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Does AI real-time video editing actually work?
Decart lets you transform live video in real time using text prompts.
Since there aren't many tools doing this yet, I was curious to see how well it performs.
I tried to replace characters and objects within video clips.
The technology is promising, but the results were mixed. I found that it struggles with finer details and more complex compositions. I also ran into a fair number of visual glitches during testing.
That said, it's an interesting glimpse of where real-time AI video editing could be heading.
You can try it here if you're curious.
What do you think of the results?
real-time prompting on video is one of those things that feels like a toy until it isn’t, the glitches are honestly half the appeal right now
Really interesting take on AI video editing! The technology is evolving fast.
The interface feels incredibly refined — every section has a clear visual purpose.
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How do you find the time to share your design process when you’re constantly jumping from client to client? ⏳
Every time I finish a cool project, I want to record a quick breakdown. But between client deliveries and daily deadlines, sitting down to cut video and manually edit subtitles feels impossible. I’d rather spend that time on actual pixels.
Today I tested Captions to see if AI could remove that friction and speed up my creator workflow. It literally took seconds to format.
What do you think of the final result of this video? Does video editing hold you back from sharing your work too? Let me know in the comments! 👇
(Mind the quality, this is a quick screen record of my first trial run, but the efficiency speaks for itself!) 💎
Love this!
I ran them through three identical prompts pulled from real client work to see how they compare under production pressure, and the differences came down to tool personality more than tool quality.
#Kling #Runway #AIVideo #MotionDesign #CreativeWorkflow
Nice research man weldone
What if "distorted portrait" didn't mean a face stretched in Photoshop, but a body shot from eight inches away with a 14mm fisheye?
For this piece I pushed the trend out of the design-software lane and into the language of extreme sports photography, a mock alpine campaign for my studio, where the distortion isn't applied in post but baked into the lens itself.
The portrait fragments across four frames:
(hand, hands, face, figure) as the fisheye does the warping that designers usually do with cut-up and collage.
The reason this trend lands right now is the same reason GoPro footage outperformed polished cinematography a decade ago: people are tired of frictionless.
Where would you take it — same trend, different visual vocabulary?
Nice pick precision matters, especially for brand credibility.
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