Intimacy and Ritual: An interview with Miranda July

Luz Blumenfeld

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Screenshot from an Instagram project by Miranda July and Margaret Qualley
Screenshot from an Instagram project by Miranda July and Margaret Qualley
In the spring of 2023, I interviewed artist, writer, and filmmaker Miranda July for The Social Forms of Art (soFA) Journal. We spoke about using social media in art projects, ways of seeing and being perceived, and the rituals of performance art.
Miranda July is a filmmaker, artist, and writer. Her books include It Chooses You, The First Bad Man, and No One Belongs Here More Than You (winner of the Frank O’Connor International Short Story Award). July’s fiction has been published in twenty-three countries and has appeared in The Paris Review, Harper’s, and The New Yorker. She wrote, directed, and starred in The Future and Me and You and Everyone We Know (winner of the Camera d’Or at the Cannes Film Festival and a Special Jury Prize at Sundance; re-released by The Criterion Collection in 2020). Her most recent movie is Kajillionaire (2020). July’s art works include the website Learning to Love You More (with Harrell Fletcher), Eleven Heavy Things (a sculpture garden created for the 2009 Venice Biennale), New Society (a performance), Somebody (a messaging app created with Miu Miu), and an interfaith second-hand shop located in a luxury department store (presented by Artangel). A limited edition of her most recent work, Services, was produced by MACK Books in 2022. A monograph of her work to date was published in April 2020. Raised in Berkeley, California, July lives in Los Angeles.

Miranda: It shifted me into a different place forevermore, and this had to do with the specific people that I worked with and met along the way. Even the penny circle and even the audience, even people being invested in it was part of the ritual. We were talking earlier about fame or ambition, with this project I felt that I graduated to another level where it wasn’t so much a striving within a genre, but rather a ritual for myself. We sort of intensified it by being watched, but the spell was complete enough that it stayed sacred.

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