Freelancers using Renoise

Freelancers using RenoiseFreelancers using Renoise

Projects People

proNew York, USA

AI Creative Director - Campaigns, Content & Custom Builds

5.0: Rating

93: Followers

expert

Expert

+1

AI Creative Director - Campaigns, Content & Custom Builds

Cover image for SEEDANCE 2.5 | 30-SECOND ONE-SHOT

SEEDANCE 2.5 | 30-SECOND ONE-SHOT CINEMATIC TEST So I wanted to see how far I could push Seedance 2.5 with one continuous 30-second camera movement. The challenge was simple: Take one complex storyline, keep the same heroine, maintain her wardrobe and appearance, move continuously through the environment, introduce a gravity anomaly, bring in the crater, transfer the power to the heroine, reveal the creature, and end with incoming meteors. All inside one generation. I pushed it. The result was surprisingly cinematic. The character consistency held throughout the sequence. Her outfit stayed intact. The continuous tracking movement worked. The gravity effect came through. The crater interaction worked. The power-transfer moment worked. The monster appeared. The incoming meteors created the final cliffhanger. The biggest issue was pacing. I gave the model too many major story beats for 30 seconds, so it compressed several actions together. The pool transition is where the sequence loses some continuity. Instead of giving that moment enough time to develop, the model rushed her into the pool and back toward the crater. Still, I decided to keep the test. Why? Because this was never intended to be the final version. I wanted to understand how Seedance 2.5 interprets a complex one-shot prompt, and this test gave me a clear answer. The model followed the overall direction. The next step is better scene planning. Instead of forcing an entire story into one 30-second generation, I would break the major action beats into shorter sequences and give each moment enough room to breathe. My biggest takeaway: More story inside a single generation does not automatically create a better video. Sometimes better AI video direction means giving the model less to execute at once. This was a test. This was the result. And I’m keeping it because the experiment itself was worth documenting. Tool tested: Seedance 2.5 @Renoise Format: 30-second continuous one-shot Goal: Character consistency + camera continuity + complex action Result: Strong visual execution, rushed narrative pacing Next experiment: Shorter controlled sequences with fewer major actions per generation

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Cover image for Unleash Creativity: AI Storytelling with Renoise Canvas

So I wanted to see how far I could push a simple idea inside Renoise. The story starts with my AI character on an ordinary train ride. A football match catches her attention, the train makes its final stop, and suddenly she's running onto a live stadium pitch to take the shot herself. I loved playing with that unexpected transition between two completely different worlds. To build it, I used Face Pass to keep character consistent, added an outfit reference for continuity, then used Renoise Canvas to generate and connect the images that become the entire scene. After a few refinements, the AI created the visual shots, I focused on directing the story and editing the final sequence. I'm also sharing a sped-up Canvas walkthrough so you can see exactly how I built it. #RenoiseChallenge

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Cover image for Title: First Memory
What would your

Title: First Memory What would your first memory feel like if you had just been created? First Memory is a short cinematic film clip about an AI-generated character experiencing her very first memory and slowly realizing that her world is being generated in real time. What begins as a bright, dreamlike lifestyle film gradually transforms into a story about identity, memory, and existence. As subtle visual glitches emerge, the character's perfect memories begin to unravel, leading her toward an unsettling self-awareness. I started with one of my previously created AI character images and imported it into Renoise Canvas, where I built the film scene by scene. Using Renoise's video generation tools and FaceLock for character consistency, I was able to maintain her identity while intentionally evolving her environment and emotional journey. My goal was to explore a simple but compelling question: If an AI could remember the moment it first existed, what kind of story would it tell? #RenoiseChallenge

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Cover image for Here is my Submission for

