Freelancers using Fuser

Freelancers using FuserFreelancers using Fuser

Projects People

proLos Angeles, USA

AI Image & Video Producer | AI Ads

$10k+: Earned

8x: Hired

5.0: Rating

359: Followers

Top

AI Image & Video Producer | AI Ads

Cover image for Here is how I used

Here is how I used Fuser to create a non-existent Supreme x The Monkey campaign along with interactive web site assets for users. Let's be honest, if you have ever seen that monkey- it creeps anyone out. I had the perfect idea to mix it with Supreme because they are known for "weird" collabs of this sort. I created a jacket design by hand and built a whole photoshoot campaign along with web site assets around it ready for launch. Tools used inside Fuser: compositor nodes, creative code nodes, prompt nodes, image generation nodes. Would you wear this? To be honest- I would Black or blue, what is your pick? Workflow link: here (https://app.fuser.studio/view/4baefdaa-c0f1-4b8d-84ba-30d85cd5842c)

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Cover image for Have always wanted to work

Have always wanted to work with one of car industry's giants. Thank you for trusting me with 2027 model shots for marketing. Tools used: @Higgsfield AI

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Cover image for How well can Seedance 2.5

How well can Seedance 2.5 handle chaos in 30 seconds? I used a precise timestamped prompt with 10 different image references of environment and characters that may not even belong together to see how Seedance mixes them. The result is a cinematic battle with an ironic ending. Again, I used 10 references. Now image what it can do with 50...?🔥 Let me know what you think.

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Cover image for Excited to enter Another Big

Excited to enter Another Big Ad Contest hosted by Runway for a chance at $100,000 in prizes!🔥 My pick was a portable speaker Jaunt as my product. All the visuals were generated inside Runway. Song was generated by me in Suno. Post-edit in DaVinci Studio. Let me know your thoughts!

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proTokyo, Japan

3D illustrator, icon designer, creative geek,

$5k+: Earned

1x: Hired

5.0: Rating

30: Followers

3D illustrator, icon designer, creative geek,

Cover image for Experience 1984: Interactive Macintosh 128K Retro Journey

If you could go back to 1984 and turn on a Macintosh, what might happen inside and outside the screen?🧠 For the #fusercocreate challenge, I used Gemini-generated images as early visual reference, then combined them with Creative Code Node to create a black-and-white retro interactive experience centered around the Macintosh 128K. I went through 36 iterations and, through natural language conversations with Opus 4.6, gradually pushed it from a static concept into a small world with interactions happening both inside and outside the screen. All things you can try:🚀 1. Click the desktop icons 2. Play Game: Snake or Pong 3. Grab a coffee and take a break 4. Look around and find hidden easter eggs 🙌 Link:https://app.fuser.studio/view/3244969e-43ee-434b-92ae-1a6d2f0ea822

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Cover image for Another update on turning my

Another update on turning my Shan Hai Cuties looping animations into interactive foil cards! ✨🃏 Spent some time refining the card designs for all five creature categories and experimenting with more interactions to make everything feel smoother and more immersive. Still exploring and fine-tuning things with GPT-6.1 Sol. More updates soon! 🚀

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Cover image for I tried using ChatGPT 6.1

I tried using ChatGPT 6.1 Sol to turn Shan Hai Cuties ⛰ 🌊✨ into interactive holo stickers, inspired by the playful feel of collectible holographic stickers. → https://shanhai-holo-stickers.vivivianniu.chatgpt.site

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Cover image for This piece represents the NO.

This piece represents the NO. B and is called Jiang Liang | 疆良 🐯🐍✨a new piece from Shan Hai Cuties,I created it as a seamless loop animation.with no AI involved.

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Santiago, Chile

AI & No-Code Builder | Founder of Onyx Labs Agency

1x: Hired

4.2: Rating

30: Followers

Expert

AI & No-Code Builder | Founder of Onyx Labs Agency

BRAND OVERVIEW LUMIQ is a next-generation smart footwear brand built at the intersection of fashion, technology, and materials science. Designed for the future consumer, LUMIQ fuses avant-garde clog sneaker silhouettes with proprietary SmartWeave technology — a next-generation smart textile that transforms footwear into a living, responsive product. PRODUCT: LUMIQ SmartWeave Clog Sneaker The LUMIQ shoe is a bold, sculptural avant-garde clog sneaker with an exaggerated wide-toe platform silhouette. The upper is constructed from SmartWeave fabric — a modular mesh system embedded with micro-LED fiber strands, responsive pressure sensors, and golden circuit node contact points. The shoe breathes light, responding to motion and environment.

