Libby Cox

This started as another experiment with halftone, but I wanted the dots to have a reason for being there rather than simply applying the technique as a surface effect.

The thought was: what if the dots were actually seeds?

From there, the idea became Studies in Reproduction —...

What I love about retrofuturism is that it says as much about the past as it does about the future. It’s less about predicting what came next, and more about seeing what people hoped the future might become.

For this piece, I wanted to imagine lunar living through a very...

I love halftone because it sits somewhere between image and texture. From a distance, the dots disappear and become a photograph; up close, the image breaks apart into something much more physical — ink, pattern, grain and imperfection.

For this piece I wanted the halftone to do...

I developed this image for an independent fantasy book project, translating the author’s ideas into a distinctive visual scene with a strong sense of atmosphere, scale and narrative. The focus was on creating an image that felt part of a coherent fictional world rather than simply illustrating a literal moment.