Freelancers using MeliusFreelancers using Melius
Cover image for As creative freelancers, our best
As creative freelancers, our best work often finds itself buried in a desktop portfolio folder because we are simply too busy - or too tired - to do outreach and pitch ourselves (please tell me I'm not alone in this!) The Momentum Machine changes that. Built entirely on Melius, this interactive, multi-agent workspace takes your raw, messy project assets (images, videos, text, or analytics screenshots) and instantly transforms them into a compounding business development ecosystem. Instead of tackling projects individually, it builds a "snowball effect" where one client effortlessly generates the next. 🔗 Melius Project Link: https://app.melius.com/projects/8d06081b-be00-4f6d-9bb9-dff7d2fe9120/canvas/68c66aba-2fa1-48b9-a594-44bfd48c9c58 You can watch the video to see how it works in the backend and the thought process behind it, but essentially it goes like this: ⭐ The freelancer drops their project files (e.g., product photos, a text testimonial, or a cropped screenshot of analytics). ⭐ Node A uses advanced data extraction and OCR to scan the uploads, extracting any key metrics or features of your work. ⭐ Node B infers the creative style and outputs 5 to 10 complementary, non-competing industries that could be a good fit for you. ⭐ Node C weaves the raw data into a high-conversion marketing narrative structure: Hook ➔ Struggle ➔ Aha! Moment ➔ Hero Stat ➔ Closed Loop. ⭐ And then the final outputs: a case study, cold email pitch draft (to pitch those complementary industries we identified in node B), a Contra portfolio entry, and a video script to promote your work. PLUS a bonus Contra portfolio cover and a b-roll video in case you don't feel like being on camera for any reason. PS: building this on Melius was incredibly intuitive - my favorite feature by far being how the agents interact with you in chat during the creative build - instead of just giving a generic output, they prompted me with intelligent follow-up questions with multiple choice answers to fill in the strategic blanks. It genuinely feels like collaborating with a sharp creative partner rather than just using a tool.
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Cover image for The Smart Shoulder Drone for
The Smart Shoulder Drone for Motorcycle Passengers After over 100,000 kilometers traveling as a passenger on a heavy Harley-Davidson, I desperately wanted a way to capture the journey without sacrificing safety or the sheer joy of the ride. Holding a phone or a heavy camera at highway speeds is dangerous and exhausting. It’s a compact, magnetic shoulder-mounted drone controlled by a smart leather glove with an embedded micro-OLED screen. My Melius Workflow:  I utilized the Melius agent not just to prompt, but to architect a complete production studio on the canvas. Stage 1: Hardware Lock (The Source of Truth). I briefed the agent to generate studio-quality master shots of the drone and the smart glove. I then instructed the agent to hard-wire these specific nodes as global visual references (Image-to-Image/ControlNet) for the rest of the canvas to prevent the model from hallucinating new designs. Stage 2: Storyboarding. The agent built a storyboard branch, placing the locked product designs into realistic environments (highway, golden hour) using precise text nodes to establish the narrative. Stage 3 & 4: Commercial & UGC Video Pipelines. I tasked the agent to build complex Image-to-Video branches. For the promo video, the agent generated sequential keyframes (First, Mid, Last) showing UI interactions and mechanical sliding, which were then routed into video nodes. For the UGC branch, the agent completely shifted the aesthetic to raw, vertical smartphone footage while maintaining the exact hardware design. Stage 5: Assembly. Text nodes were used as a director's script on the canvas to dictate the exact sound design and features (USPs) being highlighted before final video generation. Feedback: As a UI/UX designer, the node-based canvas feels incredibly intuitive. Generative AI usually feels like a chaotic slot machine, but Melius turns it into a structured, production-ready pipeline. The ability to converse with the agent, ask it to build branches based on specific logic, and literally see the "wires" connecting a master reference to a final video output gives an unprecedented level of creative control. It allowed me to act as an Art Director rather than just a prompt engineer. Project flow: https://app.melius.com/projects/b3edd6cc-ec50-49fa-b861-80fbe443ef97/canvas/2aefaa54-3d08-4265-b21b-83233c694be2 X Post: https://x.com/KrisAnfalova/status/2056718110682489214?s=20 Travel more and ride safely!
