Freelancers using Renoise

Freelancers using RenoiseFreelancers using Renoise

Projects People

proNew York, USA

AI Creative Director - Campaigns, Content & Custom Builds

5.0: Rating

95: Followers

expert

Expert

+1

AI Creative Director - Campaigns, Content & Custom Builds

Cover image for SEEDANCE 2.5 | 30-SECOND ONE-SHOT

SEEDANCE 2.5 | 30-SECOND ONE-SHOT CINEMATIC TEST So I wanted to see how far I could push Seedance 2.5 with one continuous 30-second camera movement. The challenge was simple: Take one complex storyline, keep the same heroine, maintain her wardrobe and appearance, move continuously through the environment, introduce a gravity anomaly, bring in the crater, transfer the power to the heroine, reveal the creature, and end with incoming meteors. All inside one generation. I pushed it. The result was surprisingly cinematic. The character consistency held throughout the sequence. Her outfit stayed intact. The continuous tracking movement worked. The gravity effect came through. The crater interaction worked. The power-transfer moment worked. The monster appeared. The incoming meteors created the final cliffhanger. The biggest issue was pacing. I gave the model too many major story beats for 30 seconds, so it compressed several actions together. The pool transition is where the sequence loses some continuity. Instead of giving that moment enough time to develop, the model rushed her into the pool and back toward the crater. Still, I decided to keep the test. Why? Because this was never intended to be the final version. I wanted to understand how Seedance 2.5 interprets a complex one-shot prompt, and this test gave me a clear answer. The model followed the overall direction. The next step is better scene planning. Instead of forcing an entire story into one 30-second generation, I would break the major action beats into shorter sequences and give each moment enough room to breathe. My biggest takeaway: More story inside a single generation does not automatically create a better video. Sometimes better AI video direction means giving the model less to execute at once. This was a test. This was the result. And I’m keeping it because the experiment itself was worth documenting. Tool tested: Seedance 2.5 @Renoise Format: 30-second continuous one-shot Goal: Character consistency + camera continuity + complex action Result: Strong visual execution, rushed narrative pacing Next experiment: Shorter controlled sequences with fewer major actions per generation

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Cover image for Unleash Creativity: AI Storytelling with Renoise Canvas

So I wanted to see how far I could push a simple idea inside Renoise. The story starts with my AI character on an ordinary train ride. A football match catches her attention, the train makes its final stop, and suddenly she's running onto a live stadium pitch to take the shot herself. I loved playing with that unexpected transition between two completely different worlds. To build it, I used Face Pass to keep character consistent, added an outfit reference for continuity, then used Renoise Canvas to generate and connect the images that become the entire scene. After a few refinements, the AI created the visual shots, I focused on directing the story and editing the final sequence. I'm also sharing a sped-up Canvas walkthrough so you can see exactly how I built it. #RenoiseChallenge

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Cover image for Title: First Memory
What would your

Title: First Memory What would your first memory feel like if you had just been created? First Memory is a short cinematic film clip about an AI-generated character experiencing her very first memory and slowly realizing that her world is being generated in real time. What begins as a bright, dreamlike lifestyle film gradually transforms into a story about identity, memory, and existence. As subtle visual glitches emerge, the character's perfect memories begin to unravel, leading her toward an unsettling self-awareness. I started with one of my previously created AI character images and imported it into Renoise Canvas, where I built the film scene by scene. Using Renoise's video generation tools and FaceLock for character consistency, I was able to maintain her identity while intentionally evolving her environment and emotional journey. My goal was to explore a simple but compelling question: If an AI could remember the moment it first existed, what kind of story would it tell? #RenoiseChallenge

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Cover image for Here is my Submission for

