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As a passionate Graphic Designer, I create visually appealing and professional designs that help brands and businesses communicate effectively. My work includes social media posts, promotional posters, flyers, menu cards, invitation cards, logos, banners, and customized marketing materials. I focus on creativity, clean layouts, attractive color combinations, and designs that connect with the target audience.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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I made these two versions of new month design for a brand.
Which one does it for you?
1 voted
25%
3 voted
75%
4 votes
Closed
The dark version 🔥
Belovetz is a clothing brand born from a simple truth: the bond between people and their pets deserves to be worn, not just felt. Rooted in soft Y2K nostalgia and vintage warmth, the brand brings together comfort, style, and companionship into a single wardrobe made for two.
The identity of Belovetz was built around a soft, cozy aesthetic — warm pastel tones, rounded typography, and a visual language that feels like a favorite childhood sweater. Every detail, from the heart-shaped logo to the bandaid symbol woven into its DNA, speaks of care, affection, and the kind of love that never goes out of style.
More than a fashion label, Belovetz is an invitation: to dress the same way you love — openly, comfortably, and together with the ones who matter most, four-legged or not.
this logo is the cutest, those colors on the pups in the last pics are so smart to use in alignment!
Sometimes, being a designer means designing for yourself.
I started a business and needed flyers to communicate what we were about.
There was no client brief.
No one telling me what the visual direction should be.
I just knew what I wanted people to feel, what I needed them to understand, and how I wanted the brand to show up.
So I got to work.
I explored a direction, built a visual language around it, played with typography, composition, imagery, colour and storytelling, and eventually, this style came together.
These are some of the results.
For me, this is bigger than making good-looking graphics. It’s a reminder that my design skill doesn’t only live inside someone else’s brief.
I can identify the problem.
Shape the direction.
Build the visual system.
And take an idea from “I know how I want this to feel” to something people can actually see.
That’s the kind of designer I’m becoming: not just someone who executes, but someone who can own the creative direction.
And honestly, I want to do more of that.
Creative work