Freelance Illustrators in Sydney

Freelance Illustrators in SydneyFreelance Illustrators in Sydney

Projects People

proSydney NSW, Australia

I design bold brands full of personality for small business

$25k+: Earned

8x: Hired

4.9: Rating

542: Followers

Top

I design bold brands full of personality for small business

Cover image for Jellybean Rebrand

Jellybean Rebrand

30

261

Cover image for Appsumo Rebrand

Appsumo Rebrand

10

124

Cover image for Animation Work

2

384

Cover image for Dear Moon Re-Branding

Dear Moon Re-Branding

0

119

Sydney NSW, Australia

Full-Service Branding for Founders + Creatives

Top

Full-Service Branding for Founders + Creatives

Cover image for Cosmopolitan Australia + Middle East

Cosmopolitan Australia + Middle East

1

31

Cover image for Insight Social Media

Insight Social Media

0

18

Cover image for Pepita Baby

0

17

Cover image for Brow Confidence

Brow Confidence

0

44

Brandt Robinson

Sydney NSW 2000, Australia

Graphic Designer specialising in branding and illustration

1x: Hired

5.0: Rating

2: Followers

Graphic Designer specialising in branding and illustration

Cover image for Savo's Carpentry was a new

Savo's Carpentry was a new brand identity completed for a startup. The main focus that the client wanted for this job, was that I include 'a deck in the branding'. Originally, he came to me with the request to have an illustration of the deck surrounding the business name and it's details, but after we went through the sketching stage, he was blown away with the solution of converting the deck into a minimal pictogram that could be used as the brand icon. This achieved the goal of both keeping the client happy, and finding a solution that had more legibility for branding.

0

95

Cover image for This was an Illustration for

This was an Illustration for members of NSW Police, who wanted T-shirts for their unit in PolAir. They came to me after their previous designer cancelled the project. They wanted a logo that could be put on the back of their shirts that resembled a Jolly Roger. I illustrated the entire logo from scratch, using their crew helmets and rotor blades for reference.

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91

This project was a brand refresh for our client. The main focus was that they wanted something modern, while retaining the spirit of their current logo. Originally, they only had a basic S letter mark inside a hexagonal container, so I combined the two, which gave them the letter mark in the shape of a hexagon. They also wanted the name to be shown in the branding, so the solution for such a long title was to place it inside a circular border, which provided them with a badge style logomark. Additionally, the logo was designed to represent an 'Impossible object', where the perspective is impossible to achieve in a 3D space. This is to display that SDCD can make the impossible, possible.

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0

114

Cover image for Benchmark Brickwork was a complete

Benchmark Brickwork was a complete brand identity development. We took care of the name, logo and visual identity. Our client came to us with a request to brand their new startup, however they did not have anything in place except for a rough idea for a name. We worked together with our client to develop an identity that showcased their main keywords. They wanted a brand that communicated stability, organisation, and cleanliness. They wanted to stand out from the crowd, as they felt their competition focused too much on speed, without quality.

1

0

125

Ali Mehdi ⚡️

Sydney NSW, Australia

Creative by nature, Designer by passion.

16: Followers

Creative by nature, Designer by passion.

Brand Identity Design for LUXE Auto Spa

0

3

Cover image for Self Portrait Illustration

Self Portrait Illustration

0

3

Cover image for Adamjee Insurance Card

Adamjee Insurance Card

0

5

Cover image for Khaleesi Polygonal Portrait - Game of Thrones

Khaleesi Polygonal Portrait - Game of Thrones

0

3

Sydney NSW 2000, Australia

Motion and Graphic designer, VFX Artist and Video Editor

Motion and Graphic designer, VFX Artist and Video Editor

Cover image for Garage Sale Trail

Garage Sale Trail

0

2

Cover image for Oporto Project

0

6

Cover image for Posters Collection

Posters Collection

0

4

Cover image for Red Rooster Campaign

Red Rooster Campaign

0

2

Sydney NSW 2000, Australia

Your one-stop shop for producing creative media.

Your one-stop shop for producing creative media.