Here is my Submission for the Base44 Give it a glow challenge.. Soso's Kitchen - Gave It A Glow 🍽️ Soso's Kitchen has been one of my favorite local Afro-Caribbean kitchens for years. The food was already incredible, but every order and catering inquiry still happened through Instagram DMs. I wanted to change that. Using Base44, I built a complete digital experience that gives the business a proper online home while keeping the ordering process simple for customers. The build includes online ordering with a deposit checkout, automated order confirmations, a dedicated catering booking system, an AI concierge that answers customer questions, and my favorite feature...Cook With Soso, an AI recipe assistant that creates Afro-Caribbean recipes from ingredients you already have at home. For me, this project wasn't just about building a website. It was about helping a real local business spend less time managing messages and more time focusing on what they do best. Before: Every order lived in a DM. After: A mobile-first ordering experience with automation, AI, and a workflow that scales with the business. This project reminded me that some of the best AI projects aren't the biggest ones, they're the ones that solve real problems for real people. Live project site: https://sosos-kitchen.base44.app

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proMumbai, India

Your AI Video Producer | Product Designer | Branding Expert

5x: Hired

5.0: Rating

150: Followers

expert

expert

+4

Your AI Video Producer | Product Designer | Branding Expert

Cover image for If there’s one thing I love about AI adverts and video produ...

If there’s one thing I love about AI adverts and video production, it has to be experimentation. I’ve been working on an advertisement for PickPeas, and this right here is the first draft. There’s still a LOT I want to fix and enhance. The pacing, a few transitions, some character details, and a couple of visual moments can definitely be pushed further. But honestly? This already feels about 80% complete. And that’s what I find so interesting about working with AI for video. You can start with a rough idea, experiment with different visual directions, test a sequence, break it, rebuild it, and suddenly you’re looking at something that actually feels like an advert. The goal isn’t to get everything perfect in the first generation. It’s to experiment enough to discover what works. This is just Draft 01. 👀 I’ll share the final version once I’ve pushed it further. What do you think of the direction so far?

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Cover image for Something crazy is about to come. Turn on the volume.

Something crazy is about to come. Turn on the volume.

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Cover image for Fashion, but cool. AI, but real. Less artificial. More attit...

Fashion, but cool. AI, but real. Less artificial. More attitude. Creating visuals where AI doesn’t look like AI.

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Cover image for New short film project 🤜🤛
Night

New short film project 🤜🤛 Night After Halloween already has a fantastic script, and now comes the exciting part: bringing it to life through AI-powered visual storytelling. My role is to take what's been imagined on paper and translate it into a cinematic experience through AI video production, creative direction, visual development, and detailed shot-by-shot execution. From establishing the film's visual language and building atmospheric environments to crafting compelling characters, cinematic compositions, and seamless sequences, every visual decision needs to serve the story. The goal isn't simply to generate beautiful AI visuals. It's to create a cohesive film where every frame feels intentional, every scene carries the right emotion, and the final experience does justice to the script. The story is already there. Now, it's time to make audiences see it exactly as we envision it. Excited to get this one rolling.

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proMumbai, India

AI Video Producer | Brand & Web Designer for Startups

$25k+: Earned

19x: Hired

4.5: Rating

308: Followers

expert

Expert

+3

AI Video Producer | Brand & Web Designer for Startups

Cover image for Recreated Inception's most iconic frames

Recreated Inception's most iconic frames as AI film — entirely in Renoise. The folding Paris cityscape, the rotating-gravity hallway, the city crumbling into the sea, and the spinning top that never quite stops. Pipeline: Nano Banana Pro for keyframes → Seedance 2.0 for motion → stitched and graded for that cold IMAX teal. The trick with Inception is that it's set inside dreams, so any surreal instability in the motion reads as intentional dream-logic rather than an AI artifact — it's almost the perfect film to rebuild this way. This is the follow-up to my Interstellar recreation (2nd place, Contra × CapCut). Building these as a series now. Curious what scene I should take on next. 👇

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Tessune — AI Workflow Automation Brand Identity

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Cover image for The 108 Heroes of Ordinary

The 108 Heroes of Ordinary Life In 1827, Utagawa Kuniyoshi became famous overnight with "The 108 Heroes of the Suikoden": tattooed warriors battling sea dragons and demons in explosive indigo and vermilion woodblock prints. I trained a Recraft V4 Style on five of his public-domain prints from the Cleveland Museum of Art and The Met, keeping the claw-like foam, carved line and kabuki fury. Then I gave his printshop new heroes: the people who fight the monsters of modern life. A delivery rider battles a serpent made of traffic. A night nurse holds back a fever demon. A new mother raises a baby bottle against a 3 a.m. skeleton. The monsters changed. The heroes didn't.