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Cover image for Renting a car is way

Renting a car is way more than just reserving a car online

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Cover image for What do you guys think for the #lovablechallenge

What do you guys think for the #lovablechallenge

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Cover image for Wadi Wheels: Architecture & Workflow

Wadi Wheels: Architecture & Workflow Breakdown At Hertz, I saw firsthand that car rental is an inventory-concurrency problem disguised as customer service. Here is how Wadi Wheels automates the entire loop from database lock to key handover. Database-Level Inventory (Zero Double-Booking) Most platforms subtract bookings from total cars. That fails in real life. Turnaround Buffer: Enforces a mandatory 2-hour cleaning/inspection buffer between rentals directly in the database query. Atomic Concurrency: When a customer clicks Pay, a PostgreSQL advisory lock (pg_advisory_xact_lock) serializes requests per car class. Two people cannot book the last car at the same second. 2. Autonomous Assignment Engine The moment the 20 JOD demo deposit clears: Vehicle Match: Automatically assigns a free, active car from the chosen class (e.g., Hyundai Tucson, plate 21-45872). Bay Allocation: Reserves a parking spot in Zone B (e.g., Bay B-1-2) with guaranteed spacing around the arrival time. Private Trip Token: Generates a secure, unguessable 24-byte hex token. No renter login or password required. 3. The Digital Boarding Pass (/trip/:token) Replaces the physical counter queue entirely: Gate Pass QR: Scans at the Zone B pedestrian access barrier. Key Safe Pass + 6-digit PIN: Unlocks the secure lockbox column beside the vehicle. 4-Step Visual Route: Takes the renter step-by-step from Queen Alia arrivals directly to their driver’s seat. 4. Operations & AI Triage (TypeSafe Jev) Live Fleet View: Realtime dashboard tracks vehicles, active bays, and hours saved for staff. Smart Inquiry Inbox: Free-form WhatsApp or web messages (in English, Arabic, or Arabizi) are processed by TypeSafe Jev. Instant Decisioning: Flags urgency, topic (availability, price, dates), and language—then auto-generates a pre-filled booking link so staff can reply in one tap. Results Counter Wait Time: Reduced from 45 minutes to under 3 minutes. Staff Overhead: Eliminates midnight handovers and manual WhatsApp scheduling. Stack: TanStack Start (React 19 SSR), PostgreSQL (RLS), TypeSafe Jev AI, Tailwind CSS.

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Greater Noida, India

UI/UX Designer • No-code Builder • AI Architect

$1k+: Earned

69: Followers

expert

UI/UX Designer • No-code Builder • AI Architect

Cover image for A product is easy to

A product is easy to build. A brand is what makes it unforgettable. So I built BRANDRY! A workflow that takes a single input—a keyboard—and expands it into a complete, premium brand system. — I didn’t want random outputs. I wanted something that thinks like a design studio. Everything starts with the input image. I analyze: • materials • lighting • form • design language From that, the entire brand direction is derived. — Then the system builds across four layers: 1. Logo: A refined mark inspired by the product—never copied, always reinterpreted. 2. Moodboard: Colors, textures, and visual cues extracted and elevated into a cohesive direction. 3. Brand Identity: A dark, premium system—typography, palette, and visual language working together. 4. Website Mockup: A cinematic presentation—displayed on devices, placed in a real environment, lit like a product ad. And to bring everything together, I leaned heavily on the Compositor Node. Every output is carefully layered: • controlled lighting • depth and shadows • balanced composition Then inside the Creative Code Node, I used Three.js to construct a 3D version of the product. That added: • real depth • accurate lighting interaction • natural integration into scenes Workflow: https://app.fuser.studio/view/03af9496-bc89-4f76-a1b7-00c25c7fb513 The product doesn’t feel placed—it feels built into the frame. …this one’s my second submission.

