SATORI MIDI Design Process The collection began with a single reference point. The guaiac blossom...SATORI MIDI Design Process The collection began with a single reference point. The guaiac blossom...
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SATORI MIDI
Design Process The collection began with a single reference point. The guaiac blossom, a small and quiet flower whose structure carries more information than its size suggests. Research started with the botanical anatomy of the flower itself: the pale center, the blue-violet petal, the fine yellow stamen. Rather than treating the flower as a decorative motif to print or embroider literally, the goal was to extract its logic and let it inform proportion, palette, and finishing. Color extraction came directly from photographic and botanical reference of the flower in different light conditions, pulling the tones that read consistently across noon light rather than studio light, since the collection's whole premise lives in that specific hour. Sketching followed a similar restraint. Each silhouette was tested first as a flat proportion study before moving into garment construction, keeping the guiding question at every stage: does this still read as quiet at noon, when there is nowhere for a design to hide.
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