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Designed a clean and intuitive CRM dashboard that brings contacts, documents, marketing activity, workflows, and customer communication into one streamlined interface. Focused on clear data visualization, easy navigation, and a professional user experience.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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So yes, it's just a login screen. Doesn't mean it has to be boring.
This one's for Truxco, a Swedish marketplace for buying and selling used buses across Europe. Not the industry you'd expect design craft from. Exactly why it stands out.
The login is the first thing every user touches, every single session. It can feel like a chore, or it can set the tone for everything behind it.
A "boring industry" is just an industry nobody's designed properly yet.
The motion blur on the bus behind the login form is such a clever touch, it turns a static moment into part of the journey. What made you land on that visual metaphor over something more literal like route lines or a ticket motif?
Same layout but two completely different feelings🙂↔️
This is a vault app. The design has one job: make it feel safe to open.
🧮 The red one is alert.
🐊 The dark one is calm.
Which one would you trust with your collection?
52 voted
57%
39 voted
43%
91 votes
Closed
Red usually reads as 'something's wrong' rather than 'high value,' so my gut says the dark concept builds more trust when there's real money on screen. Have you tested this with actual users yet, or is this poll your first read on it?
I've built enough Middle-East-facing products to know: "East" isn't a blue color swatch bolted onto a hero image. It's rhythm, texture, warmth the stuff a user feels before they can name it. One of these two designs gets that in my opinion.
If the client pushes back, which detail do you defend first ?
#uidesign #uxdesign #figma #webdesign
3 voted
25%
9 voted
75%
12 votes
Closed
