WHAT WE WEAR TO PROTECT

What if historical armor left the museum and walked into a 1990s fashion editorial?

For the #FLORAMuseum challenge, I used four original armor pieces from The Met as my creative brief — without changing the pieces themselves.

I only changed the context: real models, fashion photography, a magazine cover and a VHS-style behind-the-scenes.

5,000 years of protection. One new context.

Original references from The Met:

Built with @floraai #FLORAMuseum

cool armor shots

A full shoot, built from a single product photo. I started with one flat e-commerce packshot, the same asset any brand already has, and built the rest: fabric detail, styling, and the product worn, on two models, across front, profile and back. One coherent world, one locked direction. It works two ways: as pre-production, to explore several directions before a shoot and decide with something real in front of you, and as final, campaign-ready visuals for social and e-commerce, refined down to the detail. And it scales in every direction: more products and full looks, several models in a single frame, different sets and moods from the same starting assets, and motion. Find out more at https://lnkd.in/eXN3mFQE Self-initiated project on EME STUDIOS pieces, not affiliated. I’m closing my calendar for the coming month. If this could fit your brand, my inbox is open 📬

These are beautiful!