Here is my Submission for the Base44 Give it a glow challenge.. Soso's Kitchen - Gave It A Glow 🍽️ Soso's Kitchen has been one of my favorite local Afro-Caribbean kitchens for years. The food was already incredible, but every order and catering inquiry still happened through Instagram DMs. I wanted to change that. Using Base44, I built a complete digital experience that gives the business a proper online home while keeping the ordering process simple for customers. The build includes online ordering with a deposit checkout, automated order confirmations, a dedicated catering booking system, an AI concierge that answers customer questions, and my favorite feature...Cook With Soso, an AI recipe assistant that creates Afro-Caribbean recipes from ingredients you already have at home. For me, this project wasn't just about building a website. It was about helping a real local business spend less time managing messages and more time focusing on what they do best. Before: Every order lived in a DM. After: A mobile-first ordering experience with automation, AI, and a workflow that scales with the business. This project reminded me that some of the best AI projects aren't the biggest ones, they're the ones that solve real problems for real people. Live project site: https://sosos-kitchen.base44.app

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proMumbai, India

AI Video Producer | Brand Designer

$25k+: Earned

19x: Hired

4.3: Rating

283: Followers

expert

Expert

+4

AI Video Producer | Brand Designer

Cover image for Recreated Inception's most iconic frames

Recreated Inception's most iconic frames as AI film — entirely in Renoise. The folding Paris cityscape, the rotating-gravity hallway, the city crumbling into the sea, and the spinning top that never quite stops. Pipeline: Nano Banana Pro for keyframes → Seedance 2.0 for motion → stitched and graded for that cold IMAX teal. The trick with Inception is that it's set inside dreams, so any surreal instability in the motion reads as intentional dream-logic rather than an AI artifact — it's almost the perfect film to rebuild this way. This is the follow-up to my Interstellar recreation (2nd place, Contra × CapCut). Building these as a series now. Curious what scene I should take on next. 👇

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Cover image for A hunter sparing the wolf

A hunter sparing the wolf that was meant to be his target 🏹🐺 Built this entire cinematic short using Higgsfield AI. Standard prompts usually give you flat camera motion and broken faces, so I pushed Higgsfield’s Cinema Studio controls, depth maps, and multi-shot consistency to land this level of realism. The Breakdown: Visuals: Higgsfield AI (photorealistic fur, atmospheric snow, dynamic lens lighting) Sound: Layered diegetic FX (iron clinking, snow crunch, breath) + dynamic cello score If you’re looking for high-end AI video production, pre-vis, or cinematic ad concepts—I'm open for contract work. Drop a DM or hit the hire button! 📩

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Cover image for STORM HERD — 30 seconds,

STORM HERD — 30 seconds, one continuous take, no cuts. A herd of white horses stampedes across the slate rooftops of a nineteenth-century city while a thunderstorm tears the sky open behind them. The camera never breaks: it starts at hoof height on a rooftop ridge, lifts into the air as the herd charges past, drops into a chase behind them, threads between two galloping bodies, climbs above the roof valley, then dives and flies backwards ahead of the leaders to the final leap off the roof edge into open air. The whole film is graded to a single cold palette — cyan-steel monochrome, blacks crushed to zero, highlights blown to pure white. The only light source in the entire 30 seconds is the storm. Five lightning strikes punctuate the take, and at the 16-second mark one of them blows the frame completely white for two frames, turning the horses into black cut-outs before the image recovers through a bloom haze. That flash is the hardest part of the whole piece — a full-frame whiteout is exactly where a model wants to cut, and holding the take through it was the technical problem I built the prompt around. Made in CapCut Video Studio with Seedance 2.5. Full prompt and workflow below.

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Cover image for Hey Contra fam! 👋
A lot

Hey Contra fam! 👋 A lot of you saw Version 1 of my Interstellar AI project when it won 2nd place in the CapCut Video Studio Challenge recently. The support from this community during that run was absolutely unreal, so I wanted to share the next evolution with you first. Here is Version 2. I wanted to see how far I could push the current AI video stack to mimic high-end cinematic language. I built this entirely from scratch—made in Higgsfield—to try and nail a very specific, gritty, and tactile aesthetic. Dialing in the prompt architecture to get consistent, heavy motion (like the massive wave and the curved space station) took a lot of trial and error, but the level of control Higgsfield offers creators right now is incredible. I’m always refining my prompt workflow for client projects, but passion pieces like this are where the real R&D happens. If anyone is currently building out their own AI video pipelines or wrestling with motion consistency, drop a comment! I’d love to chat about what tools you’re all testing right now.

