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Gonçalo Valério's avatar
Gonçalo Valério
Ponta Delgada, Portugal
Sound Designer & Creative Audio Engineer
42
Followers
Sound Designer & Creative Audio Engineer
Cover image for I made the sound design for this new Manfrotto tripod advert...
I made the sound design for this new Manfrotto tripod advert. It's an amazing feeling to give any production the next level it deserves. All you hear here is "fake", made in Post-Prod, and my job is to create those sounds and make them sound "real", as if all audio was recorded by the camera. 😊
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Cover image for Sound Designing for BMW X RedBull Campaign 🚀
Sound Designing for BMW X RedBull Campaign 🚀
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Cover image for Throwback to a commercial I handled Sound Design and Mix for...
Throwback to a commercial I handled Sound Design and Mix for the Replit App. A dynamic piece celebrating creativity, coding, and collaboration without limits. It’s been a while since this one, but I’ve set out to revisit and share past projects for a portfolio for the rest of the year. Client: Replit (https://www.linkedin.com/company/repl-it/)Production Agency: Chalk Content Director: Chris Neal (https://www.linkedin.com/in/christopherneal1/)Sound Design & Mix: Gonçalo Valério 🙋‍♂️ The Replit app offers unmatched flexibility, enabling seamless coding and collaboration from anywhere, at any time. Designed to streamline workflows and foster creativity, it adapts to your needs wherever you are.
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Cover image for Hello community 👋 I’m really excited to share my new person...
Hello community 👋 I’m really excited to share my new personal website, valeriosound.com (http://valeriosound.com) - a space where I showcase my work as a sound designer. What makes this one special for me is that I designed and coded the entire site myself. I’m not a full-time front-end developer, so learning and building everything from scratch was both challenging and super rewarding. I know a lot of you here use amazing tools like Framer or Webflow, but this project was about pushing myself to understand the craft a bit deeper, and honestly, I’m just proud that it came together the way it did. If you’d like to check it out, here’s the link again: valeriosound.com (http://valeriosound.com)Would love to hear what you think; any feedback is welcome! 🙌
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Sound Effect Specialist(2)
Tomas Havranek's avatar
Tomas Havranek
London, UK
People should remember your work. Great sound does that.
36
Followers
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People should remember your work. Great sound does that.
Cover image for Sound Designing an assembly cinematic🔊 I recreated the soun...
Sound Designing an assembly cinematic🔊 I recreated the sound design for this assembly animation by axxie (https://www.instagram.com/axxie01/) - foley & music to final mix. Let me know your thoughts🙌
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Cover image for Transform Your Spotify Ad with Expert Sound Design Services
Sound designing a Spotify ad🔊  I recreated the sound design for this awesome Spotify animation by @vincentschwenk (https://www.instagram.com/vincentschwenk/) @vitalygrossmann (https://www.instagram.com/vitalygrossmann/) @oddfellowstv (https://www.instagram.com/oddfellowstv/) - hope you enjoy! BTS coming soon!👀
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Cover image for Sound Designing a KeyPUNK ad🔊 I
Sound Designing a KeyPUNK ad🔊 I recreated the sound design for this awesome keypad animation by Ivan Motyk (https://www.behance.net/motyk_vanya) - foley & music to final mix. Will post BTS of how I made this tomorrow👀 Hope you enjoy!
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Cover image for Sound designing a Nike Air Max ad🔊 I recreated the sound de...
Sound designing a Nike Air Max ad🔊 I recreated the sound design & music for this Nike Air Max ad from scratch. Original animation by @alreadybeenchewed (https://www.instagram.com/alreadybeenchewed/)BTS on how I made this coming out tomorrow👀
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Sound Effect Specialist(16)
Alexandru Köllo's avatar
Alexandru Köllo
maxBucharest, Romania
Video Producer & Audio Designer 🎞️🎵🪓
$25k+
Earned
10x
Hired
4.9
Rating
89
Followers
LOVART_EXPERT

