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This started as a personal idea for an Instagram brand called "Naik Sepeda."
I wanted to create something simple, fun, and easy to remember. The main idea came from combining two things I like: cycling and fried eggs. The egg became a playful symbol of the journey — something familiar, simple, and enjoyable.
From there, I developed the main logo, icon, wordmark, colors, typography, and a few supporting illustrations. I also explored how the identity could work across different things like T-shirts, stickers, mugs, tote bags, and other everyday items.
It started as a simple logo idea, but eventually grew into a small visual identity of its own💯
The network for creativity
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Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Not spots. Premium pattern 🦒
Started as a doodle in a lecture, ended up on tees and totes. One giraffe, one rising sun, and one line: “Nie mam plam. Mam wzór premium.” (“I don’t have spots. I have a premium pattern.”)
Four colorways, flat warm illustration, and a joke that works on any animal: zebra, leopard, dalmatian, cow are next. 🧡
Sometimes the best idea is the one you draw when you’re supposed to be taking notes.
Is text on album covers really tacky?
This question has been doing the rounds on X and I have to say, I'm firmly on the other side of that argument. I've always loved seeing typography become part of the artwork rather than just a title sitting on top of it.
So I wanted to put that idea to the test with an imagined album called Nothing Stays Still, inspired by change, fleeting moments and everything in between:)
I played around with the lettering until it felt expressive, a little restless, and inseparable from the photograph.
Because I think badly considered typography is tacky. Typography itself? Give it a chance :)
What's an album cover where the type really makes it for you?
A website hero and motion identity concept for Cycle.
The experience takes the viewer through seven historical eras in one continuous forward journey, while the logo, camera path and core composition remain consistent.
The concept explores how a static identity can become a living digital experience through motion, environment and interaction.
Workflow included Spline, Claude via MCP, Midjourney and SeaDance.
Available for brand identity, motion and digital design projects.
I fall in love, It is like Encarta, but 1000% better