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Cover image for PROJECT NAME
AION PYR — The
PROJECT NAME AION PYR — The Aitherioi PROJECT LINK https://app.melius.com/projects/029a5c7f-3a2a-4c7b-a24c-e25f36815d91/canvas/98b87dac-fcc4-411b-8695-83b7dc318726 CONCEPT / PROJECT DESCRIPTION AION PYR is a one-minute instrumental progressive-rock film by The Aitherioi, a fictional trio of pale pre-terrestrial beings older than Earth. They were here when the planet was born from heat, basalt, and lava, and they remain calm as that world dissolves into stardust. The film follows them performing inside a collapsing volcanic cathedral while lava, steam, lightning, and stone slowly give way to void. The music is built only from guitar, bass, and drums: slow, heavy, repetitive, bass-led, and cathartic. PROCESS I started by defining The Aitherioi: a fictional pre-terrestrial trio with a shared visual identity, pale ethereal bodies, severe faces, long dark hair, and calm expressions. Then I built the visual system around contrast: fossil-dark basalt, living lava, white steam, lightning, and their stillness inside collapse. I created character assets, face studies, wardrobe references, instrument references, environment plates, keyframes, and individual video scenes. The music was built first as a strict one-minute instrumental progressive-rock track using only guitar, bass, and drums. The video was then structured to follow the track: bass opening, wide trio, basalt corridor, guitar catharsis, drummer pulse, matter dissolution, and final void. Finally, I stitched the scenes together with clean cuts so the film follows the music without extra transitions or title cards. FEEDBACK ON BUILDING WITH MELIUS Melius worked best as a production canvas rather than a single-prompt generator. The node-based workflow made it possible to build the project in layers: character identity, environments, audio, keyframes, video clips, and final assembly. That helped keep the concept coherent while still allowing corrections when individual shots needed refinement. The biggest challenge was visual continuity, especially keeping The Aitherioi consistent across scenes. The most useful approach was creating strict reference assets first, then using them as anchors for keyframes and video generation.
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Cover image for The Painter of Cities is
The Painter of Cities is a Melius-built cinematic short about an impossible gilded automaton that paints a living city onto a monumental black wall. From the city he creates, a female droid briefly appears within the painted surface. They reach toward each other, almost touching, before she is reclaimed by the wall. It is a quiet story about creation, longing, and the tragedy of making something beautiful that cannot fully enter your world. https://app.melius.com/projects/23546fb0-e3a3-4074-925f-676dfe384aad/canvas/f96fdb6f-cf03-40cd-ba59-f1ddd40a23a6 PROCESS STEPS The project began with the challenge theme: create something that should exist, but doesn’t. The core concept became The Painter of Cities: an impossible gilded automaton that paints a living city onto a monumental black wall. Melius was used to generate sequential image keyframes for the story: the city being painted, the female droid appearing inside the wall, their near-touch, and her return to the painted surface. The prompts were refined through several iterations to preserve visual continuity across the male droid, female droid, city wall, studio, palette, and old-master oil-paint aesthetic. Short silent video scenes were generated from the keyframes, then adjusted to control pacing, motion, transitions, and emotional tone. The video scenes were stitched into a final silent film. An original instrumental music cue was generated to match the final timing and emotional arc of the film. FEEDBACK ON USING MELIUS Melius worked best as a visual production canvas rather than a one-shot generator. The node-based workflow made it possible to build the project step by step: image keyframes, video scenes, stitching, music, and final assets.The strongest part was being able to iterate visually and preserve the creative process inside the canvas.The hardest part was controlling motion continuity between generated video clips. Some transitions and character movements required very precise prompting, especially when preserving the same droid designs and painterly world across multiple nodes.
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Cover image for OptiView AI — Financial Dashboard
OptiView AI — Financial Dashboard Design System Project Description: OptiView AI is a concept I wished existed — a truly intelligent financial command center that doesn't just show you data, but understands it. Most financial dashboards overwhelm users with numbers. OptiView cuts through the noise with AI-driven insights, predictive market analysis, and a glassmorphism interface that feels calm and premium even when the data is complex. Process Steps: Started with a creative brief node defining the aesthetic direction — minimalist glassmorphism meets cyberpunk fintech Generated 3 dashboard variations using Flux Pro 1.1 Ultra — glassmorphism, holographic cyberpunk, and predictive AI styles Used GPT Image 2 to create additional screens — mobile version, user profile page, and transaction history Generated the final landing page hero visual showing the product in context with cinematic lighting and device mockups Refined the CTA button using iterative prompting to achieve a glassmorphism style that matched the overall aesthetic Feedback on Melius: The node-based canvas workflow is genuinely powerful for creative iteration — being able to branch from one concept into multiple directions simultaneously saved hours of work. The agent understood complex aesthetic briefs without needing to break them down. The ability to mix models (Flux for illustrations, GPT Image 2 for product shots) in one canvas is a huge advantage over single-model tools. https://app.melius.com/projects/85dafaf8-da68-427a-9968-ec75762e7de9/canvas/03c260b9-3de7-459f-804e-5a623a31677c
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Cover image for Beautiful Things Change Too...
