Visual solutions simplified
Full Stack AI Engineer | Claude, AI Agents & Automation
Full Stack AI Engineer | Claude, AI Agents & Automation
Agentic AI Persona Chat (Replit)
Agentic AI Persona Chat (Replit) is an interactive AI chat application built on Replit that enables users to converse with specialized AI personas—such as a Helpful Assistant or Socratic guide—designed to reason, guide, and act autonomously based on user intent. The project showcases agentic behavior, modular personas, and real-time conversational intelligence in a developer-friendly environment.
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Agentic AI Persona Chat (Replit)
Agentic AI Persona Chat (Replit) is an interactive AI chat application built on Replit that enables users to converse with specialized AI personas—such as a Helpful Assistant or Socratic guide—designed to reason, guide, and act autonomously based on user intent. The project showcases agentic behavior, modular personas, and real-time conversational intelligence in a developer-friendly environment.
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Rive Animator | 2D Character Creator | UI/UX Designer
Rive Animator | 2D Character Creator | UI/UX Designer
Photographer/videographer/video editor/ mixed media artist.
- $1k+
- Earned
- 3x
- Hired
- 5.0
- Rating
- 10
- Followers
Photographer/videographer/video editor/ mixed media artist.
Río Tinto, Huelva
Personal project
Río Tinto in southern Spain looks like another planet: highly acidic waters, iron-rich soil, and thousands of years of mining that have reshaped the land. NASA even studies it as a Mars analog.
This wasn't a commission. I simply went to look, and this series is what I found by getting closer: cracks that read like maps, crusts that echo aerial views, a scale that dissolves. What looks like rusted rock from afar can, up close, become a river, a delta, an entire territory.
I'm sharing it because it shows how I see: patiently, with attention to texture and color, looking for the abstract inside the real.
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FRG-MN-TS: Detail Photography of a Live Cinema Performance
Photographic series documenting the analog instruments and objects behind FRG-MN-TS, a live cinema piece by Kansas Anymore that blends analog instruments, performance and live music into a space of attention and contemplation.
My role: photography at Casa de Socorro, Málaga, in collaboration with LCAmálaga and Promálaga. I focused on the tools and materials of the piece, plus one frame of the projection with the performer. I also filmed the full performance; video coming soon.
Creative team:
Pedro Lopey: video animation
Martina Álvarez: performance
Nuria Luq: musical composition
Javier Lopez: visual concept
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Broken Reflection
We sometimes look in the mirror and believe we are that reflection — that outer figure staring back.
This piece is about that trap: mistaking image for identity. The cracked mirror points to what actually matters — the part that happens behind the surface, the part you can't see.
Because what shows up on the surface isn't you. It's just a shell we sometimes get lost in.
Analog collage, background made with watercolor and salt.
Prints available if this one speaks to you — just send a message.
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DESEO is a cinematic video about vulnerability as the source of strength. For the Wonder Challenge, I built its promotional landing page — designing it as if it were a real film release.
The design extends the film's visual language: petal trails, origami textures, kintsugi gold accents, and a cinematic noise grain that ties every section together. Each scroll reveals a new act of the story.
I also conceptualized an interaction for the hero: on click, soft pink ripple rings — textured with the same Noise Passes shader applied throughout the page — expand from the play button, dissolving the title and all overlaid elements before the video plays. A transition that mirrors the film itself — something breaking open from within.
Here the link to DESEO's Wonder file:
https://app.wonder.so/antea-haauk/files/019f2532-8f00-7ac0-9da5-b7a6404d5def
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Senior Product Designer and Framer Expert
- $1k+
- Earned
- 1x
- Hired
- 5.0
- Rating
- 10
- Followers
Senior Product Designer and Framer Expert
Video Producer & AI Video Creator | YouTube & Brand Content
- 5.0
- Rating
- 5
- Followers
Video Producer & AI Video Creator | YouTube & Brand Content
Welcome To Málaga - Concept AI Video
The images were created using photos from my phone as reference images to generate similar AI images for each scene.
I used AI image-to-video with Kling AI, Higgsfield, and Google Veo 3.1, upscaled with Topaz Labs, and edited in DaVinci Resolve.
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AI-generated video & visuals for brands worldwide.
Gulfstream G700: 15 Second Brand Film
A 15 second cinematic brand film for the Gulfstream G700, the largest cabin in business aviation. Six shots, one escalating arc, no stock footage.
Private aviation marketing all looks the same. The same apron stills, the same drone orbit. The airframe is the most expensive object in the brand and almost nobody films it like it matters.
This film treats the G700 like a fashion campaign. It opens on surface and detail, then widens relentlessly until the aircraft is alone against the curvature of the earth. Each cut lands shorter than the last, except the final one, which holds past the beat and lets the scale sit in silence.
No people, no text, no onscreen branding.
The aircraft carries the story.
If you sell something expensive and beautiful, it deserves better than a drone orbit.
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Amor à Vida - Côte d’Azur Film
A 10-second concept film built for the luxury marine market, set in the waters off Villefranche-sur-Mer.
The edit follows a three-beat reveal. A water-level approach that withholds scale, a bird’s eye that establishes it, and a slow orbit that delivers the full form.
Shot in a 2.39:1 anamorphic frame with a golden hour grade, deliberately free of people so the object carries the entire story.
Produced end to end using AI video generation and post, from concept and shot design through to grade and sound. No crew, no vessel charter, no location permits.
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AI-generated product marketing stills for a premium bladeless, ring-style hairdryer in a rose gold and copper colorway, shot in two settings: an editorial lifestyle placement on volcanic rock with succulents, and a clean studio composition on black.
Produced end to end using the most advanced AI image generation models available, no physical product unit, no studio booking, no photographer.
Built to demonstrate commercial product photography quality for beauty and personal care brands that need fast, repeatable hero imagery without a traditional shoot.
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A 15-second vertical product spot for the Dyson Supersonic Nural hair dryer, built around the one thing that makes this machine different: it senses before it heats.
The film opens on the hardware itself - the transparent end cap, the exposed circuitry, the capsule ring glowing amber in a shaft of morning light. A hard cut takes us to the model drying her hair at a sunlit counter, where the ring cools from amber as the nozzle comes close to her scalp. The last beat is the machine's quietest feature: she sets it down, the capsule pulses blue, the airflow collapses, and she turns to camera with hair that's already done.
Every claim in the voiceover comes from the product's documented behaviour rather than marketing invention - the sensor network that holds a comfortable 55°C up close, and Pause detect, which cuts the heater and airflow the moment the dryer leaves the hand.
The read is voiced over a warm sound design bed of airflow and room tone.
Shot as a single 15-second generation at 9:16 from two reference images - one portrait for identity, one product shot for hardware accuracy - then assembled with the voiceover and sound design. Delivered at 720×1280, 24fps.
Concept work. Not affiliated with or endorsed by Dyson.
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