Hey guys we’re hiring here at VAZA! https://contra.com/opportunity/2kE6rckk-full-time-graphic-des...Hey guys we’re hiring here at VAZA! https://contra.com/opportunity/2kE6rckk-full-time-graphic-des...
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I design motion from the first composition to the final frame, combining typography, graphic design and animation.
This self-initiated series shows how I work with timing, weight and visual hierarchy. Letters stretch and rebound, geometric forms trigger chain reactions, and transitions carry one composition into the next. Each movement follows the same graphic language while giving each film a distinct pace.
My focus is on how a design behaves over time: where the eye goes, how an element arrives, and when a transition needs to hold or accelerate.
A small milestone, but a meaningful one for our studio. Grateful to all the clients who've trusted us with their projects and to @Contra HQ for the opportunities to connect and collaborate.
Here's to more creative projects and collaborations ahead!
How do you make a construction brand feel consistent from a business card to a building site?
Brixon’s identity brings angular lettering, an assembled geometric symbol, and a lime, black, and white palette together.
I carried those elements into stationery, brand guidelines, team identification, social graphics, and site signage, then brought the system into motion with Adobe After Effects.
The connecting decision: keep the geometry and layout structure consistent while the logo details, messages, and application previews change within the animated panels.
My contribution covered brand design, graphic design, and motion design.
What draws your attention first: the wordmark, the lime palette, or the rotating symbol?
See the full Brixon case study. If you’re shaping a construction or development brand, I’m available for brand identity and motion projects.