Nocturnes of 2126✨ What if Van Gogh and Whistler had painted the night of 2126? 🌙 Nine nocturnes of a future city (robot hounds, rainy delivery bots, air ferries, a tree wired with light), painted with a custom Recraft style built from public-domain paintings at The Met and the Smithsonian. I went digging through the open-access collections of The Met and the Smithsonian looking for the night. I found Vincent van Gogh’s 1889 Saint-Rémy paintings (Cypresses, Wheat Field with Cypresses, Olive Trees, Irises) for their swirling impasto, and James McNeill Whistler’s Nocturnes (Bognor, Valparaiso) for their deep blue darkness lit by small points of gold. I blended the two into a Recraft style, then chained a second style from its results to lock in a cobalt-and-amber night palette. Nocturnes of 2126 uses that 1889 brush to paint a future neither artist could imagine: robot hounds, delivery bots in the rain, silent air ferries, AR lenses and glass houses with solar roofs, all at blue hour. The style is public, so try it yourself 👇

day by the day work you are doing is outstanding man.

What if Altoids dropped a limited Halloween edition?

For this week's challenge, I gave one of the most iconic tins on the shelf a fall and spooky makeover with two seasonal flavors: 🎃 Pumpkin Spice and 🦇 Black Peppermint.

👻 What stayed recognizable: The classic rectangular metal tin, the off-white parchment label, the stepped Victorian frame, and the bold serif wordmark with "The Original Celebrated" and "Curiously Strong Mints" locked in their exact spots.

🪦 What I twisted: Swapped the classic red and green tins for burnt pumpkin orange and midnight matte black, traded the vintage apothecary crest for autumn foliage on one and gnarled trees with flying bats on the other, and lit the whole shot by lantern light.

Which one would you grab? #brandincostume

altoids are SO classic, this is such a clever idea!