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proMumbai, India

AI Visual Design - SaaS Product Designer & Framer Developer.

4x: Hired

5.0: Rating

122: Followers

expert

expert

+5

AI Visual Design - SaaS Product Designer & Framer Developer.

Cover image for If there’s one thing I

If there’s one thing I love about AI adverts and video production, it has to be experimentation. I’ve been working on an advertisement for PickPeas, and this right here is the first draft. There’s still a LOT I want to fix and enhance. The pacing, a few transitions, some character details, and a couple of visual moments can definitely be pushed further. But honestly? This already feels about 80% complete. And that’s what I find so interesting about working with AI for video. You can start with a rough idea, experiment with different visual directions, test a sequence, break it, rebuild it, and suddenly you’re looking at something that actually feels like an advert. The goal isn’t to get everything perfect in the first generation. It’s to experiment enough to discover what works. This is just Draft 01. 👀 I’ll share the final version once I’ve pushed it further. What do you think of the direction so far?

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Cover image for Model Comparison Challenge: Two Clips, One Prompt, You Decide

I love the concept behind HCB and the amount of effort everyone at Contra Labs is putting into testing and comparing models through pure taste and creative direction. So I decided to give it a shot myself and create these two clips using the exact same prompt, but with different models. Curious to know which one works better as a hook according to you?

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Cover image for Selected Product Design Work: SaaS, CRM, and Dashboards

Selected Product Design Work: SaaS, CRM, and Dashboards

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CGS Brand Identity A professional and refined identity designed for CGS. The direction focused on simplicity, clarity, and a strong visual presence, creating a brand system that feels confident without being overdesigned. Clean forms. Thoughtful details. A visual identity built to feel professional, distinctive, and timeless.

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proWarsaw, Poland

Premium UI/UX & Web Design for Fintech, SaaS & Web3 | Framer

1x: Hired

5.0: Rating

322: Followers

expert

expert

+1

Premium UI/UX & Web Design for Fintech, SaaS & Web3 | Framer

Cover image for PUFFHS: Artisanal Pastry Landing Page

PUFFHS: Artisanal Pastry Landing Page Concept Welcome to PUFFHS, a conceptual landing page designed for a premium artisanal bakery specializing in gourmet cream puffs. This project reimagines how we browse and buy high-end digital food products. Most food e-commerce platforms and delivery apps rely on static, uninspiring grid layouts that fail to capture the true tactile appeal of the product. The challenge was to break away from standard UI patterns and create a digital shopping experience that is as mouth-watering and engaging as the pastries themselves, all while keeping complex dietary information accessible To solve this, I experimented with a highly interactive, motion-driven approach. The core UX innovation is the "Reveal the Puff" mechanic. Instead of forcing users to read long paragraphs about the ingredients, I designed a seamless micro-interaction that allows them to virtually "slice" the dessert with a single click, instantly revealing the rich filling and texture.

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Cadvel Brand Identity Design

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Cover image for B2B SaaS website design for

B2B SaaS website design for Proof — an identity platform that lets AI agents act on behalf of real people, built to convert enterprise security buyers. Proof issues cryptographically verified credentials: a human verifies once, and their AI agent is then authorized to sign, notarize or transact for them. The site had to sell a category most buyers had never heard of — agent authorization — to security, compliance and engineering leads at banks, law firms and hospitals, and move them into a sales conversation instead of a bounce. The hero says it in five words — "Verify one. Authorize for everything." — next to a live credential card, so an abstract protocol becomes something you can see in two seconds. The page alternates near-black, white and electric blue, and every switch marks a new argument: the risk, the mechanism, the network, the platform, the API. That rhythm keeps a 14-section B2B SaaS website scannable in a single scroll. I built 20+ Lottie animations for the parts copy can't carry — credential signing, the authorization handshake, the global network map — kept light enough not to cost load time. For imagery I wrote a style recipe for AI generation (one lens, one lighting setup, one grade) so the finance, legal and healthcare scenes read as one commissioned shoot rather than stock AI. Technical buyers get a real code block with real API calls, because that section is what they scroll to find. 14+ sections, desktop and mobile designed separately, a component library, Lottie files ready for the dev team, and a written art-direction guide for generating new imagery in-brand.