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Cover image for Most AI outputs look impressive.
But

Most AI outputs look impressive. But they still don’t feel like a real ad. That gap is exactly what I set out to close with AUREL🚀 — I didn’t approach this like prompting. I approached it like building a creative pipeline. Everything starts with structure. I used the Compositor Node as the core—treating every visual like a layered campaign build: • model as the primary subject • product placed with intent • controlled lighting and shadow passes • grain and texture for depth Nothing is random. Every layer is composed to feel like it went through an actual art direction process. That’s where the “ad feel” comes from. — Then I pushed the product beyond flat placement. Inside the Creative Code Node, I brought in Three.js to generate a 3D version of the product. This changed everything. Now the product: • has real depth • reacts to light correctly • sits naturally inside the frame It’s not pasted in—it’s constructed into the scene. — From there, I designed the system to branch into four distinct campaign directions: - Luxury Editorial — minimal, high-contrast, fashion-first - Streetwear — gritty, neon-lit, high energy - Futuristic — cinematic, immersive, sci-fi driven - Surreal — abstract, dreamlike, expressive Each theme has its own composition logic, not just a visual style. Workflow: https://app.fuser.studio/view/fb2d0257-c565-493f-a2a8-099d2b9dd598

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Cover image for BEYOND THE VEIL ✨
What started

BEYOND THE VEIL ✨ What started as two simple fantasy scenes became a completely different world. For this challenge, I wanted to create a cinematic transition where reality itself feels like it’s breaking apart before revealing another world. Instead of manually building every layer, mask, distortion, and reveal, I directed invideo Editor’s AI agent to build the effect directly on my timeline. I could describe the look I wanted, let the agent handle the heavy lifting, then refine the result myself until it felt right. That made the process way easier — I could focus more on the creative direction and less on the repetitive technical work. From original forest → reality fracture → celestial world. Built with invideo Editor. 🎬✨ invideo Editor is free to try @Invideo @invideo.creators #invideoeditor

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Cover image for I wanted to make a

I wanted to make a photography website that felt more like an experience than a portfolio. So I built CINÉRA (https://cinera-app.lovable.app) — a cinematic photography studio website with a 3D gallery, interactive archive, real availability, and a complete booking flow. You can explore the work, pick a date and time, add your shoot details, and get booked without the usual back-and-forth. On the studio side, there’s a dashboard to manage bookings and inquiries, plus automatic booking confirmations to take a bit of the repetitive work off the photographer’s plate. This was built for an appointment-based business challenge, and honestly, I had way too much fun making it.

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Strategist | PM/OPS + HR + Content + Social Impact

121: Followers

Strategist | PM/OPS + HR + Content + Social Impact

Cover image for Engage Readers with Innovative Book Promotions & Merchandise

So this second work flow was better. Still messy but less of a mess than my first one lol. My goal for this flow was to lend on the book industry trends of having really engaging online promotional content. I ended up creating a book trailer (which was honestly phenomenal), a mini interactive game, and 3D landscape play ground based off would be settings in the book. Of course created a branded tote bag that could be sold online. And you could use this exact work flow for clothes, bookmarks, water bottles and other tried and true physical products. Seashells in a bottle is an option. If I hadn't burned through credits, I would have tried creating engaging ad interactive meta and mobile ads, along with creating email campaigns that integrated all that would be created for the campaign. Link: https://app.fuser.studio/view/6d45e18e-6f45-4eec-8ab9-4e361aff4ca7

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Cover image for I went the wholesome and grounded route because yeah lol. Se...

I went the wholesome and grounded route because yeah lol. Series Title: Daisy on the Prairie Original Character: https://cantina.com/i/s4jat (@daisyontheprairie) Pilot Episode: https://cantina.com/i/m5zx8 Info: Daisy is a Prairie Ground Squirrel who is out here to teach you about the Prairie and the native plants and animals on the land. She quite friendly, down to earth, and a protector of prairie lands. The pilot is a quick intro how Daisy lives and her start to prep for a major seasons for the prairie: wildfire season. I imagine a children's show like pacing where there is a new activity or adventure to learn from with each episode while weaving an overall narrative. The goal would be to show the importance of prairie land, and how the plants and animals being and presence positively impacts the prairie ecosystem. Characters introduced would be her parents, friends like bison, other ground squirrels, birds, and so much more. Then there would be focus on plants and other important dynamics of the ecosystem. Also challenges would focus on natural disasters or major shifts in ecosystems and how the animals and ecosystem react to these challenges.

