Isac Lopes

A personal exploration: designing a house around golden hour. Testing how raw concrete, oxidized steel and warm timber react to shifting light throughout the day. No brief, no client — just a way to push material and lighting studies further than most projects allow the time...

A behind-the-scenes look at the intro scene for the Super Cliché showreel. The goal was to build high-tech visuals by treating the typography as a see-through enclosure wrapped around a dense network of cables. Once the lighting hits, it creates a complex, cyberpunk-inspired aesthetic.

Just sharing a recent logo animation I did for 1000K Berlin. I built the base motion in After Effects and then painted over it frame-by-frame to give the movement more texture and life.

Do you ever mix techniques like this to add more visual interest to your work?

Crime + Investigation — Brand Identity We built the motion system behind Crime + Investigation's brand refresh — one visual language flexible enough to run across every programming format on the channel. At its centre: the C+I identifier [+], a dynamic cursor that responds to...