Expert

FLORA_EXPERT

Expert

Video Producer & Audio Designer 🎞️🎵🪓
Cover image for Sound Design for augmented tour app
Sound Design for augmented tour app
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90
Cover image for This Ad Was Shot on the Moon. No Camera Required.
This Ad Was Shot on the Moon. No Camera Required.
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Cover image for The Edit Room — Television Post-Production & Promo Direction
The Edit Room — Television Post-Production & Promo Direction
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Cover image for Style-Driven AI Animation
Style-Driven AI Animation
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26
Sound Effect Specialist(1)
Subhojit Mondal Art's avatar
Subhojit Mondal Art
Bhatpara, India
Cinematic Storyteller | Immersive Sound & Visual Design
Cinematic Storyteller | Immersive Sound & Visual Design
Cover image for Cinematic Intro: Narrative Sound Design
Cinematic Intro: Narrative Sound Design & Storytelling A short-film style intro blending "Squid Game" themes with a creative art challenge to maximze viewer retention. Key Editing Highlights: Immersive Soundscapes: I built a complex audio environment using layers of echo, industrial sound effects, and suspenseful music to establish an eerie, "trapped" atmosphere from the very first second [00:01]. Visual Suspense & Pacing: I utilized slow-build editing techniques, using silence and sudden audio cues to create a sense of mystery before the main "hook" of the video. The Result: A high-retention "Hook" transitioning from a cinematic narrative into an engaging art challenge, keeping viewers curious about the technical outcome. Software: Adobe Premiere Pro (Narrative Edit & Sound Layering), Adobe After Effects (Atmospheric Overlays).
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Cover image for High-Energy Tech Unboxing & Review
High-Energy Tech Unboxing & Review Edit The Objective: To create an engaging, fast-paced introduction for a tech review that maintains high energy and keeps the viewer's attention during technical specs. Editing Highlights in this Portfolio Piece: Fast-Paced "Hook": I utilized quick cuts and rhythmic pacing to match the high-energy personality of the creator, ensuring a 0% drop-off rate in the intro. Dynamic Overlays & B-Roll: I seamlessly integrated close-up product shots (B-roll) with the main footage to highlight specific features of the drawing tablet, making the review visually informative. Sound Design for Engagement: I used "Whoosh" transitions, pop-up sound effects, and energetic background music to emphasize key moments and maintain a constant "pulse" throughout the video.
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Cover image for To blend reality with supernatural
To blend reality with supernatural elements using advanced post-production techniques to drive the narrative forward Key Technical Work: VFX & Compositing: I utilized Adobe After Effects to create the "broken hand" sequence. Using the Puppet Tool and custom masking, I animated the distortion to look visceral and realistic. Seamless Integration: I tracked the movement of the hand to ensure the VFX felt attached to the physical world, maintaining the viewer's immersion. The "Mood" Shift: I used Premiere Pro to manage the pacing, shifting the video from an artistic vlog to a psychological thriller through precise cuts and color grading. Sound-Driven Horror: I layered bone-crunching Foley and eerie transitions to amplify the visual "agony" of the scene. Software Used: Adobe Premiere Pro, After Effects (Puppet Tool, Masking, Tracking
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Cover image for The 2-Minute Hook | High-Intensity
The 2-Minute Hook | High-Intensity Narrative Editing Editing Highlights in this Segment: The Hook [0:00 - 0:20]: I used a "Flash-Forward" technique with glitch effects and aggressive sound design to create a cinematic "Nightmare" sequence that immediately grabs the viewer’s curiosity. Dynamic Pacing: I balanced fast-paced cuts during high-tension moments with slow, atmospheric pauses to establish the mood and artistic scale of the project. Audio Layering: I implemented immersive Foley and atmospheric SFX to build a "Stranger Things" inspired soundscape, proving that audio is 50% of the viewing experience. Seamless Transitions: I blended handheld "vlog-style" footage with stylized cinematic overlays to maintain a premium, high-budget feel.
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Sound Effect Specialist(4)