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Last year, I had the privilege of designing the logo for Quantavo. It’s always a win when technical precision meets clean design.
Clean work!
Thanks!
That geometric Q is such a confident mark, Illia. Technical precision is exactly the right read for Quantavo, and the way it holds up on the keycap and site shots shows real craft.
tysm!
That geometric Q is brilliant Illia! 💎 Technical precision is the perfect read for Quantavo - that little dot breakout from the Q makes it feel like data parsing / analysis. Love how it holds up on keyboard texture and as favicon on quantavo.ai tab. The mockup with "Your lab...
The Q mark on the keycap is a nice touch. Did the cut in the letter come first?
Great logo design lllia🎉🎉🔥🔥
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Logos & Marks — Volume 12
A curated selection of recent logo and identity work.
This collection brings together commissioned projects, unused concepts, and exploratory directions across technology, AI, finance, sports, retail, and other industries.
The work explores geometric symbols, custom typography, monograms, and abstract forms, with a focus on clarity, distinction, and strong visual character.
Selected marks are available for acquisition.
For licensing, customization, or brand identity inquiries, feel free to get in touch.
Holding the whole volume to one hot orange on charcoal makes the marks easy to compare, and the Otima symbol stacking a gate shape over the wordmark is my favorite of the set.
more visuals from iki, a matcha shop i’ve been working on 🍵
the project is getting close to its final stage, and it’s been really interesting to see how the initial concept has gradually turned into a complete brand.
from the strategy to the visual identity, every decision has helped shape a more cohesive and distinctive world for iki.
almost there. excited to share more of the final result soon
Strong concept and thoughtful execution. The logo feels distinctive and communicates the brand identity clearly.
Fresh case study 🚀🚀🚀
Brand identity for Peak, an all-in-one website builder for WordPress that I design and build. A four-letter mark, a warm paper-and-ember palette and one system that runs from the favicon to the packaging.
A four-letter mark that has to hold from favicon to packaging is a tough constraint. Did you draw one letterform first and build the other three from it, or design them together as a set from the start?