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Cover image for Third and final submission: All

Third and final submission: All four seasons in a landscape. For my final piece, I knew I wanted to do something with transforming with a landscape. Even before working on any of my entries and the Flora challenge I have been thinking about projects around transforming landscapes. One of the reasons I liked the Tile for my first entry and so I looked for a landscape piece through the catalog. Initially thought I would use a colored landscape/realism piece but ended up picking a 16th century artwork titled "Four Landscapes with the Four Seasons" by Hendrick van Schoel (Flemish, active Rome, ca. 1565–1622) After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam). I thought by the title it was found landscapes and four seasons in one depiction and that got my brain going. Turns out it was a series made by Schoel based on sketches/drafts from Bol, that had four landscape pieces depicting the same landscape and the activities done on the land in different seasons. I saw the other possible pieces in the series online, but The Met only has this Summer version. So I colorized the summer version and used it as base for the other seasons and took it from there to create videos to show case what a landscape with four seasons happening at once may look like. Working on this also has my creative writing brain thinking as well. Original Work Link: https://www.metmuseum.org/art/collection/search/357077 Canvas Link: https://app.flora.ai/view/js72hh92esgrqz73yv14xb88098e08eg

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Cover image for Decided to prototype some of

Decided to prototype some of my nagging thoughts around building more usable environmental tools for everyday users. Prototype was dubbed Carbon Wise by the agent, and it is meant to be an app the gives more equitable solutions to users for reducing their carbon emissions feasible for their situation. Link for the full 50 screen canvas here: https://app.flowstep.ai/file?activeFileId=723032f1-6051-4bf0-973b-f22162a91287

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Brand & Product Designer | AI-Powered Workflow

8: Followers

Brand & Product Designer | AI-Powered Workflow

Building Brand Identity with Motion using fuser compositor and creative code, brand visuals become structured and repeatable not starting from scratch every time, but building a system that can scale RIMBA brand identity is developed fully through fuser compositor and creative code from a single image, it expands into: motion-driven visuals controlled blur compositions, dynamic campaign frames, consistent product storytelling everything stays aligned, flexible, and ready for production this is not about adding effects but building a visual system that can grow with the brand https://app.fuser.studio/view/153c2ec7-a3a6-4260-a4ef-d735f8c7c776

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Cover image for Built a padel court booking

Built a padel court booking app called Padelion with Lovable. Pick a day, time and duration, then pay. You can pay a down payment or the full amount. Every booking gets a QR ticket for check-in. Owners and admins manage courts, bookings and payments from a dashboard. Live demo: https://padelion.lovable.app/ Would love your feedback.

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VORTX- Brand Identity

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Cover image for What if a 19th-century ceremonial

What if a 19th-century ceremonial textile became a contemporary fashion identity? PELEPAI translates Lampung’s symbolic ships, figures, geometry, colors, and textile techniques into a bold visual identity expressed through fashion and film. Discover the full brand world: https://on.contra.com/zgtDTd (https://on.contra.com/zgtDTd)Original artwork from The Met: https://www.metmuseum.org/art/collection/search/855873 Created with @FLORA

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Helsinki, Finland

AI & Media Artist | Creative Technology Practice

9: Followers

AI & Media Artist | Creative Technology Practice

Cover image for SEEDS: Astral Couture

A visual ecosystem

SEEDS: Astral Couture A visual ecosystem for the "Gardeners Corps," where aesthetics are a tool for survival. At its heart is a gripping story of a crash on the frozen moon Enceladus—where the fragile biomatrix of a dress becomes the only shield against geysers and the vacuum of space. Using the Compositor Node, I built the design code of this universe, while the Creative Code Node allows the suit to react dynamically to the pilot's extreme stress. Workflow: Fuser (Compositor + Creative Code) Concept: Bio-tech Couture / Space Survival @fuserstudio @contra

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Cover image for Bright Hours Specials — Promotional