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Cover image for Designed the website for Dovora

Designed the website for Dovora — an agency that builds businesses for creators, not brand deals. "We don't represent brands, we don't split focus" is basically the whole pitch, and I wanted the site to feel just as uncompromising. So no polished stock creator-economy visuals. The hero is a wall of real streamer/podcast footage arranged in overlapping diamonds and rounded frames — actual creators, mid-stream, mid-laugh — with a glowing gradient orb behind bold "WE BUILD CREATOR BUSINESSES" type. It reads more like a highlight reel than a landing page, which felt right for an audience that lives on camera. The second section flips the energy completely — dark, minimal, almost aggressive typography ("BUILT EXCLUSIVELY FOR CREATORS. FULL STOP.") paired with huge chrome-and-neon 3D letterforms spelling out CREATORS. It's loud in a completely different way than the hero, and that contrast is intentional — this isn't a buttoned-up agency deck, it's built for people who make content for a living. Genuinely fun brief to lean all the way into.

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maxLisbon, Portugal

I turn social strategy + UGC into *actual* revenue

$10k+: Earned

18x: Hired

5.0: Rating

438: Followers

Top

Expert

I turn social strategy + UGC into *actual* revenue

Cover image for As both an artist and

As both an artist and AI user, I wanted to use this project to spark a deeper conversation around how AI can be used for good - but also for bad, especially when it comes to art theft and changing people's appearance’s without their consent. I built this piece in Renoise Canvas by chaining together fluid painting sequences with your typical tech-office environment, starting with a storyboard-type of image generation and use of FacePass to keep the character consistent all the way through to that chilling final twist. What do you think? #RenoiseChallenge

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Cover image for Content Strategy and Social Media Marketing for EXPANDY®

Content Strategy and Social Media Marketing for EXPANDY®

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Disruptive Social Media Strategy for Telehealth Nutrition Brand

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Cover image for I'm recording a youtube video

I'm recording a youtube video right now and talking about having a strong portfolio and how important it is to show your work made me remember mine has been dormant for a while 🫣 This is a pretty simple logo animation I did a while ago but for some reason I just love it - maybe it's the colors or just the simplicity of it? Would love to hear your thoughts!

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Dublin, Ireland

AI SaaS Builder & Web3 Security Architect | Ship Fast

$1k+: Earned

2x: Hired

5.0: Rating

493: Followers

Expert

AI SaaS Builder & Web3 Security Architect | Ship Fast

Cover image for Just wrapped up The Hunt,

Just wrapped up The Hunt, my submission for the RENOISE Challenge. This project was all about building tension through atmosphere rather than dialogue or gore. Every shot, discarded iteration, and transition was explored inside the Renoise Canvas until the pacing felt right. Sometimes the best creative decision is knowing what not to keep. The attached workflow shows the complete production process—from early experiments and unused generations to the assets that made the final cut. If you're interested in AI-powered filmmaking, creative workflows, or visual storytelling, I'd love to hear your thoughts. Join the challenge here 👉 https://on.contra.com/8DkBwr #RenoiseChallenge #AIFilmmaking #GenerativeAI #CreativeWorkflow #VisualStorytelling #Contra

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Cover image for Challenge submission is in judges

Challenge submission is in judges hands now. 🧠 https://on.contra.com/mJH8Qb (https://on.contra.com/mJH8Qb)This chalennge specifically was very personal to me, I would appreciate your like, comment and share, each like contibutes to my goal to make my music studio more famous and to reach out with the message to the world. On top of that, I have been building on Base44 for a year now, and became an official Partner, because @Base44 is my favourite building tool among competition, since its giving me full freedom regarding web development tech stack choosing, fine tuning of frameworks and libraries, frontier models and context preservation, and active Base44 community both on Discord and the platform itself. It would be nice to make it to top 3 at least and to give a surprise as an appreciation and grattitude to the Temple Lane Studios for giving us a retreat space for playing and enjoying our rock'n'roll music in this modern, fast paced world and way of living by just working hard 24/7 and somehow staying sane along the way. They wrote history, we are making it, for future generations to be able to take over after us. Take a look, hope you will enjoy the experience! Thank you to everyone for each like, share and support, it really means a lot ♥️

