpiece. It's sincere. It reflects this phase I'm in—vulnerable, determined, learning. I used tools, yes (AI-assisted script, generated voiceover, manually crafted captions). But every cut, every transition, every color choice was intentional. Because that's what I do: I pause, I think, and I create something with purpose. What I'm learning in this process: 1️⃣ Resilience isn't about not quitting when things are easy. It's about showing up every day, studying, improving, facing rejection, and moving forward anyway. 2️⃣ You don't need to be perfect to start. You need to start to become perfect. I still have so much to improve, but I'm here, working on it. 3️⃣ Comfort zones are a dangerous luxury. Real growth happens on the other side of fear. 4️⃣ Building a career in another country isn't that different from building one here. It's the same thing: dedication, knowledge, quality work, and purpose. Just with new challenges, new perspectives, new context. I'm in transition. Leaving a place where I have expertise, entering a place where I'll be a beginner again. And you know what? Being a beginner means there's still so much to learn. It means potential is infinite. I'll keep creating. I'll keep learning. I'll keep facing challenges, one day at a time, without fear. Without giving up. If you're a creator with a similar dream—whether it's leaving your country, exploring new markets, or just growing professionally—let me tell you this: Resilience is the most important tool you have. More than software, more than portfolio, more than networking. Resilience is what keeps you when everything gets hard. I'll keep posting my work. I'll keep improving. And I'll keep dreaming. Because dreams without action are fantasy. But action with dreams? That's real possibility.
3
341
Cover image for Finding Poetry in the Ordinary We
Finding Poetry in the Ordinary We often walk right past the most beautiful parts of our day. I filmed, narrated, and directed this short piece to prove that even the most ordinary, everyday moments hold deep, emotional stories when we stop to look closely. From the quiet cinematography to the immersive sound design, every detail was crafted to evoke a genuine human connection. I don’t just capture footage—I capture feelings. If you want to tell a story for your brand that doesn't just sell, but truly touches hearts and connects with people on a human level, let’s bring it to life together.
2
226
Cover image for Industrial product video edited in
Industrial product video edited in CapCut to showcase the high strength and durability of Force tires.
1
215
Cover image for Mobile-shot & CapCut-edited reel designed
Mobile-shot & CapCut-edited reel designed to elevate our agency's social presence and personal marketing.
2
255
Video Editor(5)