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A glimpse of Macula, a brand identity concept for an architectural lighting studio.
I’m exploring how light changes the way we experience a space, letting silhouettes and blurred edges carry that idea into the imagery.
Work in progress.
These are gorgeous, Gabriel. Letting blurred edges and silhouettes carry the whole idea is so right for a lighting studio, the mark almost glows out of the haze. The third tile with the full symbol is my favorite. Is the final identity mostly photographic like this, or will the...
Thanks, Timothy! The mark is meant to work on its own too. I’m refining the photography and vector details now, then moving on to mockups to show how the identity works in everyday applications.
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✈️ What if booking a flight was actually fun?
I wanted to make the whole experience feel less like filling out a form and more like playing with an interface.
Turn your sound ON and give it a watch 🎧🔊.
THIS IS GREAT
The Kinetic Brand Spec Engine is an ultra-fast, 40-cut kinetic brand identity showcase built for high-growth digital brands and social feeds. Operating in a seamless 3.6-second infinite loop at a locked 60 FPS, it combines rapid photographic strobe cuts with real-time optical color inversion, delivering the energy of a high-end broadcast title sequence entirely within native vector animation.
What sets this project apart is that it was built 100% programmatically using the SVGator MCP (Model Context Protocol). Rather than manually dragging timeline keyframes in an editor, every layer coordinate, 60ms cut interval, and blend mode was authored directly through code and agentic automation, proving sub-millisecond precision and showing what the future of creative engineering looks like.
The template is engineered for true plug-and-play reusability: designers can drop in any transparent logo mark and update the brand title in under 60 seconds without breaking any of the 40 animation tracks. To prove its versatility, we created two radically different brand executions powered by the exact same master engine - LUFAZAE for avant-garde editorial luxury, and MONOLITH for tactile architectural streetwear.
It's really energetic brand identity ⚡⚡⚡
Great work Garv🎉🎉🎉
Hourfield is a 16-second 16:9 launch film for products that organise people's time: calendars, schedulers, booking and reservation apps, planners. Retype a few short lines, drop in your logo and rename the calendar's days and tiles (meetings, table bookings, classes, shifts): the week re-plans itself on screen and the film lands on your logo lockup. Our second version, Maréva, a fictional table-booking app, turns the working week into an evening of reservations on the same animation and timing.
Built end-to-end through the SVGator MCP server. The calendar that re-plans its own week, the orbit that swirls into a single dot and the lines centred by their real letter shapes (fonts measured, not eyeballed) were computed in Python and written straight into a live SVGator project as 780 editable keyframes; I directed every note and finished it in the canvas. Maréva was made the same way, on the same timeline. Everything stays a real layer: 50 live text layers, named elements (headline, logo, product-name, tagline) and one logo image animated in two moments.
Yes, there is a lot to edit: every line of the story, a whole week of calendar tiles, a palette in nine roles. A full rebrand takes longer than five minutes, and that is the honest trade: it shows how much a single SVGator file can carry, and how MCP makes a detailed, story-driven film practical to re-make, not just to watch.
Links:
▶ Template (SVGator)
▶ Demo video, A → B
Love the smooth flow and the text animation! Good luck!