GATE108 is a forward-thinking ecosystem bringing together people, ideas, experiences and new ways of living, working and connecting.
We’ve been their long-term design partner, shaping and continuously evolving a flexible visual ecosystem across visual strategy, brand identity, creative direction, digital experiences, event assets, 3D motion and social media.
Inspired by the idea of GATE108 as a gateway into a multidimensional world of people, ideas and possibilities, we’ve built a brand system designed to move, adapt and grow across physical and digital spaces.
As the brand evolves, we continue to create new expressions while keeping the wider ecosystem cohesive, recognisable and ready for what’s next.
The gateway idea lands in the reel because the cuts keep one spatial/grid logic while the artifacts swap — event, social, 3D — without feeling like a new brand each time. That's the hard proof of a 'flexible ecosystem'; most systems only flex in a PDF deck, not in motion.
Homes that grow quietly with the forest, now on the web. 🏡
Nordhaus is a website for a Latvian builder of prefabricated timber homes, created in Figma and built in Framer as a responsive site for desktop, tablet and mobile. It brings the brand's calm Nordic character through full-screen photography, a scroll-driven process story, a horizontal model gallery and interactive testimonials.
POLIDO is the visual identity of my independent brand design practice, shaped by a process of listening, synthesis, form, and use.
The identity brings together a hand-drawn signature, restrained typography, tactile materials, and a palette of warm paper, graphite, and Basil green.
From printed matter to apparel and physical applications, the project explores how a consistent visual language can adapt to different materials and contexts while maintaining its character.
Scope: Brand Strategy, Visual Identity, Art Direction, and Mockup Design.
A behind-the-scenes look at my Tesla Cybertruck presentation, with the finished animation playing alongside a sped-up view of how I built it in PowerPoint.
From arranging each slide to fine-tuning the Morph transitions, here’s the work behind the final result.