Freelance Video Editors in MarilaoFreelance Video Editors in Marilao
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Aliyah | Melonade Studio's avatar
Aliyah | Melonade Studio
Manila, Philippines
Content Designer for Social Media
$10k+
Earned
11x
Hired
5.0
Rating
92
Followers
Content Designer for Social Media
Cover image for Video Marketing for Wellness Brands
Video Marketing for Wellness Brands
0
60
Cover image for Social Media Campaigns
Social Media Campaigns
1
147
Cover image for Social Media Ads for E-commerce Brands
Social Media Ads for E-commerce Brands
0
89
Cover image for Creator Brand Kit for Personal Brands
Creator Brand Kit for Personal Brands
0
109
Video Editor(11)
Allen Pascua's avatar
Allen Pascua
proManila, Philippines
Crafting Compelling Video Content for All Needs
1x
Hired
2
Followers
Crafting Compelling Video Content for All Needs
Cover image for Lifestyle and Technology Video Editing
Lifestyle and Technology Video Editing
0
9
Cover image for Tech Video Editing
Tech Video Editing
0
12
Cover image for Vlogs Video Editing
Vlogs Video Editing
0
11
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Video Editor(2)
Emily Belarmino's avatar
Emily Belarmino
Marikina, Philippines
Filmmaker's Eye: Crafting Compelling Video Stories
5.0
Rating
16
Followers
Filmmaker's Eye: Crafting Compelling Video Stories
Cover image for This is a vlog in
This is a vlog in a series edited for the CEO of Luxega, a Danish lighting company. It's goal is to explain how the company does manufacturing in China, offering an in-depth look into the production process and discussing some common misconceptions about manufacturing in the country. The project required sorting through footage, piecing together a compelling and informative timeline, and adding text, music and color grading to enhance the viewing experience.
0
72
Cover image for This is a short-form documentary
This is a short-form documentary I edited for RootsTech focused on historical preservation, archives, and Filipino family history. This piece centered on transforming interview footage into a concise and emotionally engaging narrative through careful story structuring, pacing, and b-roll integration. The editing approach focused on highlighting the emotional and cultural importance of preserving historical records while maintaining a clean and cinematic documentary flow. Note: Final color grading was completed by another editor.
0
76
Cover image for This is a documentary-style interview
This is a documentary-style interview edit created for RootsTech 2026 featuring award-winning Filipina journalist Jessica Soho discussing family history, heritage, and storytelling. I was responsible for shaping the narrative from a 90-minute interview, building a cohesive emotional story through strategic pacing, archival integration, b-roll placement, and selective use of television show segments to enhance the storytelling flow. Note: Color grading was completed by another editor.
0
76
Cover image for Storytelling for a Citta x CamFoggo Sofa Collection
Storytelling for a Citta x CamFoggo Sofa Collection
0
10
Video Editor(8)
Ruffa Sakay's avatar
Ruffa Sakay
Guiguinto, Philippines
(ﾉ◕ヮ◕)ﾉ*:･ﾟ✧
$1k+
Earned
8
Followers
(ﾉ◕ヮ◕)ﾉ*:･ﾟ✧
Cover image for From Screen to Something I
From Screen to Something I Can Hold For the Descript “Teach Us Something” Challenge, I’m sharing a simple creative practice I use whenever I need some time away from the screen: turning a reference photo into a mini doll using pipe-cleaner wire. The idea is simple, but the process has taught me something I keep coming back to: making something physical can help reset my attention, keep me motivated, and spark new creative ideas. In the video, I walk through my actual process—from building the head and body with wire, shaping the arms and legs, and finishing the head, to attaching everything together and creating the clothes, shoes, hair, and final details. I also edited the entire video in Descript. I edited and arranged the clips, edited the audio, used AI Studio Sound to improve the sound quality, added key text instead of full captions so the video of the doll wouldn’t be covered, and added background music to bring everything together. The goal wasn’t to make a Descript tutorial. Instead, I wanted to share one part of my own creative workflow: when I feel like I need a reset, I step away from the screen, work with my hands, and turn an idea into something tangible. It’s a small project, but it gives me a different way to think, create, and come back to the screen with new ideas. 🎥 Finished Video https://share.descript.com/view/rl4pd5eD4V7 🛠️ Descript Project https://web.descript.com/7738bed7-1f20-42b0-969e-93f62f531281/cae09 Created in Descript for the Teach Us Something Challenge. #DescriptChallenge #Descript #CreativeProcess #DIY #Handmade
