A personal exploration: designing a house around golden hour.
Testing how raw concrete, oxidized steel and warm timber react to shifting light throughout the day.
No brief, no client — just a way to push material and lighting studies further than most projects allow the time for.
hashtag#3D (https://www.linkedin.com/search/results/all/?keywords=%233d&origin=HASH_TAG_FROM_FEED) hashtag#CGI (https://www.linkedin.com/search/results/all/?keywords=%23cgi&origin=HASH_TAG_FROM_FEED) hashtag#ArchViz (https://www.linkedin.com/search/results/all/?keywords=%23archviz&origin=HASH_TAG_FROM_FEED) hashtag#Motion (https://www.linkedin.com/search/results/all/?keywords=%23motion&origin=HASH_TAG_FROM_FEED) hashtag#SuperCliché (https://www.linkedin.com/search/results/all/?keywords=%23superclich%C3%A9&origin=HASH_TAG_FROM_FEED)
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Just sharing a recent logo animation I did for 1000K Berlin. I built the base motion in After Effects and then painted over it frame-by-frame to give the movement more texture and life.
Do you ever mix techniques like this to add more visual interest to your work?
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This is my reel!
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Crime + Investigation — Brand Identity
We built the motion system behind Crime + Investigation's brand refresh — one visual language flexible enough to run across every programming format on the channel.
At its centre: the C+I identifier [+], a dynamic cursor that responds to viewer input and threads through the investigative journey.