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Hourflow | an AI-native study workspace, focus-mode transitions, refractive typography, and ambient presence cues that make deep work feel supported, not surveilled.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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A few highlights from part of my fav projects I’ve worked on over the past few years. Some of them are brand identity, some websites+brand identity products.
Different industries and different stages, but the goal was always the same: build crispy, flexible visual systems that scale cleanly from screens to physical materials.
Watching the best design of the day.
It’s rare to have a client look at the first outcome and simply say, “I love it.”
With Noophora, everything clicked from the start. The vision was clear: solve the real gap between creators and listeners, not just create another beautiful interface.
The challenge was to make that connection feel effortless, intuitive, and meaningful. And that’s where design becomes more than aesthetics.
Noophora’s dark mode is my recent love. 🖤
Where aesthetics meet the elite feel of a beautifully crafted interface. Every detail, depth, and interaction comes together to create an experience that feels as good as it looks.
Check it out
Amazing😍
I built the Smooch brand from the ground up, strategy, identity, wordmark, colour world. The can was the last piece, the moment it finally became something real.
The brief: a packaging system that scales. One hero flavour today, a full range tomorrow, no rebuild required.
First problem, the logo. Smooch's bold wordmark has a curve underneath it that dies at full width on a can, and angling it across felt gimmicky, not confident. So I turned it vertical instead, running the full height, full scale.
Colour had to carry the brand and split the flavours at once. Deep burgundy anchors it, red punches through the wordmark, and each flavour gets its own accent, blush, gold, peach.
No fruit photography. Instead, a graphic starburst holding a simple illustrated fruit, ownable and ready for whatever flavour comes next.
The back label carried ingredients, actives, and every mandatory without losing the premium tone.
Going vertical also quietly solved the shelf problem: cans sit in a fridge door at a slight angle and a horizontal wordmark rotates out of legibility, whereas a full-height one still reads from either side. Curious whether the starburst has a fixed point count across flavours or...