3
428
Cover image for Revitalize Your Wardrobe Using Iroha's Cold Shelf Feature
I challenged myself to build an outfit using pieces I hadn't worn lately using IROHA. With Iroha's Cold Shelf tag, rediscovering forgotten clothes took just a few minutes instead of digging through my closet for half an hour. A small reminder that sustainability can start with simply wearing what you already own. You might want to give it a try with your own wardrobe and see what forgotten pieces you can bring back into rotation. And if you have any suggestions for improving Iroha, I'd love to hear them. Your feedback helps shape the app and make it better for everyone. Live Project: https://iroha.figma.site/ Submission: https://on.contra.com/JmTTcN
1
4
422
Cover image for IROHA — The Closet That
IROHA — The Closet That Remembers A mobile-first personal wardrobe app. Built without a dev background. My first makeathon. The Problem The average piece of clothing is worn fewer than ten times before it's discarded. Most people wear 20% of what they own, 80% of the time. The rest sits invisible — forgotten at the back of the wardrobe, waiting. Fast fashion produces 92 million tonnes of textile waste per year. And most of that waste begins not at the factory, but at the wardrobe: overfull, un-curated, invisible. IROHA is the quiet antidote. What IROHA is Not a shopping app. Not algorithm-driven. A deliberate, personal tool for cataloguing the clothes you already own — mixing, matching, wearing, logging, and remembering them. Four screens: Closet — A two-column masonry wardrobe grid with horizontal category tabs, colour filters, and wear counts. When an item hasn't been worn in more than 30 days, it receives an ❄ Unworn tag. Not a judgment. A reminder. That quiet surfacing — multiplied across thousands of wardrobes — is where Iroha's environmental contribution lives. Try On — A virtual canvas for layering clothing items on a full-body photo. Draggable, resizable, pinch-to-zoom on touch. Save combinations as outfits, stored with a snapshot. A Smart Filter (category, colour, weather, style) lets you pull pieces from across your closet. Log — A monthly calendar diary. Day cells fill with rose for worn, lavender for planned. Outfit snapshots, OOTD photos, and memory notes attach to each entry. A summary bar tracks monthly wear count and surfaces your most-worn piece. Profile — Stats, drag-to-reorder categories, and a Memories section: a private journal of memory notes from both wardrobe items and log entries, rendered as italic Cormorant Garamond quotes. The Name IROHA (いろは) comes from a classical Japanese poem — written around the 10th century — that uses every syllable of the Japanese syllabary exactly once. It reads, in translation: Even the blossoming flowers will eventually scatter. Who in our world is unchanging? It is a poem about impermanence. About the beauty of things that pass. Clothes are beautiful things that pass — through seasons, through bodies, through trends. IROHA asks you to slow that down. I built IROHA as a vibecoder. No traditional dev background. First makeathon. What I had was a clear problem I cared about, a guide that told me where to start, and tools that made it possible to ship something real. The ❄ Unworn tag is the feature I'm most proud of. It doesn't send notifications. It doesn't calculate carbon footprints. It just makes the invisible visible. If one person reaches for a forgotten coat instead of buying a new one, that is enough. 🔗 Live Project: https://iroha.figma.site/ (https://iroha.figma.site/)🔗 Figma Community file: https://www.figma.com/community/file/1648821052690074663 (https://www.figma.com/community/file/1648821052690074663)🔗 Social Sharing: https://www.instagram.com/reel/DZwZku-h1m7/
