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Conducted an in-depth investigation of the Walter J. Brown Media Archives and Peabody Awards Collection at the University of Georgia. Interviewed a professional digital archivist, analyzed digitization workflows and preservation standards, and evaluated technical infrastructure, archival management practices, and strategies for preserving historically significant audiovisual collections.
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It’s been a minute since my last post here on Contra.
While my main focus usually lives in photo editing and digital design, I was digging through the archive recently and thought it’d be fun to share a couple of branding projects from the past:
Slide 1: Seart Visuals apparel & merchandise branding (1 year ago)
Slide 2: Choku Ladies Boutique identity and mockups (2 years ago)
Brand identity isn't my everyday lane, but tackling projects like these taught me a lot about visual consistency across different mediums. I’d love to hear your thoughts or see any feedback from fellow designers. Great to connect with the community again.
That's really great typography logo design❤️❤️
Built this in Framer as a concept project. Goal was to make it feel run by ex-journalists. Choices: editorial serif (Libre Baskerville), a dark photo with one color accent, and copy that positions against blast-style PR.
Where I’m unsure: text legibility over the photo and whether the two CTAs compete. What would you change?
That's great design it feels professional I like how the background mixed with interface ❤️❤️
Great job Cheree🎉🎉
Title / Headline:
The Quiet Hours — Cultural Magazine Web Design & Brand Identity
Description
Overview:
The Quiet Hours is an editorial-driven digital magazine concept focused on slow living, culture, and thoughtful essays, designed with a sophisticated print-inspired digital aesthetic.
Design Highlights:
Print-Inspired Editorial Layout: Engineered a structured grid system blending classic editorial serif display typography with clean body text for an immersive reading experience.
Calm & Earthy Color Palette: Curated a muted, harmonious color scheme (Pampad, Ink, Ember, Teal, and Pod) to evoke a sense of quiet and reflection.
Content Architecture: Structured clear content hierarchies, including issue highlights, article previews, and category navigation.
Mobile Responsive Layout: Designed a seamless mobile reading interface tailored for on-the-go content consumption.
Tools & Stack:
Figma, Adobe Illustrator, Editorial Typography, Web Design, UI/UX Layouts.
The Pampad, Ink, Ember, Teal and Pod palette names alone tell me this is a thoughtfully built system. Print-inspired editorial grids are so satisfying when they respect the reading experience, and this clearly does.