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Cover image for SITTER: A Fashion House Painted

SITTER: A Fashion House Painted in 1532 In the 1500s, the rich sat for Bronzino, Bellini and Corneille de Lyon mostly to show off their clothes: slashed sleeves, black silk, gloves and gold chains. Those portraits were, in effect, the first luxury campaigns. I trained a Recraft V4 Style on four Renaissance portraits of unnamed sitters from The Met, the Cleveland Museum of Art and the National Gallery of Art, and built SITTER, a fictional fashion house whose entire campaign is painted as court portraiture. An oxblood leather trench sits for Bellini's blue. A teal suit borrows Bronzino's hand on the hip. Collection 01, with a full identity, posters and a rollout film. Sit for it.

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proWarsaw, Poland

Premium UI/UX & Web Design for Fintech, SaaS & Web3 | Framer

$10k+: Earned

3x: Hired

5.0: Rating

423: Followers

expert

expert

+1

Premium UI/UX & Web Design for Fintech, SaaS & Web3 | Framer

Cover image for PUFFHS: Artisanal Pastry Landing Page

PUFFHS: Artisanal Pastry Landing Page Concept Welcome to PUFFHS, a conceptual landing page designed for a premium artisanal bakery specializing in gourmet cream puffs. This project reimagines how we browse and buy high-end digital food products. Most food e-commerce platforms and delivery apps rely on static, uninspiring grid layouts that fail to capture the true tactile appeal of the product. The challenge was to break away from standard UI patterns and create a digital shopping experience that is as mouth-watering and engaging as the pastries themselves, all while keeping complex dietary information accessible To solve this, I experimented with a highly interactive, motion-driven approach. The core UX innovation is the "Reveal the Puff" mechanic. Instead of forcing users to read long paragraphs about the ingredients, I designed a seamless micro-interaction that allows them to virtually "slice" the dessert with a single click, instantly revealing the rich filling and texture.

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Cover image for What if sending money felt

What if sending money felt a little more like giving a gift? For Nova, I explored a banking app that brings payments, cards, and a bit of personality together. You can check your balance, browse recent transactions, send or request money, top up, and pay bills. My favorite part is the digital postcard feature. Before sending a transfer, you can add a little illustrated card—a heart, a birthday greeting, or a playful character. A simple way to make birthday money or a thank-you feel more personal. I carried that same 3D character into onboarding, pairing it with bold red gradients and large, clear payment details. There’s room for play, while the recipient and amount stay easy to check. Would you add a postcard to a transfer? I’d love to know what occasion you’d use it for.

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Cover image for Casemate: making malware analysis feel

Casemate: making malware analysis feel calm instead of scary Cybersecurity websites usually look the same: black background, green code, a hooded guy. I wanted to try the opposite for Casemate, a concept for a malware analysis tool. The idea is simple: the product keeps a suspicious file in a sealed chamber and watches what it does. So I put a bug frozen in amber in the middle of a canyon. It’s dangerous and under control at the same time, and you get it without reading a word. Then I made sure the page still works for a security lead who wants facts. The stats sit right next to the headline: threats isolated, latency, endpoints covered. The hardest part was keeping it warm without losing trust. I stayed with one terracotta colour, wide capitals and mono labels, so it reads like a serious tool and not a poster. I’m taking on new projects for SaaS and tech teams. If you have a product that’s hard to explain in one glance, send me a message. What do you think, would you trust a security product with a canyon on the homepage?