2
3
365
Cover image for THE KEEPER OF WHAT REMAINS I
THE KEEPER OF WHAT REMAINS I started with Mask (Buk, Krar, or Kara), a Torres Strait Islander ceremonial mask from probably Mabuiag Island, dating to the mid–late 19th century. Made from materials including turtleshell, wood, cassowary feathers, fiber, resin, shell, and paint, the mask is associated with ceremonial traditions and is surmounted by a bird. That bird became my point of departure. I imagined it coming alive and carrying the mask through time. Rather than placing the mask in a single new environment, I built a continuous journey through different works from The Met's collection—moving through sculpture, ancient fresco, historic interiors, Renaissance architecture, landscapes, nineteenth-century painting, Impressionism, Pointillism, photography, and Romantic painting. The bird and mask remain together throughout. They don't change into something else. The world changes around them. The architecture changes. The landscape changes. The light changes. The atmosphere changes. The visual language changes. But the bird continues flying, carrying the same mask from one world into another. That continuity is the heart of the piece. I wanted the journey to feel less like looking at a sequence of artworks and more like passing through centuries of art history in a single uninterrupted movement. The bird stays near the center as the environments transform around it. Each transition is a continuation of its flight rather than a reset, so the viewer is always following the same traveler. The mask becomes the constant. It is carried from one period to the next, through radically different spaces and ways of seeing, until the journey eventually reaches the present. The bird emerges into a museum and approaches Edgar Degas's The Little Fourteen-Year-Old Dancer. It does not transform. It does not disappear. It simply releases the mask. The mask comes to rest on the Little Dancer. That final moment is the reason for the entire journey. For me, the piece became a meditation on how history survives time. We move through different eras. The way we see changes. The environments around us change. Art changes. But some things are carried forward. The bird is the journey. The mask is what remains. ORIGINAL MUSEUM PIECE Mask (Buk, Krar, or Kara) Torres Strait Islander, probably Mabuiag Island Mid–late 19th century The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/311950 FINAL DESTINATION The Little Fourteen-Year-Old Dancer — Edgar Degas Modeled c. 1878–81 The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/196439 PUBLIC FLORA CANVAS https://app.flora.ai/join-project/71bb6232-69ae-44cf-989d-21b45ef5e015 ARTWORKS / WORLDS REFERENCES Antonio Canova — Perseus with the Head of Medusa Cubiculum from the Villa of P. Fannius Synistor at Boscoreale Bedroom from the Palazzo Sagredo, Venice Worsham-Rockefeller Dressing Room Platter, follower of Bernard Palissy Boiserie from the Hôtel de Cabris, Grasse Patio from the Castle of Vélez Blanco Albert Bierstadt — The Rocky Mountains, Lander's Peak Winslow Homer — The Veteran in a New Field Thomas Eakins — Max Schmitt in a Single Scull William Merritt Chase — At the Seaside George Caleb Bingham — Fur Traders Descending the Missouri Martin Johnson Heade — Approaching Thunder Storm Vincent van Gogh — Wheatfield with Cypresses Georges Seurat — A Sunday on La Grande Jatte study/version Gustave Le Gray — The Great Wave, Sète J. M. W. Turner — Whalers / The Whale Ship
2
299
Video Editor(3)
Antonne Santiago's avatar
Antonne Santiago
Metro Manila, Philippines
Experienced Creative Director & Video Producer
22
Followers
TOP_INDEPENDENT

Top

Experienced Creative Director & Video Producer
Cover image for Red Bull Organics - Internal Video Edit
Red Bull Organics - Internal Video Edit
4
147
Cover image for Antonne Santiago - Reel
Antonne Santiago - Reel
0
83
Cover image for Creative Direction for Fuego Sneakers (Video-Focused)
Creative Direction for Fuego Sneakers (Video-Focused)
0
74
Cover image for Oceanic Hospitality - Video Prod
Oceanic Hospitality - Video Prod
0
28
Video Editor(2)