In a
Beautiful Things Change Too... In a visual culture increasingly shaped by hyper-polished generative imagery, this project explores the opposite direction: imperfection as evidence of lived experience. The idea began with a speculative jewelry concept: a silver ring designed to evolve over time through oxidation, wear, environmental exposure, and human contact. Instead of preserving perfection, the object becomes more meaningful through visible transformation. As the concept evolved, the focus shifted away from the object itself and toward a broader idea: imagining a future form of luxury that feels more human, tactile, and lived-in rather than artificial or untouchable. That transition shaped both the concept and the visual language of the project. I intentionally moved away from clean digital aesthetics and explored Super 8-inspired textures, VHS-transferred imagery, low-resolution visuals, analog instability, light bloom, motion blur, and damaged film artifacts. These elements were not used simply for nostalgia, but to recreate the sensation of memory itself: fragmented, fleeting, imperfect and sensory. Rather than functioning as a traditional advertisement, the final piece was designed more like an atmospheric memory-film: something intimate, evocative, and visually unstable, as if rediscovered from another moment in time. PROCESS & EXECUTION: The project was developed entirely through Melius using an iterative node-based workflow, allowing continuous experimentation across prompts and agents, visual directions, and stylization branches. A large part of the process involved refining a unified visual language while exploring imperfect image behavior, analog textures, cinematic light bloom, and fragmented memory aesthetics. Moving visuals, editorial stills, and sound direction were developed together as part of the same atmosphere. Toward the end of the process, I also used the Mel agent to help refine stylistic details and generate the ethereal analog-inspired audio used in the final film. The final sequences prioritize atmosphere, rhythm, texture, and sensory continuity over traditional storytelling. FEEDBACK ON MELIUS: Melius made experimentation feel fluid and intuitive, especially while exploring multiple creative directions through iterative nodes and agents. The most valuable part of the process was being able to push AI away from perfect realism and instead use it as a tool for building atmosphere, texture, memory, and visual imperfection. In a future saturated with flawless imagery, perhaps imperfection becomes the most human form of realism. https://app.melius.com/projects/0f863324-6601-4505-8518-929ab8399691/canvas/61c97116-7ea3-4d2f-aaf1-754ac1520f1d
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Cover image for PROJECT: THE LAUNDRY CHAIR
Process Steps:
Conceptualization:
PROJECT: THE LAUNDRY CHAIR Process Steps: Conceptualization: We started with a simple photo of a cluttered laundry chair and used Mel to re-imagine it as an avant-garde art installation. We leaned into a "pretentious art critic" persona to find the hidden beauty in the chaos. Scripting: We drafted a sophisticated script and broke it down into a 6-scene storyboard, focusing on cinematic transitions and texture-heavy visuals. Keyframe Production: Using high-fidelity image models, we generated 9:16 vertical keyframes that established a consistent "minimalist museum" aesthetic across the entire timeline. Cinematic Animation: Each keyframe was extended into video clips using Kling 3.0 and Seedance 2.0, adding dramatic dolly-ins and macro tracking shots to give the "mess" a heroic, monumental feel. Music & Voice: We generated a tailored orchestral score and a professional narration using ElevenLabs to perfectly match the film's elevated and grand tone. Final Assembly: All scenes were unified using the Melius Video Stitch node to produce the final 30-second submission. Experience Feedback: Using Melius turned a funny idea into a professional-grade creative workflow. The ability to chain text, image, video, and audio models on a single visual canvas meant we never had to leave the "flow" to manage files or prompts. Having Mel as a creative partner made the complex hurdles of video production - like scene-to-scene consistency and narrative pacing - feel effortless. The spatial nature of the canvas allowed us to see the entire film's DNA at a single glance. Project link : https://app.melius.com/projects/35e545a4-72fd-44d7-ae1e-8c9028ed3378/canvas/214e2b13-a976-40ad-b936-993df2788a38
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Cover image for I created LUMEN ECHO because
