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Melted one looks much more unique
Last week: a logo with a name and a dot.
This week: a two weird wordmarks.
Creative Little Planet is a marketing agency for B2B clients brave enough to hire weird humans. A studio selling weird can’t look like any other SaaS, right? So I pushed weird two ways!! Which one do you...
8 voted
22%
28 voted
78%
36 votes
Closed
loved both logos, but Machined & Blocky took my heart <3 can you share the font name?
uf i love this, so cute
Beautiful typefaces!
Machined & Blocked looks better to me.
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From AI-generated artwork to a more polished vector illustration.
I tested Ideogram Vector by generating an illustration for a lemon ginger tea packaging.
The raw output was a good starting point, but it still needed some work.
So I converted it into an editable SVG, refined the shapes, rearranged and resized the elements, and added a bit of texture to give the illustration more depth.
Here's a look at the before and after!
What do you think? 🍋
4 voted
9%
41 voted
91%
45 votes
Closed
After is absolutely better it focus on the main image🎉🎉
What makes a candy brand recognizable across every pack?
For Puffy Bites, I built the identity around rounded lettering, expressive symbols, and a palette of burgundy, purple, yellow, and cream.
The same visual language carries through pouch packaging, smaller wrappers, campaign imagery, and an animated brand showcase.
One design decision that ties it together: the packaging color changes, while the logo placement, product descriptor, and supporting graphics maintain a consistent structure.
I handled the full client project, from logo and visual identity to packaging and campaign applications.
Which colorway would catch your eye first—purple, burgundy, or yellow?
Explore the full Puffy Bites case study. If you’re developing a candy or snack brand, I’m available for branding and packaging projects.
Love it,
Great work
Made of Us & Line 26: two styles about the crowd of everyday life
We built two custom Recraft V4 Styles from public-domain works in museum and archive collections. Both look at modern life through the people in it: one builds objects out of tiny people, the other lays our daily habits into tile murals.
1. Made of Us
What if everything we love were made of all the people behind it?
References: Ernst Ludwig Kirchner's Dance Hall Bellevue (1909/1910) at the National Gallery of Art, and Utagawa Hiroshige's View of Fuji san from the Mountains in the Province of Izu (1858) at The Metropolitan Museum of Art. From Kirchner I took the bold Expressionist colour and the thick, outlined brushwork; from Hiroshige, the soft gradients and the calm, layered space. The idea of an object made of people is inspired by yose-e, the playful composite pictures of Edo period Japan. In the posters, everyday objects are built from hundreds of tiny people, one day and one week at a time; in the photographs, real crowds stand together to form the shapes of this month's trends, some of them animated.
2. Line 26
What if a city's metro network had a tile mosaic mural at every station, each one celebrating a habit of life in 2026?
References: Emily Noyes Vanderpoel's Color Analysis from Arabian Illumination (Plate LXVII) from Color Problems (1902), Wassily Kandinsky's Painting with Green Center (1913) at the Art Institute of Chicago, and Theo van Doesburg's Contra Composition (1927–28). From Vanderpoel I took the strict grid of small colour squares and its red, blue, olive and cream palette; from Kandinsky, the expressive curves and layered colour; from van Doesburg, the flat planes and heavy black lines. The result is an imaginary metro network whose stations are named after things we do today, from Tap In and Matcha Line to Run Club and Padel Park, introduced by a street entrance, a network map and the next train arriving, with some murals animated.
Two styles, one subject: the crowd of everyday life, painted person by person and tile by tile.
🖼️ Walk through the full gallery → https://recraft.korsa.io A home for the two styles I made with Recraft. Made of Us: everyday objects built from hundreds of tiny people, painted in bold Expressionist colour. 18 posters in six rows, from morning to together. Line 26: a city...
