3D ANIMATED EXPLORATIONS

Freestyle is for me a capital part in the renewal of my creative process. I'm back with a new animated series based on the three wise monkeys maxim, lockdown edition.

I reworked each principles and monkey to match the theme and gestures: Mizaru, who sees no evil, covering his eyes → hand soap Kikazaru, who hears no evil, covering his ears → isolation Iwazaru, who speaks no evil, covering his mouth → overeating

Design, modeling, shading, lighting & animation: Thomas CHARIER. Audio: Olga WOJCIECHOWSKA.

Get them with sound on instagram!

Technical breakdown below.

~ 2021

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This freestyle is a little more complex than the previous ones but I had fun creating this character!

Since I use only one character for the 3 visuals, I pushed the design and the character creation pipeline as I would do for a real production asset.

This is a collaboration with the wonderful composer / sound designer Olga Wojciechowska.

Take the time to listen to his work on instagram!

Here are some insights of the process.

Playing with a keyhole face and shaped toy design. Drawing the character in T-pose allows you to see how it takes up space in the composition. Keep it simple, you might need to change things after the animatic.

My workflow consists to anticipate the key moments by sketching some poses, keeping in mind the ratio and the silhouettes of the character. It's like an advanced storyboard at this stage.

Then I compile the poses to make an animatic, and finally I create in-between to have a solid base before animating!

Quick blockout before sculpt.

Only use 3D primitives and simple mesh with some subdivision levels.

Before sculpting, I realized that the arms were too straight and would bend badly.

An additional sketch makes them more fitted and curved, the folds are more natural now!

With a proper blocking it's really easy to bring details to your mesh.

Playing with the Level Of Details (LOD) contrast makes its head pops so much!

After the retopology of the sculpt, I created an easy FK arm rig based on bones & controllers.

Standard texturing process including uv unwrapping first, then baking normals from high poly sculpt to lowpoly mesh. I used Substance Painter to bake normal maps and also create the plastic texture with all color variations & soft damages.

Procedural flakes are done in Blender for the final touch!

Fun part of my workflow. First I setup a rough pass first based on 2D grease pencil animations.

Refining details happens in a second time when the whole body is put in space.

Animation process is quite fast when you follow ready-made timings.

Final step of the project: here is my light rig breakdown. Area lights only!

Always use big light sources to avoid sharp transitions, its soften the shadows too.

I tend to not use compositing nor paint over in my work. I keep it simple: no trick, no complex CC. 

Raw render is the way.

Project inquiries: hello@toasty.studio Instagram: instagram.com/toasty.studio