Garv Gupta's Work | ContraWork by Garv Gupta
Garv Gupta

Garv Gupta

Just a guy figuring out life..

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Followed by Benjamin C, David A, and Atemo S

Bengaluru, India

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Bengaluru, India

The Kinetic Brand Spec Engine is an ultra-fast, 40-cut kinetic brand identity showcase built for high-growth digital brands and social feeds. Operating in a seamless 3.6-second infinite loop at a locked 60 FPS, it combines rapid photographic strobe cuts with real-time optical color inversion, delivering the energy of a high-end broadcast title sequence entirely within native vector animation. What sets this project apart is that it was built 100% programmatically using the SVGator MCP (Model Context Protocol). Rather than manually dragging timeline keyframes in an editor, every layer coordinate, 60ms cut interval, and blend mode was authored directly through code and agentic automation, proving sub-millisecond precision and showing what the future of creative engineering looks like. The template is engineered for true plug-and-play reusability: designers can drop in any transparent logo mark and update the brand title in under 60 seconds without breaking any of the 40 animation tracks. To prove its versatility, we created two radically different brand executions powered by the exact same master engine - LUFAZAE for avant-garde editorial luxury, and MONOLITH for tactile architectural streetwear.
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Every modern website needs a Wall of Love, yet SVGator’s template gallery didn’t have a single infinite testimonial marquee. We filled that gap with a production-ready, dual-row continuous marquee featuring smooth counter-directional drift and realistic rating badges. What makes this special is that I did not touch the editor or move a single keyframe. This entire template was designed, structured, and animated 100% autonomously by an AI agent using SVGator’s MCP server. The agent created the assets, configured the hierarchy, and calibrated the infinite mathematical loops entirely through MCP tool calls. The motion engine is completely decoupled from the design. In under three minutes, the exact same engine transforms from an obsidian SaaS dark mode into an artisan bakery aesthetic with zero timeline adjustments. It is the ultimate proof of both template reusability and the power of SVGator MCP automation.
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I wanted to test whether Invideo Editor’s AI timeline agent could take multiple disconnected raw camera angles and engineer a broadcast-ready commercial teaser with custom optical transitions from scratch. How I built it: The Footage: 6 raw, silent studio B-roll angles of the $3M Gordon Murray T.50 hypercar. Agent Direction: Prompted the agent with a visual reference to sequence a 14-cut teaser alternating forward and reversed speed ramps, scored to a dark cinematic sub-bass pulse. It engineered an Aero-Viewfinder & 35mm Optical Shutter Burn transition system on Track V2 (Screen blend mode) and synced mechanical shutter snaps with deep sub-bass impacts across every cut. Human Refinements: I dialed the exposed Inspector controls to extend the optical flash duration to 8 frames (ensuring the full glowing viewfinder frame lands visually), pushed layer opacity to 100%, and balanced the sub-bass impact levels. Editable Project Timeline: 👉 https://invideo.io/share/Export-9-Oct-pRI8whBWsyz #invideocontrachallenge #invideoeditor #gordonmurray #hypercar #vfx #aiagent
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I wanted to test whether Invideo Editor’s AI timeline agent could replace hours of manual node compositing in After Effects to create a cinema-grade VFX shot from raw mobile footage. How I built it: The Footage: Raw 4K 60fps night plate of NYC with neon signs, streetlamps, and a wet puddle reflection. Agent Direction: Using a prism refraction photo as a reference, I directed the agent in Ultra Mode to author a single custom shader that extracts luminance highlights, stretches them into 55° upward trails, and applies a spectral RGB dispersion gradient across the edges. It also layered a Screen composite and generated a procedural cyberpunk HUD tracking overlay. Human Refinements: I manually used the exposed Inspector sliders to fine-tune the Highlight Threshold to 0.68 (isolating the Radio City marquee, streetlamps, and puddle reflection while eliminating building clutter) and dialed the Trail Length to 140 with an exponential falloff taper. Editable Project Timeline: 👉 https://invideo.io/share/Chromatic-Stretch-GWJjyPAWPDb Instagram Reel: 👉 https://www.instagram.com/p/DeB3NrJSbvd/ invideo Editor is free to try. #invideocontrachallenge #invideoeditor #vfx #cinematography #aiagent
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