Brand Identity and Packaging Support for Design Partners

Brand Identity and Packaging Support for Design PartnersBrand Identity and Packaging Support for Design Partners

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Mariya Vasileva

pro

• 10h

Your client needs branding or packaging? Let’s collaborate.

I’m looking to connect with web designers, developers, project managers and independent studios whose clients need brand identity or packaging support.

I bring 11+ years of international experience, developing the visual direction and carrying it through to production-ready files.

For new client introductions, I’m offering a 10% referral fee on the first project’s design fees actually paid, after any discount. We agree the referral terms in writing before the introduction, and payments follow cleared client payments.

I’m also open to working as your design partner while you manage the client relationship.

I work entirely asynchronously, without calls or meetings, through written briefs, shared files and feedback.

Have a project or client in mind? Message me here.

Selected work: https://studio.mariya.design/work/

Brand Design Brand Strategy Figma

Emiliya Smuzhanytsia

• 3h

Agreeing the referral terms in writing before the intro is the step most people skip. I run a similar setup for presentation work, so it's nice to see it spelled out this clearly.

Miguel Queirós

max

• Nov 3

Brand work for Boofi, DeFi platform

We are working on visual direction, motion and animations

Brand Design Claude Motion Design Brand Strategy Figma

Daniela Galicia

• Nov 6

So cute! Love it!

Ashar Qasmani

pro

• Nov 4

Pulsix started with a question: how much of a sportswear identity can you fit on the front of a cap?

I designed the brand around an angular X with a pulse cut through its center. On a pink cap, the chartreuse X can stand alone. On a billboard, the photograph and “Future is now!” headline take the lead. In this loop, the black Pulsix logo anchors a moving grid of apparel, campaign graphics and digital layouts.

My roles: Brand Designer, Graphic Designer, Motion Designer. Tools: Adobe Illustrator, Adobe After Effects, Figma.

Full case study: https://contra.com/p/XvP3ccE3-pulsix-sportswear-brand-identity-and-motion-design

Where would you try the X first: on the cap or in motion?

Adobe Illustrator Adobe After Effects Figma

Artur Mikhov

pro

• Nov 6

I'd try it on the cap first. Motion can borrow the pulse cut once the static X proves it holds up at small sizes, and the watch face already hints that it does. Did the pulse line change shape between the cap and the animated loop?