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Cover image for Landing page design for Lumo

Landing page design for Lumo — banking for freelance life Banks sell control — dashboards, charts, a card floating at fifteen degrees. Freelancers don't want control over their money. They want to stop thinking about it in the gap between sending an invoice and the money landing. That gap is what the page is built on. The product sits in a meadow instead of on a dark grid, because the promise isn't "manage your finances better" — it's "we handle the part that keeps you up." And the strongest line on the page isn't a feature: no waiting for Monday. Freelancers don't lose weekends to fees. They lose them to timing. The proof follows the same rule. One freelancer, one number — 4% lost on every international payment. A percentage someone can check against their own account beats any adjective.

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maxLisbon, Portugal

Short-form video queen 👑

$10k+: Earned

20x: Hired

5.0: Rating

501: Followers

Top

Expert

Short-form video queen 👑

Cover image for As both an artist and

As both an artist and AI user, I wanted to use this project to spark a deeper conversation around how AI can be used for good - but also for bad, especially when it comes to art theft and changing people's appearance’s without their consent. I built this piece in Renoise Canvas by chaining together fluid painting sequences with your typical tech-office environment, starting with a storyboard-type of image generation and use of FacePass to keep the character consistent all the way through to that chilling final twist. What do you think? #RenoiseChallenge

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Cover image for Because not every fail is

Because not every fail is a complete fail 🤪 I'll be honest with you, the client I did this for didn't end up liking the final result, but call me crazy: I loved it! And other people I showed it too also really liked the designs. And you know what?? It's work, and it's work that I did and that I'm proud of, and I'm going to share it in my portfolio ✨ Curious to know, and be brutally honest - what do you think about these? PS: these were done as individual, static social media ads. I believe they were for Meta in the feed, but I could be mistaken since this was a few months ago already 😅

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Cover image for Content Strategy and Social Media Marketing for EXPANDY®

Content Strategy and Social Media Marketing for EXPANDY®

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Disruptive Social Media Strategy for Telehealth Nutrition Brand

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Dublin, Ireland

AI Systems Architect | Agentic AI, Integrations & Security

$1k+: Earned

2x: Hired

5.0: Rating

512: Followers

Expert

AI Systems Architect | Agentic AI, Integrations & Security

Cover image for Just wrapped up The Hunt,

Just wrapped up The Hunt, my submission for the RENOISE Challenge. This project was all about building tension through atmosphere rather than dialogue or gore. Every shot, discarded iteration, and transition was explored inside the Renoise Canvas until the pacing felt right. Sometimes the best creative decision is knowing what not to keep. The attached workflow shows the complete production process—from early experiments and unused generations to the assets that made the final cut. If you're interested in AI-powered filmmaking, creative workflows, or visual storytelling, I'd love to hear your thoughts. Join the challenge here 👉 https://on.contra.com/8DkBwr #RenoiseChallenge #AIFilmmaking #GenerativeAI #CreativeWorkflow #VisualStorytelling #Contra

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Cover image for OFFICIAL SUBMISSION — ECHOES OF