Bright Hours Specials — Promotional Video About the Project: A short promo teaser created for the YouTube channel https://www.youtube.com/channel/UCw4DP95xJm5VCtRN4Duw6kA. This work demonstrates how combining thoughtful video editing with original music produces engaging results, even when built with entry-level tools. Key Features: Original Soundtrack: Snippets of Easy Listening, Smooth Jazz, and Bossa Nova compositions designed for stress relief and focus. AI Generation (Google Flow): Visuals generated using the budget version of Google Flow — proving how effectively a concept can unfold on a base AI model (with high potential for even greater quality on Pro versions). Edited in CapCut: Rhythmic cut-to-beat pacing, color correction, and final post-production. Services: Video Editing (CapCut) • AI Visual Generation • Original Music Production • Promo Teasers

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Cover image for 🎬 New Short Film: When

🎬 New Short Film: When Your Own City Becomes a Luxury Over the past few days, I challenged myself to create a complete short film for the TapTV Arena × EAST2046: Turning Dreams into Cinema competition. The story asks a simple question: What if the city you grew up in became a place you could no longer afford to live in? When Your Own City Becomes a Luxury follows two people whose lives slowly drift apart as housing costs transform London into a luxury reserved for the wealthy. This project pushed me to think not only about storytelling, but also about visual consistency, pacing, cinematic editing, sound design, and emotional impact. From the first concept to the final master, it was an intense creative sprint. 🎥 Watch the film: https://youtu.be/EUw-wc_J_wk I'm always interested in creating meaningful visual stories that combine cinematic aesthetics with socially relevant themes. I'd love to hear your thoughts and feedback. #Filmmaking #ShortFilm #CreativeDirection #Storytelling #Cinema #VisualStorytelling #MotionDesign #ContentCreation

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Cover image for 🌸 New Project: Kukka Mind

🌸 New Project: Kukka Mind — Digital Ecosystem for Wellness I am thrilled to present Kukka Mind — an interactive web ecosystem where media and art therapy merge into a premium digital product. The platform is designed around the manifesto “Bloom at your own pace”. ✨ Inside the Project: Media Hub: Native YouTube Stories and videos from my channel Kristina ;D Bright Hours are embedded right into the Hero section. Liquid Glass UI: Soft blur effects, organic shapes, tactile paper texture, and elegant typography. 14 Modules: Ranging from dark Open Call zones for artists to a charity shop and an interactive mood tracker. Kukka Mind is a progressive web app setting a brand-new standard for digital aesthetics. Open for new UI/UX design opportunities! #UIUX #WebDesign #Portfolio

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Ilijana Takashmanova

Sofia, Bulgaria

Visual designer integrating AI into creative practice.

17: Followers

expert

Visual designer integrating AI into creative practice.

Cover image for SIDRA - Orient the soul.

SIDRA - Orient the soul. A quiet-luxury brand concept for a smart prayer rug, built end-to-end in Fuser. Who it's for: anyone who wants a daily ritual object that feels like contemporary design. Quiet, intentional, made with care. Workflow (all in Fuser): • 3× Ideogram v2 posters Hero "Gravity Defied", Ascension, Suspended (seeds 9875 / 5630 / 4397) • LTX 2.0 Fast, the hero still animated into an 8-sec motion teaser • Compositor #1 1536×2048 hero poster with the SIDRA serif lockup + "orient the soul." tagline • Compositor #2 2400×1600 campaign sheet/magazine spread, the three posters in a triptych under the SIDRA wordmark Workflow link: https://app.fuser.studio/view/dbf5feb9-fca7-4483-af35-2509ea6cca32 Made with @fuserstudio on @contra.

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Cover image for A self-initiated AI beauty editorial

A self-initiated AI beauty editorial exploring color, texture and light as the new makeup. Three portraits move from veiled cobalt to dewy daylight to high-glitter close-up, each leaning into hyperreal skin and pigment that traditional photography rarely captures in one shoot. Built using a stack of, Weavy Ai and Higgsfield with Lummi for refinement, then color-graded for an editorial print feel. Created as a personal study for beauty brands and magazines exploring AI-generated campaign imagery.

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Cover image for AI Visuals

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