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Designed a promotional brochure for Taxila Motors to complement the website I built and maintain. Used a charcoal-and-red palette to match the dealership's existing branding and physical business card, with a bold, automotive-inspired layout built around featured stock, dealership highlights, and direct contact info. Meant to work both as a digital share piece and a printable flyer.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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I designed a startup from idea to launch with CapCut Design Studio.
Meet Canopy, a smart navigation app that helps you find cooler, more shaded routes through the city instead of simply choosing the fastest one.
The idea is simple:
12 min · 28°C · Direct Sun
vs.
14 min · 22°C · Shaded
2 minutes longer. 6°C cooler.
For the challenge, I built the full Canopy identity from the ground up, including the brand system, product visuals, launch campaign, and pitch deck, all connected through one consistent visual language.
Canopy. The coolest way home.
Hey @Sevki Sahinbas, don't forget to submit your work here: https://www.capcut.com/submission-campaign/254375116548
We've been sharing ASTRAL piece by piece. Here's a look at what holds the whole identity together. ↓
A brand starts getting interesting when the logo stops doing all the work.
→ Two typefaces, each with a clear role
→ A restrained palette built around one unmistakable signal
→ A visual language that moves naturally from product to interface
Every decision belongs to the same world. From the mark and typography to the product and digital experience.
The goal was simple: make ASTRAL recognizable wherever it shows up.
We've been seeing some incredible work from the Contra community lately. Curious to hear what part of the ASTRAL identity stands out to you most. 👀
Such good work!
A beautiful website can lose a surprising amount of its character on a phone.
Not because it’s broken.
The buttons work, the sections stack, and everything technically fits. But the rhythm feels flatter, the hierarchy becomes weaker, and the mobile version starts to feel like a leftover from the desktop.
I wanted to avoid that with Sirnik, TOSOO, and APVist.
Each project needed its own mobile edit: deciding what belonged first, what could be simplified, and which visual moments were worth protecting.
I brought a few of those screens together in this short reel.
Different brands and different visual systems, but the same goal:
The mobile version should feel designed - not adapted.
If you’re working on a website and want that same level of care across every screen, let’s talk!