OFFICIAL SUBMISSION — ECHOES OF TEMPLE LANE For the Base44 x Contra #GiveItAGlow Challenge, I chose a real Dublin business that has been part of my life since 2018: Temple Lane Studios and the Irish Rock ’n’ Roll Museum Experience. This was not a random business choice. Temple Lane has been my place to rehearse, reset, disconnect from everything else, and play proper fat rock ’n’ roll with the band. BEFORE The museum already had a strong identity and an established website for presenting its history, exhibitions, tours and visitor information. The opportunity was not to replace that foundation, but to explore an entirely new digital layer: one that could translate the atmosphere, memories and emotional character of the physical building into an experience people could enter. AFTER I built Echoes of Temple Lane — a live, publicly accessible Base44 experience designed as a cinematic digital exhibition. Visitors move through atmospheric memory rooms, recovered photographs, archival records, rehearsal spaces, personal performance moments and historical fragments. The journey includes the Room of Celebration, the Room of Punk, interactive archive elements and a final narrative sequence called The Last Echo. This is not a static redesign. It is an experience built around motion, sound, discovery and memory. AUTOMATION Visitors can submit their own Temple Lane memory through the exhibition. The memory_scribe AI agent helps shape each contribution into a guestbook-ready draft. The caretaker agent supports the exhibition experience, while the Caretaker Memory Digest workflow runs every three hours, gathers new visitor memories, prepares a moderated report and emails the guestbook digest for review. The workflow has been tested end-to-end with a real submission, and the attached dashboard proof shows the completed automation run. BUSINESS VALUE The system creates the foundation for a moderated, community-generated archive while reducing the manual work required to collect, organize and review visitor stories. The walkthrough video focuses on the immersive visitor experience. The attached screenshots document the complete transformation: — the original online presence — the finished Base44 experience — the AI agents — the scheduled automation — the successful workflow run — my genuine connection to Temple Lane Studios since 2018 Live experience: https://temple-lane-studios.base44.app Original website: https://irishrocknrollmuseum.com/ (https://irishrocknrollmuseum.com/)LinkedIn post: https://www.linkedin.com/posts/bobvasic_giveitaglow-giveitaglow-base44-ugcPost-7482178973616119808-rd78 (https://www.linkedin.com/posts/bobvasic_giveitaglow-giveitaglow-base44-ugcPost-7482178973616119808-rd78/?utm_source=social_share_send&utm_medium=member_desktop_web&rcm=ACoAAAWbOcYBym9kgZZll4IyyFfT9tR-b1MMg5U)X post: https://x.com/RaptorLabsX/status/2076413890817400843?s=20 Built independently with @Base44 for the #GiveItAGlow Challenge. From a traditional museum website to a living digital archive. #Base44 #Contra #TempleLane #IrishRockNRollMuseum #Dublin #DigitalMuseum #InteractiveDesign #Automation #AI #BuildInPublic

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Cover image for NULL is a complete mascot

NULL is a complete mascot system built for a fictional cybersecurity company, proving that a single character can remain instantly recognizable across branding, posters, merchandise, social campaigns, motion, and environmental storytelling. The project explores how strong character design becomes a cohesive brand by combining identity, world-building, and consistent visual language into one unified ecosystem. NULL is the quiet guardian of /dev/null, the hidden place where corrupted code and dangerous software disappear forever. Calm, observant, and endlessly patient, NULL finds vulnerabilities before attackers can exploit them, protecting developers without ever seeking attention. Rather than fighting threats with force, NULL simply ensures they quietly cease to exist. Every application in this project expands that idea while preserving the same recognizable identity. Project: https://www.recraft.ai/project/b49a3f35-5c69-43f6-8da1-f293bc7d618f (https://www.recraft.ai/project/b49a3f35-5c69-43f6-8da1-f293bc7d618f)@Recraft x @Contra

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Cover image for Discover Response Red: Transformative Cybersecurity Case Study

New case study live: ResponseRed.com (https://contra.com/p/OosRZZ7X-response-red-or-ai-native-incident-response-and-web3-forensics) Response Red (https://www.responsered.com/) was built for the moment when cybersecurity stops being theoretical. Active compromise. Ransomware pressure. Identity takeover. Cloud intrusion. Business email compromise. Endpoint breach. Data exposure. Operational disruption. The platform was designed to communicate one thing clearly: Response must be immediate, disciplined, intelligence-led, and executed by people who understand high-stakes cyber operations. Response Red brings together 24/7 global incident response, authorized offensive security, penetration testing, red teaming, digital forensics, proactive incident management, AI-assisted triage, and executive-grade cyber crisis reporting. The website and platform experience were built with a premium white-first enterprise identity, crimson red response signals, cinematic global threat visuals, structured incident intake, and security-conscious AI workflow design. This was not a brochure build. It was a full-stack cybersecurity presence designed for trust, speed, operational clarity, and market authority. Case study now published on Contra. Check it out (https://contra.com/p/OosRZZ7X-response-red-or-ai-native-incident-response-and-web3-forensics)