I created LUMEN ECHO because of my Mother In-law, who slowly began losing his memories to dementia. Watching her forget names, conversations, and where he placed meaningful objects was heartbreaking. One day, while holding old family photos, she quietly said: “I wish memories could stay attached to the things that matter.” That moment stayed with me. So I imagined a device that could help people reconnect with memories through the objects tied to them, not just to find lost things, but to preserve moments, emotions, and pieces of who they are. That idea became LUMEN ECHO, a device I truly wish existed for him. Steps i used for the project: I used Nano Banana Pro to design both the product concept and the cinematic character contact sheet. The environmental and product-focused scenes were animated using Seedance 2.0, while all character-driven sequences were created with Veo 3.1 to achieve more lifelike motion and emotional storytelling. Finally, every scene was composited, color-graded, and professionally edited in DaVinci Resolve, bringing all the individual shots together into a polished cinematic advertisement. Feedback on My experience using Melius: Melius had a very different workflow compared to other tools I’ve used, which made the process surprisingly enjoyable and engaging to learn. Exploring how to navigate the platform and refine prompts to achieve the best possible results felt both creative and rewarding. One challenge I encountered was generating highly realistic human faces with Seedance 2.0, which is why I relied on Veo 3.1 for certain character-focused scenes. Aside from that, the overall experience was smooth, inspiring, and genuinely exciting from start to finish. Here is the link to the project -https://app.melius.com/projects/349ca6ae-2958-41a5-9599-b0d9bca7df92/canvas/05ea2466-933a-4c29-8dda-e5632a2dbbc0
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Cover image for Title
Brand DNA Engine — ÆTHER
A
Title Brand DNA Engine — ÆTHER A workflow-native creative direction system for building coherent luxury brand ecosystems with AI. Brand DNA Engine is an AI-native creative direction system built entirely in Melius that transforms vague startup ideas into coherent, launch-ready luxury brand ecosystems. Using connected AI workflows and multiple node types, the system analyzes positioning, emotional tone, visual language, and audience intent before generating unified identity systems, UI concepts, campaign visuals, messaging systems, and cinematic brand outputs. The workflow emphasizes collaborative refinement between human creative direction and AI orchestration, allowing the entire ecosystem to evolve coherently through iterative feedback loops. For this project, I created ÆTHER, a fictional luxury AI wellness intelligence brand designed for high-performing creatives. Process Overview Creative Briefing Inputs I began by creating structured input nodes for the startup concept, audience, emotional tone, and visual direction of the fictional brand ÆTHER. AI Analysis Layer Using Melius AI agents, I created workflow nodes that analyzed: emotional positioning visual language luxury references campaign tone typography direction architectural/editorial aesthetics Brand DNA Synthesis The workflow then synthesized these analyses into a central “Brand DNA” system that acted as the creative intelligence layer for all downstream outputs. Parallel Creative Generation From the Brand DNA system, the workflow branched into multiple generation systems: Identity System UI System Campaign System Messaging System Refinement Loops The most important stage was collaborative refinement. I introduced creative direction shifts such as: “Push the system toward brutalist editorial luxury.” The workflow then evolved the entire ecosystem coherently across campaigns, UI, typography, messaging, and visual tone. Final Outputs The final workflow generated cinematic launch posters, editorial campaigns, luxury landing page concepts, and a final “Brand Universe” visual, all designed to feel part of the same cohesive creative world. Building with Melius What stood out most while building this project was how naturally Melius supports workflow-native creative thinking instead of isolated prompting. The visual canvas made it possible to structure creative direction as a connected system rather than generating disconnected outputs. The ability to branch workflows, connect reasoning layers, and iterate through refinement loops made the experience feel much closer to a real creative agency process. The strongest part of the platform for me was the ability to visually orchestrate AI collaboration. Instead of a single prompt leading to a final result, the workflow became a living creative system where positioning, visual language, campaigns, UI, and messaging could evolve together coherently. I also found the visual nature of the workflow particularly useful for storytelling and presentation. Seeing the progression from briefing > analysis > synthesis > refinement made the creative process feel much more transparent and intentional. https://app.melius.com/projects/2148b6f0-ee80-4557-be48-7c60c624284a/canvas/6b9717c7-8034-4102-8812-400f7a63778b
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