Ethereal Filmmaker | Photographer | Creative Direction | AI
Ethereal Filmmaker | Photographer | Creative Direction | AI
A NORMAL AMOUNT OF SKY
My entry for the CapCut Seedance 2.5 Video Challenge.
I am interested in creating worlds that exist somewhere between magical realism, liminal spaces, dreams, and quiet unease. Places that initially feel soft or nostalgic, but gradually reveal that their architecture, scale, or internal logic cannot be trusted.
For this film, I imagined a girl beginning inside an empty school, a place shaped by repetition, observation, rules, and the pressure to become a recognizable version of yourself. She walks into a faded pastel-pink bathroom and discovers a luminous horse behind a full-length mirror.
The horse represents the possibility of escape, freedom, desire, and a life that cannot be completely explained. When she crosses the mirror, the camera crosses with her. She runs alongside the horse through a fluorescent landscape where rain, flowers, institutional ceilings, and an artificial sky coexist.
An astronaut eventually leads the horse away. I see the astronaut as a figure already accustomed to surviving unfamiliar worlds, while the girl is encountering one for the first time.
As the camera pulls backward, the apparently endless landscape is revealed to exist inside a crystal sphere held by another version of the same girl. She releases the sphere, breaking the boundary around the imagined world. The luminous horse survives in miniature among the fragments.
For me, the ending is about carrying a small piece of freedom back into reality. The escape may be fragile, altered, or impossible to preserve at its original scale, but it does not disappear.
WORKFLOW
I developed the film in CapCut Video Studio using Seedance 2.5. I began with visual references centered on luminous horses, cyan rain, retro astronauts, pastel magical-girl imagery, artificial landscapes, wet reflections, 35mm grain, analog halation, and uncanny institutional architecture.
I then created a timestamped 30-second prompt defining the character continuity, camera path, environmental transformations, sound design, and narrative progression. I generated multiple iterations and refined the mirror crossing, the girl’s visibility, the relationship between the horse and astronaut, the macro pullback from the sphere, and the final release of the miniature horse.
The final camera path moves continuously from the school corridor into the bathroom, through the full-length mirror, alongside the running girl and horse, outward through the crystal sphere, and down to the fragments on the bedroom floor.
Created with CapCut Video Studio and Seedance 2.5.
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the menu, now in motion ✦
A series of short-form videos created for the visual menu of La Terraza de Alba in collaboration with Gourmeats. Each piece captures the preparation, textures and final presentation of a different dish, transforming the traditional menu into a more immersive and appetizing visual experience.
Videography • Editing • Food Styling Content
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theatre rehearsals, but cinematic ౨ৎ ⋆｡˚
For La carta fue un error, I stepped behind the scenes to film the cast during rehearsals and transform the process into a series of Instagram Reels.
I captured the glances, gestures, movement and tiny in-between moments that bring a play to life, then shaped them into intimate, dynamic edits designed for social media ✶
shot + edited by me
written & directed by Camila Elejalde
performed at NAVE 73, Madrid
✧ filming
✧ creative editing
✧ vertical content
✧ Instagram Reels
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1.3K
BESO ⟡ slow motion film piece (for RAYAS by Carlota Pérez de Castro)
A slow-motion video fragment I filmed as part of RAYAS, a work by Spanish artist Carlota Pérez de Castro. BESO focuses on the intimacy of a single gesture—time stretched, texture amplified, emotion held in suspension ˚✧
My role: Filmmaking / Cinematography · Slow-motion capture · Visual pacing
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Filmmaker
Testing Seedance 2.0 on recent visual work.
Strong physics, clean removals, and a surprisingly natural response to minimal camera direction.
Built from a simple prompt structure, refined in DaVinci Resolve, and shaped through composition and timing.
Constantly exploring new tools to push cinematic language forward.