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Cover image for OFFICIAL SUBMISSION — ECHOES OF

OFFICIAL SUBMISSION — ECHOES OF TEMPLE LANE For the Base44 x Contra #GiveItAGlow Challenge, I chose a real Dublin business that has been part of my life since 2018: Temple Lane Studios and the Irish Rock ’n’ Roll Museum Experience. This was not a random business choice. Temple Lane has been my place to rehearse, reset, disconnect from everything else, and play proper fat rock ’n’ roll with the band. BEFORE The museum already had a strong identity and an established website for presenting its history, exhibitions, tours and visitor information. The opportunity was not to replace that foundation, but to explore an entirely new digital layer: one that could translate the atmosphere, memories and emotional character of the physical building into an experience people could enter. AFTER I built Echoes of Temple Lane — a live, publicly accessible Base44 experience designed as a cinematic digital exhibition. Visitors move through atmospheric memory rooms, recovered photographs, archival records, rehearsal spaces, personal performance moments and historical fragments. The journey includes the Room of Celebration, the Room of Punk, interactive archive elements and a final narrative sequence called The Last Echo. This is not a static redesign. It is an experience built around motion, sound, discovery and memory. AUTOMATION Visitors can submit their own Temple Lane memory through the exhibition. The memory_scribe AI agent helps shape each contribution into a guestbook-ready draft. The caretaker agent supports the exhibition experience, while the Caretaker Memory Digest workflow runs every three hours, gathers new visitor memories, prepares a moderated report and emails the guestbook digest for review. The workflow has been tested end-to-end with a real submission, and the attached dashboard proof shows the completed automation run. BUSINESS VALUE The system creates the foundation for a moderated, community-generated archive while reducing the manual work required to collect, organize and review visitor stories. The walkthrough video focuses on the immersive visitor experience. The attached screenshots document the complete transformation: — the original online presence — the finished Base44 experience — the AI agents — the scheduled automation — the successful workflow run — my genuine connection to Temple Lane Studios since 2018 Live experience: https://temple-lane-studios.base44.app Original website: https://irishrocknrollmuseum.com/ (https://irishrocknrollmuseum.com/)LinkedIn post: https://www.linkedin.com/posts/bobvasic_giveitaglow-giveitaglow-base44-ugcPost-7482178973616119808-rd78 (https://www.linkedin.com/posts/bobvasic_giveitaglow-giveitaglow-base44-ugcPost-7482178973616119808-rd78/?utm_source=social_share_send&utm_medium=member_desktop_web&rcm=ACoAAAWbOcYBym9kgZZll4IyyFfT9tR-b1MMg5U)X post: https://x.com/RaptorLabsX/status/2076413890817400843?s=20 Built independently with @Base44 for the #GiveItAGlow Challenge. From a traditional museum website to a living digital archive. #Base44 #Contra #TempleLane #IrishRockNRollMuseum #Dublin #DigitalMuseum #InteractiveDesign #Automation #AI #BuildInPublic

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Cover image for NULL is a complete mascot

NULL is a complete mascot system built for a fictional cybersecurity company, proving that a single character can remain instantly recognizable across branding, posters, merchandise, social campaigns, motion, and environmental storytelling. The project explores how strong character design becomes a cohesive brand by combining identity, world-building, and consistent visual language into one unified ecosystem. NULL is the quiet guardian of /dev/null, the hidden place where corrupted code and dangerous software disappear forever. Calm, observant, and endlessly patient, NULL finds vulnerabilities before attackers can exploit them, protecting developers without ever seeking attention. Rather than fighting threats with force, NULL simply ensures they quietly cease to exist. Every application in this project expands that idea while preserving the same recognizable identity. Project: https://www.recraft.ai/project/b49a3f35-5c69-43f6-8da1-f293bc7d618f (https://www.recraft.ai/project/b49a3f35-5c69-43f6-8da1-f293bc7d618f)@Recraft x @Contra

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Sam Andruszkiewicz

proAtlanta, USA

AI filmmaker & video producer for tech-forward brands.

