Freelance Video Editors in PakistanFreelance Video Editors in Pakistan
ProjectsPeople
Awais Khan's avatar
Awais Khan
Phase 1 Pakistan Town, Pakistan
Video Editor & Content Enhancer | Ads, Promos, Reels, Shorts
$25k+
Earned
17x
Hired
5.0
Rating
92
Followers
Video Editor & Content Enhancer | Ads, Promos, Reels, Shorts
Cover image for Solawave UGC Ad Creatives for
Solawave UGC Ad Creatives for Meta/TikTok 😍
1
545
Cover image for Short Video ADS
Short Video ADS
0
21
Cover image for Scroll-Stopping Social Media Edits That Connect & Convert 🎯
Scroll-Stopping Social Media Edits That Connect & Convert 🎯
0
13
Cover image for YouTube/Meta Video Ads Creator & UGC Video Editor
YouTube/Meta Video Ads Creator & UGC Video Editor
3
300
Video Editor(19)
Zain Malik's avatar
Zain Malik
proLahore, Pakistan
Brands, Visual Identity & Digital Design
2x
Hired
5.0
Rating
24
Followers
Brands, Visual Identity & Digital Design
Cover image for UGC Reels for Instagram & TikTok
UGC Reels for Instagram & TikTok
2
17
Cover image for High-End UGC Vertical Videos
High-End UGC Vertical Videos
3
17
Cover image for CROSSROBE Brand Rebrand & Relaunch
CROSSROBE Brand Rebrand & Relaunch
2
8
Cover image for Imagine Coffee Brand Identity Design
Imagine Coffee Brand Identity Design
1
21
Video Editor(2)
Sila Ejaz's avatar
Sila Ejaz
Pakistan
creative director - video editor - creative strategist
$1k+
Earned
1x
Hired
5.0
Rating
16
Followers
creative director - video editor - creative strategist
Cover image for From Beige to Her: Lauren's Seen Era .✦ ݁˖
From Beige to Her: Lauren's Seen Era .✦ ݁˖
0
13
Cover image for ⋆.π™š ̊ From all over the place to completely, undeniably her
⋆.π™š ̊ From all over the place to completely, undeniably her
0
14
Cover image for Brand Therapy X Contra UGC Video
Brand Therapy X Contra UGC Video
0
60
Cover image for Video Editing For Makers
Video Editing For Makers
1
53
Video Editor(4)
Atiya Zehra's avatar
Atiya Zehra
proKarachi, Pakistan
UI/UX Designer | Framer & Video Editing
$1k+
Earned
3x
Hired
5.0
Rating
35
Followers
UI/UX Designer | Framer & Video Editing
Cover image for Dynamic Roofing Marketing Video Project
Dynamic Roofing Marketing Video Project
2
9
Cover image for Bookkeeping Motion Graphics
Bookkeeping Motion Graphics
3
12
Cover image for Arabic Real Estate Video Editing
Arabic Real Estate Video Editing
2
12
Cover image for SKN Inc. Website Redesign: Beauty Growth Agency Concept
SKN Inc. Website Redesign: Beauty Growth Agency Concept
1
4
Video Editor(3)
Aisha Khan's avatar
Aisha Khan
proPakistan
Marketing Static and Dynamic Designer
$5k+
Earned
12x
Hired
4.3
Rating
57
Followers
IDEOGRAM_EXPERT

Partner

Marketing Static and Dynamic Designer
Cover image for πŸš€ Excited to share a project I worked on with Holly Roberts...
πŸš€ Excited to share a project I worked on with Holly Robertson at Canopy Marketing Agency! Since 2020, I’ve been helping brands bring their ideas to life with videos that connect and inspire. This clip is a peek into one of my favourite creations – where strategy meets creativity. πŸ’‘ Let’s create visuals that make your brand unforgettable. ✨ #FreelanceLife #VideoEditing #ContentCreation #MarketingAgency #BrandStorytelling #VisualContent #CanopyMarketing #CreativeWork #ContraCommunity #HollyRobertson
2
698
Cover image for Shepper – Promotional Video for On-Demand Data Collection
Shepper – Promotional Video for On-Demand Data Collection
8
94
Cover image for Cinematic Edit for Luxury Real Estate
Cinematic Edit for Luxury Real Estate
3
56
Cover image for New Year’s Eve Celebration Recap Reel
New Year’s Eve Celebration Recap Reel
0
26
Video Editor(5)
Hamza Yazdani's avatar
Hamza Yazdani
proPakistan
Documentary & Motion Design Editor | Brand, Short-Form, Post
$1k+
Earned
3x
Hired
4.7
Rating
13
Followers
Documentary & Motion Design Editor | Brand, Short-Form, Post
Cover image for Fast-paced nostalgia storytelling edit built
Fast-paced nostalgia storytelling edit built around motion graphics instead of static B-roll. Key phrases hit the screen as animated kinetic text, illustrated cutouts and character icons pop in on cue, and gameplay clips get custom borders, glowing accents, and slow pans and zooms. A new visual lands every 1 to 2 seconds, all tied together with one consistent motion style to keep viewers locked in.
0
4
Cover image for Talking head edit, rebuilt around
Talking head edit, rebuilt around motion graphics instead of static B-roll. Every stat, chart and key point becomes an animated overlay that pops in and pushes the story forward, all tied together with one consistent motion style. Clean, fast-paced, and built to keep viewers locked in.
0
11
Cover image for 5 Years and $20K+ on
5 Years and $20K+ on Upwork: What Actually Wins Video Editing Clients After 5+ years editing for clients in the US, UK, Canada and Australia, here's what I've learned works: 1. The first 3 seconds sell the video. Clients don't remember transitions. They remember retention. Every edit I make starts with the hook. 2. Sound design is half the edit. Muted, a great edit feels flat. Designed sound is what makes motion feel expensive. 3. Speed without quality loses clients. Quality without speed loses them faster. Clear timelines and fast revisions kept my repeat clients coming back. 4. Niche beats generalist. Documentary, SaaS motion and YouTube storytelling each have their own rules. Knowing those rules is what clients pay for. 5. Communication is a deliverable. Most clients don't leave because of the edit. They leave because they felt out of the loop. Now I'm bringing this to Contra, focused on SaaS product animation, documentary-style YouTube and short-form content. If you need a video that holds attention and looks premium, let's talk.
0
34
Cover image for Archival documentary editing constructed around
Archival documentary editing constructed around one pivotal moment: a 911 call from a woman trapped in rising floodwater. Narration and dialogue drive every beat, cutting to the dispatcher's exact words as they're spoken. Timestamps and key facts land as restrained animated text on the line they're delivered, never before or after. The near-total absence of footage is treated as a design constraint, not a gap: minimal archival stills, textural water and static-radio visuals, and negative space carry the tension the audio can't show. Pacing tightens as the panic escalates, with a held beat of silence before the final line so nothing competes with it. Built on one grade and one sound palette throughout, so the piece reads as a single sustained moment rather than a sequence of cuts.
0
45
Video Editor(16)