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proZagreb, Croatia

AI-Native Builder | Apps, Templates & Websites Shipped Fast

1x: Hired

5.0: Rating

296: Followers

Expert

Expert

AI-Native Builder | Apps, Templates & Websites Shipped Fast

Cover image for AFTERLIFE is a 26.9-second cinematic

AFTERLIFE is a 26.9-second cinematic dystopian short imagining a future where the Afterlife has become a commercial service. People willingly queue for the promise of eternal reunion, never realizing that the same perfect family memories sold to them are used to keep an endless industrial workforce obedient. Every image and video clip was created in Renoise Canvas using a reference-driven workflow with AI image generation, FacePass, and AI video generation, then edited into a single cinematic short with original sound design. LinkedIn: https://www.linkedin.com/posts/jelenastricak_renoisechallenge-activity-7476121170233262080-55br?utm_source=share&utm_medium=member_desktop&rcm=ACoAACmlhzEBkf_rFZaNY8RuL4ZabiQvNBMNVBw X: https://x.com/jstricak/status/2070355752372388079?s=20

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Cover image for 🏆 WIN UP TO $5,000!

🏆 WIN UP TO $5,000! $10,000 TOTAL PRIZE POOL! 🚀 Build your next big idea with Base44 and compete for cash prizes! ⏳ Deadline: October 25, 2026 🔥 Your idea could be worth thousands. Don't miss out! 👇 JOIN NOW: https://on.contra.com/BpgpwR #base44challenge @Base44 (https://contra.com/base44) @Contra (https://contra.com/contra) @Contra HQ (https://contra.com/contra_d91d48)

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Cover image for 🏆 WIN UP TO $5,000!

🏆 WIN UP TO $5,000! $10,000 TOTAL PRIZE POOL! 🚀 Build your next big idea with Base44 and compete for cash prizes! ⏳ Deadline: October 25, 2026 🔥 Your idea could be worth thousands. Don't miss out! 👇 JOIN NOW: https://on.contra.com/BpgpwR #base44challenge @Base44 @Contra @Contra HQ

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Cover image for 🚀 $10,000 PRIZE POOL. ONE

🚀 $10,000 PRIZE POOL. ONE BIG OPPORTUNITY! Got an idea worth $10,000? 💰 Build something extraordinary with Base44, unleash your creativity, and compete for a share of the prize pool! 🏆 🔥 Your next big win starts with ONE CLICK! 👇 JOIN THE $10,000 CHALLENGE NOW! 🔗 https://on.contra.com/BpgpwR #Base44 #Contra #Challenge

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Sam Andruszkiewicz

proAtlanta, USA

AI filmmaker & video producer for tech-forward brands.

$10k+: Earned

3x: Hired

5.0: Rating

17: Followers

AI filmmaker & video producer for tech-forward brands.

Cover image for I never wanted to be

I never wanted to be a starving artist. Wanted to be a talk show host. Then a Vegas lounge singer. Anything but an artist. But life is full of twists. For the Renoise × Contra challenge I got personal. 60 seconds, autobiographical, every frame on a plan: childhood daydreams shot in degraded consumer formats (Kodachrome, broadcast NTSC, grainy 16mm), graduating into large-format cinema as the kid works out what he's been doing all along. FacePass held the shots I needed, and the interface stayed out of my way. Cool tool, genuinely easy to use. #RenoiseChallenge

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Cover image for Has anyone else ever reviewed

Has anyone else ever reviewed their stats after a project? I'm going to work out what to benchmark. These are the ones I came up with for my last one. I like average shot length, the most common prompt versions, how many prompt lineages, and average prompt length. It's kind of interesting. Anyone have any others they would like to see?

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Cover image for They say the perfect shot doesn't exist......From concept to...

They say the perfect shot doesn't exist......From concept to 4k.

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Cover image for Having fun with numbers.

Having fun with numbers.

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