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This project was a commissioned advertising spot for Emporio Armani, developed and directed using my cinematic approach to luxury brand storytelling. The concept focused on emotional connection and the idea of togetherness, aligning with Armani’s fragrance campaigns like Stronger With You and In Love With You. What began as a single spot evolved into a full worldwide campaign, demonstrating the impact of strategic, cinematic storytelling that resonates with audiences and elevates brand presence
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Automobili Lamborghini's first residential project in Stock Photo, Real Film and 3d renders. Europe.Every camera move was hand keyed using Bezier curves to ensure a 'weighted' feel. We avoided the robotic, linear movement often seen in basic 3D tours, opting instead for damped momentum—mimicking a heavy cinema crane or a professional Steadicam rig.
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Visual Grandeur. Treated every room as a set, utilizing slow-burn pans and rack-focus techniques to guide the viewer’s eye toward the bespoke craftsmanship. By shooting in LOG profile, I achieved a wide dynamic range that mimics the texture and 'creaminess' of a 35mm film print, ensuring that the shadows are deep and the highlights are sophisticated, not blown out.
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Visual Storyteller (Filmmaker & Editor)
Visual Storyteller (Filmmaker & Editor)
AI Systems & Product Architect | Fractional CAIO/CTO
AI Systems & Product Architect | Fractional CAIO/CTO
Brand Designer & Filmmaker
Brand Designer & Filmmaker
Efficient Web & Brand Design for Growth
Efficient Web & Brand Design for Growth
This year, I’m launching a personal project called Everyday Frequency.
It’s a visual and sound-based series focused on everyday moments, and my lifestyle: movement, work, food, nature, rest. Captured in a calm, cinematic, ASMR-inspired way.
No trends.
No noise.
Just textures, rhythm, and small stories that feel real.
This project is a space for consistency, experimentation, and storytelling, and also a way to share my work beyond client projects.
I’ll be posting regularly on YouTube.
If you’re curious or want to support the project, you can watch the videos here:
https://www.youtube.com/@Everyday_Frequency
Any support, feedback, or share means a lot.
Thanks.
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AI-generated video & visuals for brands worldwide.
Teaser for an original sci-fi concept film, a vertiginous, high-velocity dolly shot through a dense urban skyline, introducing a mysterious central character and the world she moves through.
Produced end to end using the most advanced AI video generation models available, demonstrating cinematic camera work, atmosphere, and pacing without a physical production.
Built to show narrative and directing capability beyond product and marketing work, for brands or studios exploring AI-driven short-form storytelling.
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Gulfstream G700: 15 Second Brand Film
A 15 second cinematic brand film for the Gulfstream G700, the largest cabin in business aviation. Six shots, one escalating arc, no stock footage.
Private aviation marketing all looks the same. The same apron stills, the same drone orbit. The airframe is the most expensive object in the brand and almost nobody films it like it matters.
This film treats the G700 like a fashion campaign. It opens on surface and detail, then widens relentlessly until the aircraft is alone against the curvature of the earth. Each cut lands shorter than the last, except the final one, which holds past the beat and lets the scale sit in silence.
No people, no text, no onscreen branding.
The aircraft carries the story.
If you sell something expensive and beautiful, it deserves better than a drone orbit.
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Amor à Vida - Côte d’Azur Film
A 10-second concept film built for the luxury marine market, set in the waters off Villefranche-sur-Mer.
The edit follows a three-beat reveal. A water-level approach that withholds scale, a bird’s eye that establishes it, and a slow orbit that delivers the full form.
Shot in a 2.39:1 anamorphic frame with a golden hour grade, deliberately free of people so the object carries the entire story.
Produced end to end using AI video generation and post, from concept and shot design through to grade and sound. No crew, no vessel charter, no location permits.
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AI-generated product marketing stills for a premium bladeless, ring-style hairdryer in a rose gold and copper colorway, shot in two settings: an editorial lifestyle placement on volcanic rock with succulents, and a clean studio composition on black.
Produced end to end using the most advanced AI image generation models available, no physical product unit, no studio booking, no photographer.
Built to demonstrate commercial product photography quality for beauty and personal care brands that need fast, repeatable hero imagery without a traditional shoot.
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SM + Content Production + Digital Strategy
SM + Content Production + Digital Strategy
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