Dominika Kuś

Meet Dominika

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You can generate a frame. So can your competitor. The work starts at the second one.

I make AI ad films, product photography and brand characters for brands and agencies: a set that looks like one shoot, not a pile of generations.

Drift between frames does not read as a technical fault. It reads as carelessness, and carelessness gets pinned on the brand, not on the producer. So the face, the product and the world stay the same from the first shot to the last, and the label, the shape and the proportions of your product never move.

Before I generate anything, I ask who buys this and how that person actually decides. A brief describes the product. It rarely describes the decision, and the decision governs what goes in frame, what stays out and when the price appears. Now that a good-looking frame costs pennies, execution no longer decides whether an ad works. Aim does. I studied psychology and that is exactly what I use it for.

From a single file to the machine that produces it:
- Ad films: commercials that look filmed, with a cast, interiors, dialogue and a full sound mix.
- Campaign material: a full product shoot from one photo, static ads in every campaign format, fashion lookbooks.
- Brand face: an AI spokesperson who looks and sounds the same in every piece, made only for your brand.
- One floor up: when you need material often enough that ordering piece by piece stops making sense, I build you the same production process I work on. It stays with you and runs without me.

The ideas are mine. The clicking I leave to the robots: Claude Code, Higgsfield and a crew of models I pick to fit the job.

I do not say it can be done when it cannot. I quote after the brief, not before. You do not pay for failed generations, and you will not even see them. Everything I deliver is AI-generated and I state that in writing.

Dominika Kuś, Wrocław. Psychologist. Also AI Creative & Automation Specialist at Tribe47.