Cover image for The Passage of Time

The Passage of Time

0

6

Cover image for Healthy Eating Food Pyramid

Healthy Eating Food Pyramid

0

5

Occupational Therapy Logo Rebrand

0

7

Cover image for Dan the Bike Man

Dan the Bike Man

0

6

proSydney NSW, Australia

Web Designer/Developer & Digital Marketing

1x: Hired

23: Followers

Web Designer/Developer & Digital Marketing

Cover image for My first attempt to do

My first attempt to do a 2D character battle animation. Designed in Figma, animated with Rive and putting it all together using Framer. 3 of my favourite tools! Let me explain this conceptual hero section for a mental wellness site: Let's talk about mental health websites, shall we! They usually lean heavily on the same predictable clinical blues and soft pastels. When creating the hero section for Mindify, I wanted to completely ditch that standard 'play it safe' design. The goal was to tie together 2 totally out there concepts: mental wellness and a retro arcade vibe. And you might be thinking… WTF? Because tackling your mental struggles can genuinely feel like a massive boss battle. By gamifying the experience we turn abstract anxiety into a fun retro fight where you get to grab the joystick and conquer your inner mental monsters. Mental health design does not have to be a bore fest. You really have to think outside the box to build a project that is unique, engaging and packed with a massive wow factor. See the full case study here: https://cleverquokka.com/case-studies/mindify

1

133

Cover image for I absolutely love Framer! It

I absolutely love Framer! It allows me to incorporate my illustration/motion design into websites. Framer is great for educational websites and I’m happy to use it for a passion project I’m working on. Introducing, PLASTIC ABYSS, an educational website about plastic pollution in our oceans. This affects not just the environment, but humans and future generations.

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2

142

Cover image for When I found out there

When I found out there was an all-women anti-poaching unit, I knew I had to make this my next side project. Presenting a hero section for the "Black Mambas", an all-women anti poaching unit. I turned some of the members into fierce illustrated characters. Designed in Figma, Built in Framer, animations in Rive.

3

143

Cover image for 9 Lives Left

0

9

Bearplus Fullstack Agency

Sydney NSW, Australia

Award-winning agency specializing in design and development.

5.0: Rating

36: Followers

Award-winning agency specializing in design and development.

Cover image for Team sections force a trade-off.

Team sections force a trade-off. Photography carries credibility, but it usually breaks a tightly drawn visual system. Heron's runs two states. The default is a crosshatched pen portrait, which keeps the section inside the same drafting language as the plans and elevations used across the site. On hover the card inverts to black, registration crosshairs appear at the corners, and the illustration resolves into a black and white photograph. The move also carries meaning for this audience. Drawing resolving into built reality is the basic sequence of architectural practice, so the interaction reads as native rather than decorative. At rest the grid holds as a system. On interaction it delivers the credibility a team section exists to provide.

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2

123

Cover image for The Heron Dashboard page had

The Heron Dashboard page had to make an agent's work legible after the fact, which is a different job to explaining what the agent does. The hierarchy leads on time saved rather than activity volume. Heron's positioning rests on hours lost to repetitive modelling, so the product reports back in the same unit, supported by model health, active and pending item counts, and a feed of agent actions. The second half of the page covers contextual code questions, answered against a specific layout and occupancy rather than quoted in isolation. Mobile treated density as the core problem. The four headline figures are kept grouped so the summary survives a portrait screen, and tabular content is restructured into stacked cards rather than compressed into scrollable tables.

3

105

Cover image for Very little of the Heron

Very little of the Heron site is layout, which makes responsive a design problem rather than a build task. The hero depends on a cursor drag, the preloader on a datum line moving up a full elevation, the explanation on a four-beat scroll sequence, and the whole visual system on architectural linework that fails when scaled down. Each of those was re-solved for mobile. The hero interaction was rebuilt for touch and reframed to portrait. The scroll sequence was re-timed for shorter distances. Drawings were recropped so the relevant part of the plan is shown at a readable size instead of the whole drawing at an unreadable one. Motion weight was reduced to hold performance on mid-range devices without dropping any of the beats that carry the story. Since most traffic arrives on mobile, this version had to stand on its own rather than gesture at the desktop experience.

1

81

Cover image for Page transitions on Heron are

Page transitions on Heron are treated as view changes rather than document loads. Motion exits one page and continues into the next, with no hard reset and no white flash between states. The reasoning is product-led. Heron runs inside Revit, Rhino, ArchiCAD and SketchUp, where switching context means panels updating around a drawing that stays put. A site built to sell that experience shouldn't behave like a set of separate files. The transition also gives us somewhere to hide load time, which keeps the heavier interactive sections feeling immediate on slower connections.

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