$10k+: Earned

3x: Hired

5.0: Rating

15: Followers

AI filmmaker & video producer for tech-forward brands.

Cover image for I never wanted to be

I never wanted to be a starving artist. Wanted to be a talk show host. Then a Vegas lounge singer. Anything but an artist. But life is full of twists. For the Renoise × Contra challenge I got personal. 60 seconds, autobiographical, every frame on a plan: childhood daydreams shot in degraded consumer formats (Kodachrome, broadcast NTSC, grainy 16mm), graduating into large-format cinema as the kid works out what he's been doing all along. FacePass held the shots I needed, and the interface stayed out of my way. Cool tool, genuinely easy to use. #RenoiseChallenge

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Cover image for Has anyone else ever reviewed

Has anyone else ever reviewed their stats after a project? I'm going to work out what to benchmark. These are the ones I came up with for my last one. I like average shot length, the most common prompt versions, how many prompt lineages, and average prompt length. It's kind of interesting. Anyone have any others they would like to see?

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Cover image for They say the perfect shot doesn't exist......From concept to...

They say the perfect shot doesn't exist......From concept to 4k.

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Cover image for Having fun with numbers.

Having fun with numbers.

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proZagreb, Croatia

AI-Native Builder | Apps, Templates & Websites Shipped Fast

1x: Hired

5.0: Rating

279: Followers

Expert

AI-Native Builder | Apps, Templates & Websites Shipped Fast

Cover image for AFTERLIFE is a 26.9-second cinematic

AFTERLIFE is a 26.9-second cinematic dystopian short imagining a future where the Afterlife has become a commercial service. People willingly queue for the promise of eternal reunion, never realizing that the same perfect family memories sold to them are used to keep an endless industrial workforce obedient. Every image and video clip was created in Renoise Canvas using a reference-driven workflow with AI image generation, FacePass, and AI video generation, then edited into a single cinematic short with original sound design. LinkedIn: https://www.linkedin.com/posts/jelenastricak_renoisechallenge-activity-7476121170233262080-55br?utm_source=share&utm_medium=member_desktop&rcm=ACoAACmlhzEBkf_rFZaNY8RuL4ZabiQvNBMNVBw X: https://x.com/jstricak/status/2070355752372388079?s=20

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Cover image for Blockchain is useful when trust

Blockchain is useful when trust cannot depend on one actor. Shared records. Verifiable state. Rules that survive individual control. At HERODOT, blockchain is one part of a wider operational stack spanning AI, security, product systems and digital infrastructure. herodot.hr (http://herodot.hr)

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Cover image for
I’ve been razzmatazzing and flibbertigibbeting

I’ve been razzmatazzing and flibbertigibbeting with Claude Code and somehow ended up with a new yels.dev (http://yels.dev). It finally feels like me: simple on the surface, slightly complicated underneath, and very much alive. You can see who I am, what I do, the work behind Herodot, RaptorLabs, CyberLink Security and Solmint, plus a selection of projects I’ve built across AI, cybersecurity, Web3, product systems, education, archives, and experimental digital spaces. Built to be explored yels.dev (http://yels.dev)

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Cover image for Code is a map of

Code is a map of the problem it solves. Good software is not defined by how much code exists, how complex the stack looks, or how many technologies were involved. It is defined by whether the system solves the right problem clearly, reliably and with as little unnecessary complexity as possible. At HERODOT, software engineering is where strategy becomes infrastructure. Architecture, automation, interfaces, integrations, security, maintainability and performance all have to work together. The goal is not simply to ship code. The goal is to build systems that remain understandable, adaptable and useful after launch. Because code is temporary. The problem it solves is what matters.

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